Literary Life

A study in motives, conflicts, ambitions, and fears as idealistic young newlyweds face unanticipated realities Hortense Calisher's second novel is a multigenerational story of art, family, and marriage. Opening with Liz and David's wedding and chronicling the first four years of their life together, Calisher follows the couple through their evolution into erudite, anti-materialist artists. They move into a sparse downtown Manhattan loft, prideful of their rebellious choice to lead lives unfettered by possessions.

Jean Gilkyson is floundering in a trailer house in Iowa with yet another brutal boyfriend when she realizes this kind of life has got to stop, especially for the sake of her daughter, Griff. But the only place they can run to is Ishawooa, Wyoming, where Jean's loved ones are dead and her father-in-law, the only person who could take them in, wishes that she was, too.

Just moved in to a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly’s for a pint, a slow one. One evening his drink is interrupted. A man in shorts and a pink shirt brings over his pint and sits down. He seems to know Victor’s name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, dislikes, too, the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

"Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l'écho inlassable des morts, et le retentissement du désastre. Aujourd'hui, je sais aussi qu'elle illustre, comme tant d'autres familles, le pouvoir de destruction du verbe, et celui du silence."

In Lori Lansens’ astonishing second novel, listeners come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are 29-year-old conjoined twins. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives.

Sal seems to appear out of nowhere - a bruised and tattered 13-year-old boy claiming to be the devil himself answering an invitation. Fielding Bliss, the son of a local prosecutor, brings him home, where he's welcomed into the Bliss family, who assume he's a runaway from a nearby farm town. When word spreads that the devil has come to Breathed, not everyone is happy to welcome this self-proclaimed fallen angel. Murmurs follow him, and tensions rise along with the temperatures as an unbearable heat wave rolls into town right along with him.

Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel's 19th birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack to bet and eavesdrop, learning the language of horses and risk.

Esther Ann Hicks - Essie - is the youngest child on Six for Hicks, a reality television phenomenon. She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage - and a ratings-blockbuster wedding?

It is in this house, surrounded by heirloom gardens and the gentle sounds of a river, that Kate Harding, 52, faces her second winter since the untimely death of her husband. Her children, now grown, are living away, and Kate is truly on her own. In her living room are several hatboxes filled with letters and other ghostly ephemera, recently brought by her sister from the attic of their grandparents’ 18th-century Connecticut house. Their sweet mustiness tinges the air and makes Kate dream of her childhood and of her beloved grandparents.

A family of four - mother, father, and two boys - move to the south coast of Norway, to a new house on a newly developed site. It is the early 1970s and the family's trajectory is upwardly mobile: The future seems limitless.

It happens quietly one August morning. As dawn's shimmering light drenches the humid Iowa air, two families awaken to find their little girls have gone missing in the night. Now these families are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets.

Arthur Lunn is a golden boy who spends long summer days roaming the hills and swimming in the lakes of the Okanagan Valley. But the Great Depression is destroying lives, even in Art's remote and bucolic hometown. Soon, Art finds himself caught up in a battle between the town and the vagrants flowing through it, and before long the tension reaches a boiling point.

Rachel has an unusual problem: she can't die. Her recent troubles - widowhood, a failing business, an unemployed middle-aged son - are only the latest. She's already put up with scores of marriages and hundreds of children, over 2,000 years - ever since she made a spiritual bargain to save the life of her first son back in Roman-occupied Jerusalem. There's only one other person in the world who understands: a man she once loved passionately, who has been stalking her through the centuries, convinced they belong together forever.

Una gran novela que narra las vidas de cinco familias: una americana, una galesa, una inglesa, una alemana y una rusa, con el trasfondo de la Primera Guerra Mundial, la Revolución Rusa y los profundos cambios sociales que estas conllevaron.La historia empieza en 1911, el día de la coronación del rey Jorge V en la abadía de Westminster. El destino de los Williams, una familia minera de Gales, está unido por el amor y la enemistad al de los Fitzherbert, aristócratas y propietarios de las minas.

Sam is 28, Swedish and spending the summer in London, working for a top marketing agency. Over the course of the sticky summer months, she falls hard for Lucas, a man she first met as a teenager. Lucas is working at a boutique clothing store whilst trying to get a foot on the corporate ladder, and struggling to hold the pieces of his life together. Sam is a gorgeous distraction. But you can only avoid reality for so long, and both Sam and Lucas know their relationship can't last. Nobody can be this happy forever, surely?

Perhaps Frank and April Wheeler married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is about to unravel. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

It all began with a simple seaside vacation, a brother and sister recapturing their childhood. Antoine Rey thought he had the perfect surprise for his sister Mélanie's birthday: a weekend by the sea at Noirmoutier Island, where the pair spent many happy childhood summers playing on the beach. It had been too long, Antoine thought, since they'd returned to the island—over thirty years, since their mother died and the family holidays ceased. But the island's haunting beauty triggers more than happy memories.

The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.