Literary Life

One day, sitting in traffic, Stella Sweeney attempts a good deed. The resulting car crash changes her life. But in this event is born the seed of something which will take Stella thousands of miles from her old life, turning an ordinary woman into a superstar, wrenching her whole family apart. For the first time real, honest-to-goodness happiness is just within her reach. But is Stella Sweeney, Dublin housewife, ready to grasp it?

Peter Rock's stunning autobiographical novel begins in the '90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears.

In a crumbling, isolated house at the foot of Mount Kanchenjunga lives an embittered old judge who wants to retire in peace when his orphaned granddaughter Sai arrives on his doorstep. The judge's chatty cook watches over her, but his thoughts are mostly with his son, Biju, hopscotching from one New York restaurant job to another, trying to stay a step ahead of the INS, forced to consider his country's place in the world. When a Nepalese insurgency in the mountains threatens Sai's new-sprung romance with her handsome Nepali tutor, they, too, are forced to confront their colliding interests.

It's August 1952 and seven-year-old Nickel sets off for a day at the seashore with her mother, aunt, and cousin Leroy. Leroy is recently motherless and frightened of the world around him. Nickel delights in tormenting her cousin, but the sisters try to coax him out of his shell by telling stories about their own childhood trips to the shore. Only years later can Nickel see that day for what it truly was - a life-changing lesson about family and the pleasure and heartbreak that comes with it.

Blindsided by her mother’s sudden death and wrecked by a recent love affair, Casey Peabody has arrived in Massachusetts in the summer of 1997 without a plan. Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she has been writing for six years. At 31, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life.

C. S. Lewis is the 20th century's most widely read Christian writer and J. R. R. Tolkien its most beloved mythmaker. For three decades they and their closest associates formed a literary club known as the Inklings, which met weekly in Lewis' Oxford rooms and a nearby pub. They read aloud from works in progress, argued about anything that caught their fancy, and gave one another invaluable companionship, inspiration, and criticism.

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made - and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests.

Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.

The suburbs of the 1970s promised to be heaven on earth - new houses, new status, happiness guaranteed. But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone's dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese Canadian coming of age in this shifting world.

Noah wants to go home. A seemingly easy request from most four-year-olds. But as Noah's single mother, Janie, knows, nothing with Noah is ever easy. One day the preschool office calls and says Janie needs to come in to talk about Noah, and no, not later, now - and life as she knows it stops. For Jerome Anderson, life as he knows it has stopped. A deadly diagnosis has made him realize he is approaching the end of his life.

Hannah Webber fears she will never be a mother, but her prayers are finally answered when she gives birth to a son. Nurturing Sam’s intellect becomes Hannah’s life purpose. She invests body and soul into his development, much to the detriment of her marriage. She convinces herself, however, that Sam’s acceptance to the most prestigious of New England boarding schools justifies her choices. When he arrives at Dunning, Sam enjoys his newfound freedom - until, late one night, he stumbles upon evidence of sexual misconduct at the school and is unable to shake the discovery.

For years, guitarist Quinn Porter has been on the road, chasing gig after gig, largely absent to his twice-ex-wife Belle and their odd, Guinness records-obsessed son. When the boy dies suddenly, Quinn seeks forgiveness for his paternal shortcomings by completing the requirements for one of his son's unfinished Boy Scout badges. For seven Saturdays Quinn does yard work for Ona Vitkus, the spry 104-year-old Lithuanian immigrant the boy had visited weekly.

Hewitt Pearce is a 43-year-old blacksmith who lives alone in his family home, producing custom ironwork and safeguarding a small collection of art his late father left behind. When Jessica, a troubled young vagabond, shows up in his backwoods one morning, fleeing her demons, Hewitt's previously hermetic existence is suddenly challenged - more so when he learns that Emily, the love of his life whom he'd lost 20 years before, has been unexpectedly widowed.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

In the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions - personal, moral, artistic, and practical - as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

They were on a lark, three teenage girls speeding across the greens on a “borrowed” golf cart, at night, drunk. The cart crashes and one of the girls is killed instantly. The driver, Jo, flees the hometown that has turned against her and enrolls at a prestigious boarding school. Her past weighs on her. She is responsible for the death of her best friend. She has tipped her parents’ rocky marriage into demise. His Favorites reveals the interior life of a young woman determined to navigate the treachery in a new world. The story cooly describes a series of shattering events and the system that failed to protect her.

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world.

Librarian Martha Storm has always found it easier to connect with books than people—though not for lack of trying. She keeps careful lists of how to help others in her superhero-themed notebook. And yet, sometimes it feels like she’s invisible. All of that changes when a book of fairy tales arrives on her doorstep. Inside, Martha finds a dedication written by her best friend—her grandmother Zelda—who died under mysterious circumstances years ago. When Martha discovers a clue within the book that her grandmother may still be alive, she becomes determined to discover the truth.

Pursuing literary glory, Edward Gunther gives up his job as a copywriter, sells everything he owns, and moves with his wife and three children from Chicago to Venice. But success does not come as quickly or as painlessly as Edward had hoped. During his first month in Italy, he struggles to get his essays published, argues with his wife about the family finances, and embarks on an unsteady affair with Nina Callahan, an American poet who insists on keeping him at arm's length.

The McKay family gathers for a week-long holiday at a rambling old house to celebrate the 50th wedding anniversary of Robert and Mary. In recent years only funerals and sudden, severe illnesses have been able to draw them together, and as they gather in the splendid rooms of Hunting Manor, their differences are soon uncomfortably apparent. For all their history, their traditions, the connective strands of DNA, they are relative strangers. There are truths unspoken, but the question is: How much truth can a family really stand?