Literary Life

When all the fish vanish from the waters and the cod industry abruptly collapses, it's not long before the residents are forced to leave the island in search of work, and 10-year-old Finn Connor suddenly finds himself living in a ghost town. There's no school, no friends, and whole rows of houses stand abandoned. Then, Finn's parents announce that they must separate if their family is to survive. But Finn still has his sister, with whom he counts the dwindling boats on the coast at night, and Mrs. Callaghan, who teaches him the strange and ancient melodies of their native Ireland.

George Hall is an unobtrusive man. A little distant, perhaps, a little cautious, not quite at ease with the emotional demands of fatherhood or of manly bonhomie. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life can’t be ignored, however: his tempestuous daughter Katie’s deeply inappropriate boyfriend Ray, for instance, or the sudden appearance of a red circular rash on his hip.

When Kate, single mother and law firm partner, gets an urgent phone call summoning her to her daughter's exclusive private school, she's shocked. Amelia has been suspended for cheating, something that would be completely out of character for her over-achieving, well-behaved daughter. Kate rushes to Grace Hall, but what she finds when she finally arrives is beyond comprehension. Her daughter is dead.

It's August 1952 and seven-year-old Nickel sets off for a day at the seashore with her mother, aunt, and cousin Leroy. Leroy is recently motherless and frightened of the world around him. Nickel delights in tormenting her cousin, but the sisters try to coax him out of his shell by telling stories about their own childhood trips to the shore. Only years later can Nickel see that day for what it truly was - a life-changing lesson about family and the pleasure and heartbreak that comes with it.

Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Even Kitty, Esme's beloved sister, is beginning to lose patience. Something will have to be done.

The Lovely Bones: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! * Once in a generation comes an audiobook that taps a vein of universal human experience, resonating with listeners of all ages. The Lovely Bones is such an audiobook - a number one best seller celebrated at once for its artistry, for its luminous clarity of emotion, and for its astonishing power to lay claim to the hearts of millions of fans around the world.

When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

Fourteen-year-old Trixie Stone is in love for the first time. She's also the light of her father Daniel's life - a straight-A student; a pretty, popular freshman in high school; a girl who's always seen her father as a hero. That is until her world is turned upside down with a single act of violence. Suddenly everything Trixie has believed about her family - and herself - seems to be a lie. Could the boyfriend who once made Trixie wild with happiness have been the one to end her childhood forever?

Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly 100, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half-brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle.

When Kristin Chapman agrees to let her husband, Richard, host his brother's bachelor party, she expects a certain amount of debauchery. She brings their young daughter to Manhattan for the evening, leaving her Westchester home to the men and their hired entertainment. What she does not expect is this: bacchanalian drunkenness, her husband sharing a dangerously intimate moment in the guest room, and two women stabbing and killing their Russian bodyguards before driving off into the night.

Divorced from his own wife and carrying on halfheartedly with another man's, saddled with a bum knee and friends who make enemies redundant, Sully now has one new problem to cope with: a long-estranged son who is in imminent danger of following in his father's footsteps. With its uproarious humor and a heart that embraces humanity's follies as well as its triumphs, Nobody's Fool, from Pulitzer Prize-winning author, Richard Russo, is storytelling at its most generous. Nobody’s Fool was made into a movie starring Paul Newman, Bruce Willis, Jessica Tandy, and Melody Griffith.

Cree bush pilot Will Bird lies comatose in a hospital while his wayward niece Annie arrives to sit in silent vigil by his side. Slowly their stories reveal two people previously separated by great distances, beaten and broken, and searching for some sense of where they belong in the world.

Barbados, 1962. Lost soul Iapetus roams the island, scared and alone, driven mad after witnessing his father’s death at the hands of his mother and his older brother, Cronus. Just before Iapetus is lost forever, he has a son, but the baby is not enough to save him from himself—or his family’s secrets. Seventeen years later, Iapetus’s son, the stoic Atlas, lives in a loveless house, under the care of his uncle, Cronus, and in the shadow of his charismatic cousin Z.

First published in monthly parts from March 1852 to September 1853, this novel follows the fortunes of three pedestrian characters; Esther Summerson, Ada Clare, and Richard Carstone. The story they tell embondies Dickens' merciless indictment of the Court of Chancery and its bungling, morally corrupt handling of the endless case of Jarndyce v. Jarndyce, giving the novel its scope and meaning.

Elizabeth Gaskell's remarkable first novel, Mary Barton: A Tale of Manchester Life portrays a love that defies the rigid boundaries of class with tragic consequences.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is.

Two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives from scratch. For 20 years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.