Literary Life

Dolores is the youngest of six daughters. Growing up in the 1960s in Cardiff's poverty stricken Tiger Bay, her life is cursed from the start when, on the day of her birth, her father gambles and loses everything on a bet that Dolores will be a boy. As Dolores grows older, we see this strange underworld through her eyes: Tiger Bay is a place of gaming rooms and cafes, of crumbling houses and burning secrets, and for Dolores and her sisters, their home is a dangerous place, filled equally by fear and love.

Rosa Guerrero beat the odds as she rose to the top of the corporate world. An attractive woman of a certain age, the longtime chief of human resources at Ellery Consumer Research is still a formidable presence, even if her most vital days are behind her. A leader who wields power with grace and discretion, she has earned the devotion and loyalty of her staff. No one admires Rosa more than her doting lieutenant Leo Smalls, a benefits vice president whose whole world is Ellery.

Harryboy Boas is a gambling man. An independent Jewish bachelor, he lives in a Hackney boarding house: reading Zola, betting on the dogs at the track, womanising, philosophising, and repressing his tortured wartime past. Until, that is, a new family moves in. As his life dramatically unravels—financially, emotionally, and existentially—Harryboy descends into a murky criminal underworld where debts, violence, gangsters and revenge are the inevitable payback for those who can't pay up ...

Inside his home in Derry, Joe Logan's life is ruled by his tormented father; outside, by the tension and violence of the Troubles. Sometimes his father makes him run errands despite the nearby reports of gunfire. Other times his mother, afraid to be alone with her volatile and war-wounded husband, confines Joe to the home. A bright and sensitive young man, Joe finds solace and freedom in writing - a pursuit encouraged by Kathleen Doherty, a young teacher at a nearby school whom he meets and befriends.

For more than 30 years, Edie and Richard Middlestein shared a solid family life together in the suburbs of Chicago. But now things are splintering apart, for one reason, it seems: Edie's enormous girth. She's obsessed with food - thinking about it, eating it - and if she doesn't stop, she won't have much longer to live. When Richard abandons his wife, it is up to the next generation to take control. With pitch-perfect prose, huge compassion, and sly humor, Jami Attenberg has given us an epic story of marriage, family, and obsession.

Thirty-six-year-old Grace McAllister never longed for children. But when she meets Victor Hansen, a handsome, charismatic divorced restaurateur who is father to Max and Ava, Grace decides that, for the right man, she could learn to be an excellent part-time stepmom. After all, the kids live with their mother, Kelli. How hard could it be?

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.

Anna has waited a long time to fall in love and now that she has, she's not going to let her boyfriend Charlie's mother stand in her way. Meredith Granger is frighteningly well-cultured and impossible to impress. So far, Anna hasn't even been allowed to meet her. But when Charlie leaves the country on business for the summer, Anna decides to take matters into her own hands. Reinventing herself from top to toe, Anna embraces a whole new life.

Girl is spending the spring at an artist's residency in Scotland. Far from her home in Australia and her tight-knight Malaysian family, she is meant to be writing a postcolonial novel and working on a PhD on the poetry of Sylvia Plath. But she can't stop thinking about her upbringing and the stories of her parents and grandmother who raised her. How can she reconcile their dreams for her with her lived reality? And what if the story of becoming yourself is not about carving out a new identity but learning to understand the people who shaped you?

Jenna Rosen returns to the place in Alaska where her young son, Bobby, disappeared without a trace two years before. Jenna is determined to lay to rest the aching mystery of his death. But ancient legends may have had a hand in Bobby’s fate, forcing Jenna to sift through her own Native American ancestry to uncover the truth.

An autobiography usually requires a justification. The great autobiographies—those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams—were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. Never Say You’ve Had a Lucky Life is an intimate look at one life steeped in radical change.

A young boy comes of age within the confines of post-civil-war Beirut, with conflict and comedy lurking round every corner. Adam dreams of becoming an astronaut, but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence.

Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography: 'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters.'

On the banks of the River Seine in 1899, a young woman takes her final breath before plunging into the icy water. Although she does not know it, her decision will set in motion an astonishing chain of events. It will lead to 1950s Norway, where a grieving toy-maker is on the cusp of a transformative invention, all the way to present-day Ottawa Valley in Canada, where a journalist, battling a terrible disease, risks everything for one last chance to live.

If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife.

The heat is oppressive and storms are brewing in Brighton in the summer of 1982. Little Gold, a boyish girl on the brink of adolescence, is struggling with the reality of her broken family and a home descending into chaos. Her only refuge is the tree at the end of her garden. Into her fractured life steps elderly neighbour, Peggy Baxter. The connection between the two is instant, but just when it seems that Little Gold has found solace, outsiders appear who seek to take advantage of her frail family in the worst way possible.

Truth: Sherri Griffin and her daughter, Katie, recently moved to the idyllic beach town of Newburyport, Massachusetts. They’ve been welcomed by Rebecca Coleman, unofficial former leader of the Newburyport Mom Squad, and her teenage daughter Alexa, Katie’s new babysitter. Truth: Alexa has time on her hands after a falling-out with her friends involving her popular YouTube channel.

When Teagan's father abruptly abandons his family and his farm, Teagan finds herself wading through the wreckage of what was once an idyllic life, searching for something - or someone - to hold on to. What she finds is Ian, short for Obsidian: the magnificent but dangerously headstrong horse her father left behind. But even as she grows close to Ian, patiently training him, trying to overcome her fear of him, Teagan is learning that life and love are fragile.

Marnie MacGraw wants an ordinary life - a husband, kids, and a minivan in the suburbs. Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes - just as Blix told her it would. When her marriage ends after two miserable weeks, Marnie is understandably shocked.

Bea has barely been scraping by since her husband died. After falling for a telephone scam, she loses everything and is forced to abandon her trailer. With only two-thirds of a tank in her old van, she heads toward the Pacific Ocean with her cat - on a mission to reclaim what's rightfully hers, even if it means making others pay for what she lost.