Literary Lives

In northwest Ireland, eighteen-year-old Miranda Martin lives in a country estate home with her father. A recent widower, he spends his days consumed by a project to reforest their tranquil Donegal surroundings. Miranda, on the cusp of adulthood, spends her summer engrossed in a chaste but passionate courtship with a local boy named Cathal. Members of the Anglo-Irish class and the Protestant Ascendancy, Miranda and her father are sympathetic to the burgeoning movement for home rule.

Maureen and Harold Fry have settled into a quiet life, but when an unexpected message from the North disturbs their peaceful equilibrium, Maureen realizes that it’s now her turn to make a journey. But she is not like her affable, easygoing husband. By turns outspoken, then vulnerable, she struggles to form bonds with the people she meets—and the landscape she crosses has radically changed. Maureen has no sense of what she will find at the end of the road. All she knows is that she has to get there.

In this one-of-a-kind retelling of Pride and Prejudice set in modern-day Pakistan, Alys Binat has sworn never to marry - until an encounter with one Mr. Darsee at a wedding makes her reconsider.

Two old friends, who first met in university, get together for a weekend of golfing: Allan, a football hero, worldly and financially successful, and his quieter friend, nicknamed Byron, lame from a childhood injury, a smart fellow who became a lawyer but who has never left home, staying put so he could care for a mother with Alzheimer's.

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.

Amsterdam 1654: a dangerous secret threatens to destroy a young widow's new life. Following the sudden death of her husband, 25-year-old Catrin leaves her small village and takes a job as housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: science and art are flourishing, and Dutch ships bring back exotic riches from the Far East. When a figure from her past threatens her new life, Catrin flees to Delft. There, her painting talent earns her a chance as a pottery painter.

Clara Falkenberg, once Germany's most eligible and lauded heiress, earned the nickname "the Iron Fräulein" during World War II for her role operating her family's ironworks empire. It’s been nearly two years since the war ended, and she’s left with nothing but a false identification card and a series of burning questions about her family's past. With nowhere else to run to, she decides to return home and take refuge with her dear friend, Elisa.

Eve Fletcher is trying to figure out what comes next. A 46-year-old divorcée whose beloved only child has just left for college, Eve is struggling to adjust to her empty nest when one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, "U R my MILF!" Over the months that follow, that message comes to obsess Eve. Before long, Eve's online fixations begin to spill over into real life, revealing new romantic possibilities that threaten to upend her quiet suburban existence.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.

Thirty-four-year-old Harry Crane works as an analyst for the US Forest Service. When his wife dies suddenly, Harry, despairing, retreats north to lose himself in the remote woods of the Endless Mountains of Pennsylvania. But fate intervenes in the form of a fiercely determined young girl named Oriana. She and her mother, Amanda, are struggling to pick up the pieces from their own tragic loss of Oriana’s father. Discovering Harry while roaming the forest, Oriana believes that he holds the key to righting her world.

Wall Street traverse l'une des pires crises de son histoire. Nous sommes dans les années 1930, la Grande Dépression frappe l'Amérique de plein fouet. Un homme, néanmoins, a su faire fortune là où tous se sont effondrés. Héritier d'une famille d'industriels devenu magnat de la finance, il est l'époux aimant d'une fille d'aristocrates. Ils forment un couple que la haute société new-yorkaise rêve de côtoyer, mais préfèrent vivre à l'écart et se consacrer, lui à ses affaires, elle à sa maison et à ses oeuvres de bienfaisance.

Twelve-year-old Elvis Babbitt has a head for the facts: she knows science proves yellow is the happiest color, she knows a healthy male giraffe weighs about 3,000 pounds, and she knows that the naked mole rat is the longest living rodent. She knows she should plan to grieve her mother, who has recently drowned while sleepwalking, for exactly 18 months. But there are things Elvis doesn't yet know—like how to keep her sister Lizzie from poisoning herself while sleep-eating or why her father has started wearing her mother's silk bathrobe around the house.

A million-plus-copy best seller in Korea - a magnificent English-language debut poised to become an international sensation - this is the stunning, deeply moving story of a family’s search for their mother, who goes missing one afternoon amid the crowds of the Seoul Station subway. Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.

Frances Price - tart widow, possessive mother, and Upper East Side force of nature - is in dire straits, beset by scandal and impending bankruptcy. Her adult son Malcolm is no help, mired in a permanent state of arrested development. And then there’s the Price’s aging cat, Small Frank, who Frances believes houses the spirit of her late husband, an infamously immoral litigator and world-class cad whose gruesome tabloid death rendered Frances and Malcolm social outcasts. Putting penury and pariahdom behind them, the family decides to cut their losses and head for the exit.

Ils n'ont qu'une addiction : le sang. Mais depuis plus de vingt ans, ils ont décidé de renoncer à leur péché mignon et de se désintoxiquer. Pas facile d'être un vampire urbain au XXIe siècle ! Dans une banlieue british tout ce qu'il y a de plus respectable, les Radley essayent désespérément de se comporter comme « des gens normaux ». Mais des vampires de souche peuvent-ils définitivement refouler leurs désirs et leurs instincts ? Pas sûr.

The Butler family has had their share of trials - as sisters Althea, Viola, and Lillian can attest - but nothing prepared them for the literal trial that will upend their lives. Althea, the eldest sister and substitute matriarch, is a force to be reckoned with, and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat, the family goes from one of the most respected in town to utter disgrace.

Alice Fivey is seven years old when her father dies, and ten when her mentally fragile mother is institutionalized. So begins the “sleepover life” for Alice. Shuttled among the homes of wealthy relatives, retainers, babysitters, and reluctant caretakers, Alice must learn their habits and adapt if she is to survive. But how is she to remain intact after the loss of her parents, whose troubled pasts are invoked to punish and manipulate her? Books help, as do kindly teachers.

London, 1976. In the thick of a record-breaking heatwave, Gretta Riordan's newly-retired husband has cleaned out his bank account and vanished. Now, for the first time in years, the three Riordan children are converging on their childhood home: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and an ugly secret that has driven a wedge between her and the little sister she once adored; and Aoife (pronounced EE-fah), the youngest, whose new life in Manhattan is elaborately arranged to conceal her illiteracy.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

The recent death of her beloved husband, Rustom, has taken its toll on Tehmina Sethna. Now, while visiting her son, Sorab, in his suburban Ohio home, she is being asked to choose between continuing her old life in India and starting a new one in this unfamiliar country with her son, his American wife, and their child. Her destiny is uncertain, and soon the plight of two troubled young children next door will force the most difficult decision she has ever faced. Ultimately, the journey is one that Tehmina must travel alone.