Literary Lives

Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel's 19th birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack to bet and eavesdrop, learning the language of horses and risk.

Sully is staring down a VA cardiologist's estimate that he has only a year or two left, and it's hard work trying to keep this news from the most important people in his life: Ruth, the married woman he carried on with for years...the ultra-hapless Rub Squeers, who worries that he and Sully aren't still best friends...Sully's son and grandson, for whom he was mostly an absentee figure (and now a regretful one).

Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown, north Dublin. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke has a brother called Francis, but Paddy calls him Sinbad and hates him because that's the rule. Paddy Clarke knows the exact moment to knock a dead scab from his knee.

Claire is a hardworking doctor living a simple, quiet life in London. She is also the daughter of the most notorious murder suspect in the country, though no one knows it. Nearly 30 years ago, while Claire and her infant brother slept upstairs, a brutal crime was committed in her family's townhouse.

Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.

The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.

Banned in America for almost 30 years because of its explicit sexual content, this companion volume to Miller's Tropic of Cancer chronicles his life in 1920s New York City. Famous for its frank portrayal of life in Brooklyn's ethnic neighborhoods and Miller's outrageous sexual expolits, Tropic of Capricorn is now considered a cornerstone of modern literature.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind.

Kathleen Winter’s poignant debut novel was a finalist for the Scotiabank Giller Prize. In it, Winter explores society’s views of gender identity through the eyes of a child born with male and female sex organs. At their doctor’s urging, the Blakes decide to raise their child as a boy, Wayne, giving him hormones to suppress his feminine physical traits. But after discovering the secret about his body, Wayne decides to stop taking his medication and lets his body develop naturally.

'Ma, I feel exhausted with consuming, with taking and grabbing and using. I am so bloated that I feel I cannot breathe any more. I am leaving to find some air, some place where I shall be able to purge myself, push back against the life given me and make my own. I feel I live in a borrowed house. It’s time to find my own… Forgive me…’ Calcutta, 1967. Unnoticed by his family, Supratik has become dangerously involved in extremist political activism.

'Better opportunity'—that's why Angela's dad sailed to England from America in 1948 on the Empire Windrush. Six months later her mum joined him in his one room in Earl's Court. Twenty years and four children later, Mr Jacob has become seriously ill and starts to move unsteadily through the care of the National Health Service. As Angela, his youngest, tries to help her mother through this ordeal, she finds herself reliving her childhood years, spent on a council estate in Highbury.

Ever since the Bommarito sisters were little girls, their mother, River, has written them a letter on pink paper when she has something especially important to impart. And this time, the message is urgent and impossible to ignore - River requires open-heart surgery, and Isabelle and her sisters are needed at home to run the family bakery and take care of their brother and ailing grandmother.

Reclusive literary legend M. M. "Mimi" Banning has been holed up in her Bel Air mansion for years. But after falling prey to a Bernie Madoff-style Ponzi scheme, she's flat broke. Now Mimi must write a new book for the first time in decades, and to ensure the timely delivery of her manuscript, her New York publisher sends an assistant to monitor her progress. The prickly Mimi reluctantly complies - with a few stipulations: no Ivy Leaguers or English majors. Must drive, cook, tidy. Computer whiz. Good with kids.

Six months after Rupert Falkes dies, leaving a grieving widow and five adult sons, an unknown woman sues his estate, claiming she had two sons by him. The Falkes brothers are pitched into turmoil, at once missing their father and feeling betrayed by him. In disconcerting contrast, their mother, Eleanor, is cool and calm, showing preternatural composure. Eleanor and Rupert had made an admirable life together - Eleanor with her sly wit and generosity, Rupert with his ambition and English charm.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

Rome, 1955. The artists gather for a picture at a party in an ancient villa. Bear Bavinsky, creator of vast canvases, larger than life, is at the center of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name.

For 14 years Letty Espinosa has worked three jobs around San Francisco to make ends meet while her mother raised her children - Alex, now 15, and Luna, six - in their tiny apartment on a forgotten spit of wetlands near the bay. But now Letty's parents are returning to Mexico, and Letty must step up and become a mother for the first time in her life.

Six Californians join to discuss Jane Austen's novels. Over the six months they meet, marriages are tested, affairs begin, unsuitable arrangements become suitable, and love happens. With her finely sighted eye for the frailties of human behavior and her finely tuned ear for the absurdities of social intercourse, Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

In the mountain village of Fox Crossing, Maine, everyone knows the story of The Fox. According to local legend, one of the town's founders crossed paths with a curious-looking fox with a distinctive white ear and paw. The unusual fox sighting not only inspired the town's name, it sparked a fantastical piece of folklore that's been passed down for generations. Some people say that whoever sees The Fox will be rewarded with good fortune, love, and happiness. Others say it's just a silly folk tale....

Seventeen-year-old Riggle is living in rural Indiana with his uncle and uncle's girlfriend after the death of both of his parents. Now his uncle has gone missing, probably on a drug binge. It's Monday, and $800 in rent is due Friday. Riggle, who's been suspended from school, has to either find his uncle or get the money together himself. His mission exposes him to a motley group of Opioid locals - encounters by turns perplexing, harrowing, and heartening. Meanwhile, Riggle marks each day by remembering the mythology his late mother invented for him about how the days got their names.