Literary Lives

In Brooklyn's unforgiving urban jungle, Maggie Moore is torn between answering her own needs and catering to the desirous men who dominate her life. Confronted by her quarrelsome Irish immigrant father, the feckless lover who may become her husband, and others, Maggie must learn to navigate a cycle of loss, separation, and hope as she forges her own path toward happiness.

The final book in the landmark Cazalet Chronicles, recently broadcast on BBC Radio 4. It is the 1950s and as the Cazalets' beloved matriarch, the Duchy, passes away, she takes with her the last remnants of a world - of great houses and servants, of class and tradition - in which the Cazalets have thrived. Louise, now divorced, becomes entangled in a painful affair; while Polly and Clary must balance marriage and motherhood with their own ideas and ambitions.

Three sisters reunite on Sullivan’s Island off the coast of South Carolina after years of separation in this heartwarming first novel in a new trilogy from a beloved author. 80-year-old Marietta Muir is a dowager of Charleston society who has retired to her historic summer home on Sullivan’s Island. At the onset of summer, Marietta - "Mamaw" - seeks to gather her three granddaughters - Carson, Eudora, and Harper - with the intent to reunite them after years apart.

With her adopted son missing and the rest of her family increasingly estranged, Sandra Kaye Darden is drawn to the little pink house where her Uncle Poppy once provided security. What begins for Sandra as a simple painting project, meant to prepare the house for sale, becomes a secret venture that eventually changes everything. Cass Blue is having trouble keeping food on the table since she ditched foster care. When Sandra Kaye shows up with lunch one day, Cass has no way of knowing that the meeting will lead to the creation of a place of refuge that could reunite a divided community.

Max Skinner is a man at the heart of London's financial universe until his employers embark on a little asset-stripping of their own. Himself. Amid the grey London drizzle, there is one potential ray of sunshine: Max's Uncle Harry has left him his estate in his will, an eighteenth-century chateau and vineyard an hour's drive from Avignon.

All is well until the Whitmans - an apparently traditional family with new money and a secretly troubled teenaged daughter - raze the house and trees next door to build themselves a showplace. With little in common except a property line, these two very different families quickly find themselves at odds: First, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers.

Perhaps Frank and April Wheeler married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is about to unravel. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

Three people find their way back from loss and loneliness to a different kind of belonging in this deeply moving novel. Arthur, an old widower struggling to overcome his grief, meets Maddy, a troubled teenage girl who avoids school by hiding out where Arthur goes every day for lunch. The two strike up a friendship that draws them out of isolation.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn't want to belong, not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza's story is that of a young girl coming into her power, and inventing for herself what she will become.

I'll Take You There centers on Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater. One evening, while setting up a film in the projectionist booth, he's confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood's silent film era. Lois invites Felix to revisit - and in some cases relive - scenes from his past as they are projected onto the cinema's big screen.

In this ferociously imaginative novel, abortion is once again illegal in America, in vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.

When Faye Travers is called upon to appraise the estate of a family in her small New Hampshire town, she isn't surprised to discover a forgotten cache of valuable Native American artifacts. However, she stops dead in her tracks when she finds in the collection a rare drum, ornamented with symbols she doesn't recognize and dressed in red tassels and a beaded belt and skirt, especially since, without touching the instrument, she hears it sound.

Alice Howland is proud of the life she worked so hard to build. At 50 years old, she's a cognitive psychology professor at Harvard and a world-renowned expert in linguistics with a successful husband and three grown children. When she begins to grow disoriented and forgetful, a tragic diagnosis changes her life - and her relationship with her family and the world - forever.

From the opening story, "Willing" - about a second-rate movie actress in her 30s who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being - Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel's 19th birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack to bet and eavesdrop, learning the language of horses and risk.

Veteran social worker Ellen Moore has seen the worst side of humanity - the vilest acts one person can commit against another. She is a fiercely dedicated children's advocate and a devoted mother and wife. But one blistering summer day, a simple moment of distraction will have repercussions that Ellen could never have imagined.

Seventeen-year-old Riggle is living in rural Indiana with his uncle and uncle's girlfriend after the death of both of his parents. Now his uncle has gone missing, probably on a drug binge. It's Monday, and $800 in rent is due Friday. Riggle, who's been suspended from school, has to either find his uncle or get the money together himself. His mission exposes him to a motley group of Opioid locals - encounters by turns perplexing, harrowing, and heartening. Meanwhile, Riggle marks each day by remembering the mythology his late mother invented for him about how the days got their names.

It's the last day of 1984, and 85-year-old Lillian Boxfish is about to take a walk. As she traverses a grittier Manhattan, a city anxious after an attack by a still-at-large subway vigilante, she encounters bartenders, bodega clerks, chauffeurs, security guards, bohemians, criminals, children, parents, and parents to be in surprising moments of generosity and grace. While she strolls Lillian recalls a long and eventful life that included a brief reign as the highest paid advertising woman in America - a career cut short by marriage, motherhood, divorce, and a breakdown.