Literary Lives

It is in this house, surrounded by heirloom gardens and the gentle sounds of a river, that Kate Harding, 52, faces her second winter since the untimely death of her husband. Her children, now grown, are living away, and Kate is truly on her own. In her living room are several hatboxes filled with letters and other ghostly ephemera, recently brought by her sister from the attic of their grandparents’ 18th-century Connecticut house. Their sweet mustiness tinges the air and makes Kate dream of her childhood and of her beloved grandparents.

This is a story about love. It's also a story about hate, which is why I left New York in the first place. You don't fly halfway across the world to live with a bunch of people you never met, just for a laugh.

For years, guitarist Quinn Porter has been on the road, chasing gig after gig, largely absent to his twice-ex-wife Belle and their odd, Guinness records-obsessed son. When the boy dies suddenly, Quinn seeks forgiveness for his paternal shortcomings by completing the requirements for one of his son's unfinished Boy Scout badges. For seven Saturdays Quinn does yard work for Ona Vitkus, the spry 104-year-old Lithuanian immigrant the boy had visited weekly.

Throughout her childhood, Carlisle Martin got to see her father, Robert, for only a few precious weeks a year when she visited the brownstone apartment in Greenwich Village he shared with his partner, James. Brilliant but troubled, James gave Carlisle an education in all that he held dear in life—literature, music, and, most of all, dance.

Wall Street traverse l'une des pires crises de son histoire. Nous sommes dans les années 1930, la Grande Dépression frappe l'Amérique de plein fouet. Un homme, néanmoins, a su faire fortune là où tous se sont effondrés. Héritier d'une famille d'industriels devenu magnat de la finance, il est l'époux aimant d'une fille d'aristocrates. Ils forment un couple que la haute société new-yorkaise rêve de côtoyer, mais préfèrent vivre à l'écart et se consacrer, lui à ses affaires, elle à sa maison et à ses oeuvres de bienfaisance.

Twelve-year-old Elvis Babbitt has a head for the facts: she knows science proves yellow is the happiest color, she knows a healthy male giraffe weighs about 3,000 pounds, and she knows that the naked mole rat is the longest living rodent. She knows she should plan to grieve her mother, who has recently drowned while sleepwalking, for exactly 18 months. But there are things Elvis doesn't yet know—like how to keep her sister Lizzie from poisoning herself while sleep-eating or why her father has started wearing her mother's silk bathrobe around the house.

Jenny Offill’s heroine, referred to in these pages as simply “the wife”, once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts.

The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.

A million-plus-copy best seller in Korea - a magnificent English-language debut poised to become an international sensation - this is the stunning, deeply moving story of a family’s search for their mother, who goes missing one afternoon amid the crowds of the Seoul Station subway. Told through the piercing voices and urgent perspectives of a daughter, son, husband, and mother, Please Look After Mom is at once an authentic picture of contemporary life in Korea and a universal story of family love.

London, 1976. In the thick of a record-breaking heatwave, Gretta Riordan's newly-retired husband has cleaned out his bank account and vanished. Now, for the first time in years, the three Riordan children are converging on their childhood home: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and an ugly secret that has driven a wedge between her and the little sister she once adored; and Aoife (pronounced EE-fah), the youngest, whose new life in Manhattan is elaborately arranged to conceal her illiteracy.

Ils n'ont qu'une addiction : le sang. Mais depuis plus de vingt ans, ils ont décidé de renoncer à leur péché mignon et de se désintoxiquer. Pas facile d'être un vampire urbain au XXIe siècle ! Dans une banlieue british tout ce qu'il y a de plus respectable, les Radley essayent désespérément de se comporter comme « des gens normaux ». Mais des vampires de souche peuvent-ils définitivement refouler leurs désirs et leurs instincts ? Pas sûr.

Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown, north Dublin. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke has a brother called Francis, but Paddy calls him Sinbad and hates him because that's the rule. Paddy Clarke knows the exact moment to knock a dead scab from his knee.

The suburbs of the 1970s promised to be heaven on earth - new houses, new status, happiness guaranteed. But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone's dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese Canadian coming of age in this shifting world.

The Butler family has had their share of trials - as sisters Althea, Viola, and Lillian can attest - but nothing prepared them for the literal trial that will upend their lives. Althea, the eldest sister and substitute matriarch, is a force to be reckoned with, and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat, the family goes from one of the most respected in town to utter disgrace.

Alice Fivey is seven years old when her father dies, and ten when her mentally fragile mother is institutionalized. So begins the “sleepover life” for Alice. Shuttled among the homes of wealthy relatives, retainers, babysitters, and reluctant caretakers, Alice must learn their habits and adapt if she is to survive. But how is she to remain intact after the loss of her parents, whose troubled pasts are invoked to punish and manipulate her? Books help, as do kindly teachers.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

In the summer of 2020, with a heat wave bearing down and a brood of periodical cicadas climbing into the trees, Husha mourns the recent death of her mother while quarantining with her ailing grandfather, Arthur, at his lakeside cabin in remote Ontario. They’re soon joined by Husha’s ex-lover, Nellie, who arrives without explanation to complete their trio. Also among them is a strange book, discovered by Husha while cleaning out her mother’s house.

Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe. With his crooked tail - a sign of good fortune - and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love.