Literary Memoir

Julio Cortázar es considerado uno de los escritores más originales en lengua castellana. Cortázar no sólo participó en el llamado Boom latinoamericano sino que inauguró un campo dentro de la literatura fantástica, con discursos novedosos y formas poco exploradas en las letras iberoamericanas. En este ensayo se reconstruyen algunos de los momentos más significativos en la biografía de este gran escritor y se analizan sus principales obras.

She was leaning against the door. Her smile was a sickly twisted grimace; the sort a prisoner gives a judge when he's asked if he has anything to say before he's sentenced. Russell Haxby is a ruthless used-car salesman obsessed with manipulating and cavorting with married women. In this classic of hard-boiled fiction, Charles Willeford crafts a wry, sardonic tale of hypocrisy, intrigue, and lust set in San Francisco in the early '50s.

Al nostro secolo è mancata la vocazione di costruire cattedrali. Ma c'è Raymond Isidore che costruì una cattedrale fatta di detriti. E la sorte volle che questo incongruo monumento, oggi considerato un luogo d'arte, sorgesse a Chartres. Dapprima fonditore, poi pulitore di rotaie e alla fine custode di discariche e cimiteri, Raymond Isidore, detto Picassiette, raccolse instancabilmente nella spazzatura frammenti di tazze, piatti e bicchieri, con i quali ricopriva ogni superficie e ogni suppellettile della sua casa.

In June of 1961, A. E. Hotchner visited an old friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke: a few weeks later, Ernest Hemingway was released home, where he took his own life. Their final conversation was also the final installment in a story whose telling Hemingway had spread over nearly a decade.

Johann Ernst Biren, il mangiatore di carta, era per Balzac un esempio di "imperio del vizio". Eppure il poderoso scrittore gli dedica un brevissimo studio in un paio di pagine delle "Illusioni perdute", facendo mostra quasi di voler strappare il segreto nascosto di quel curioso personaggio.

Newbery Medalist Paul Fleischman reflects on his childhood with his award-winning father, Sid Fleischman, and details his own path to becoming a writer in this memorable audiobook that is part memoir, part travelogue, and part reflection on craft and creativity. Acclaimed author Paul Fleischman considers how growing up with a father who was an award-winning author helped to shape and inspire his own career. Paul and Sid Fleischman are the only father-son Newbery Medalists in history, and life in the Fleischman home was extraordinary.

In this deeply personal reflection, Pulitzer Prize-winning author Jhumpa Lahiri explores the art of the book jacket from the perspectives of both reader and writer. Probing the complex relationships between text and image, author and designer, and art and commerce, Lahiri delves into the role of the uniform; explains what book jackets and design have come to mean to her; and how, sometimes, "the covers become a part of me".

Ripamonti, chi era costui? Un nome che alle orec­chie dei più non dice granché; o forse risveglia una vaga eco, persa nella nebbia dei ricordi scolastici: una delle fonti dei Promessi sposi - in verità, come sco­pri­remo, la prima e la più importante. In­curiosito da quella che gli ap­pa­riva quasi una damnatio memoriae, Franzosini ha comin­ciato a indagare sui reali motivi per i quali, dopo essere stato un protégé di Federico Borromeo - che lo no­minò Dottore dell'Ambrosiana e lo accolse nel palazzo arci­ve­scovile -, il presbitero-storico abbia subìto, pro­prio da parte del Cardinale, una "fiera per­secuzione", co­stata quat­­tro anni di carcere duro.

Una Marson’s work embodied anti-colonialism, anti-racism, feminism, class politics, and pan-Africanism in the first half of the 20th century. Her poetry and dramatic work symbolically ushered in a new era in Jamaica’s literary landscape, and her efforts in championing early Jamaican literature, as well as her avid support for Caribbean writers in Britain and the region, made her a key proponent of the development of a national and West Indian literary canon.

Changers Book One: Drew opens on the eve of Ethan Miller's freshman year of high school in a brand-new town. He's finally sporting a haircut he doesn't hate, has grown two inches since middle school, and can't wait to try out for the soccer team. At last, everything is looking up in life. Until the next morning. When Ethan awakens as a girl. Ethan is a Changer, a little-known, ancient race of humans who live out each of their four years of high school as a different person.

From the best-selling book On The Road With Charles Kuralt, these classic stories represent Kuralt's defining, and perhaps finest, work. Never before released on audio, this collection ensures that his unforgettable voice will be heard by generations to come.

In the days just before the rise of the Internet, a music scene begins in the small Midwestern city of Terre Haute, Indiana and the local club owner has a fierce vision of the town becoming the next Seattle. But there is a long way to go for these scruffy upstarts. Some obstacles: a big-time music journalist with motivational difficulties, the antics of the musicians, a politician looking to make a name and the club owner's own personal drive.

Mark Twain relates how he broke the news when he was still unknown. He was in Honolulu when the survivors from the harrowing open sea voyage of the clipper-ship Hornet arrive. He stayed up late to get the accounts of the sailors’ trials, writes through the night and relays a detailed account when the other reporters only had an outline report.

"Who is Mr Ian Fleming, the creator of this—to put it mildly—rubbish?" The whole Bond phenomenon is attacked as pornography, capitalist filth and anti-socialist poison. Here, translated into English for the first time, you will also hear the long Russian critique of the Bond films by Maja Turovskaya published in 1966, and the extremely interesting account that appeared in Prague the following year of Sean Connery’s rise to fame. A bonus is the Bulgarian attempt to publish a novel in which Bond was killed.

Karl August Böttiger war Zeitgenosse der großen Dichter und Denker von Weimar – und hielt alles fest, was ihm in die Quere kam: Stimmen und Bilder, Klatsch und Tratsch. Heute würde man Böttiger Züge eines Paparazzos zuschreiben, wenn er etwa über Goethes Häuslichkeit schreibt: "Abends sitzt er in einer wohlgeheizten Stube, eine weiße Fuhrmannsmütze auf dem Kopf, ein Moltumjäckchen und lange Flauschpantalons an." Böttiger machte sich mit seinen Schriften in Weimar so unbeliebt, dass er 1804 die Stadt verlassen musste.

أتســـاءل في كل يوم "هل ســـأموت بطريقة طبيعية أم سألقى حتفي بطريقة شنيعة مثلما فعلت بآخرين في حياتي? أرى أن الخيار الثاني هو الأقرب, فكل إنسان

In a volume he describes as "a series of covert and not-so-covert autobiographical pieces", Jonathan Lethem explores the nature of cultural obsession, in his case, with examples as diverse as western films, comic books, the music of Talking Heads and Pink Floyd, and the New York City subway. Along the way, he shows how each of these "voyages out from himself" have led him home, home to his father's life as a painter, and to the source of his beginnings as a writer.

Ci si può accostare ai grandi scrittori della nostra letteratura dall’alto delle loro opere, con un punto di vista intellettualmente critico, colto, accademico. Oppure ci si può avvicinare al loro vissuto, per quanto sghembo, contraddittorio e difficile, da una normale quotidianità. Qui ci viene raccontato Giorgio Manganelli mentre sceglie il vino più opportuno per un invito a cena o fa la sua ordinazione al ristorante con assoluta precisione.

"We are all travelers in the 'wilderness of the world' - travelers with a donkey." So Robert Louis Stevenson wrote to a friend on completing this enchanting account of a journey in rural France in 1878. Alone with his pack-donkey Modestine, and showing total disregard for discomfort, Stevenson relishes to the full his walking tour of the Cevennes.

Ill with Bright’s disease and conscious of her approaching death, Lydia Cassatt contemplates her world with courage, openness, and passion. As she addresses and comes to accept her own position as her sister’s model, she asks stirring questions about love and art’s capacity to remember.