Literary Memoir

An autobiography usually requires a justification. The great autobiographies—those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams—were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. Never Say You’ve Had a Lucky Life is an intimate look at one life steeped in radical change.

"Over the last few years I've started writing a number of stories that, for various reasons, I never finished writing..." So begins Special Problems, the comic tale of Christie Hodges, a writer who can't seem to finish a story. The problem isn't that Hodges has nothing to write about - there's her recent divorce, her paralyzed foot, trouble with her daughter and job - it's that once she starts writing, she can't stop. One problem leads to another, and another.

Before he won stunning acclaim as one of today's most gifted southern writers, Larry Brown was a firefighter with the Oxford, Mississippi, Fire Department. On Fire, his powerful and unflinching account of this experience, catapults listeners into the daily trauma all firefighters face, from the blistering heat of burning homes to the crunch of broken glass at crash scenes.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.

Muhammad Ali was born Cassius Clay in racially segregated Louisville, Kentucky, the son of a sign painter and a housekeeper. He went on to become a heavyweight boxer with a dazzling mix of power and speed, a warrior for racial pride, a comedian, a preacher, a poet, a draft resister, an actor, and a lover. Millions hated him when he changed his religion, changed his name, and refused to fight in the Vietnam War. Jonathan Eig sheds important new light on Ali’s politics, religion, personal life, and neurological condition through unprecedented access to all the key people in Ali’s life.

The attempt at murder failed. Risking everything to keep young David Balfour from his just inheritance, his wicked uncle has him kidnapped - comdemning his nephew to seven long years of slavery in the Carolinas. However, on the way, David runs into one of the greatest characters in English Literature: Alan Breck Stuart. These two heroes band together, and before he knows it, David finds himself embroiled in political intrigues that chase him across the wild Scottish Highlands.

Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.

When Marilla and Matthew Cuthbert of Green Gables, Prince Edward Island, send for a boy orphan to help them out at the farm, they are in no way prepared for the error that will change their lives. The mistake takes the shape of Anne Shirley, a redheaded 11-year-old girl who can talk anyone under the table. Fortunately, her sunny nature and quirky imagination quickly win over her reluctant foster parents. Anne's feisty spirit soon draws many friends - and much trouble - her way.

The nice guy next door was hiding a dark secret - a homicidal obsession with young girls. It didn't end until his final victim, still bound in handcuffs, escaped while he slept. She recounted the details of a night of horror spent with an elusive serial killer. Neither family nor friends saw Richard Marc Evonitz's dark side - he saved that for his victims - until his double life came undone by a courageous, resourceful 15-year-old. The authorities had questions about many unsolved cold cases, but Evonitz had one more shocking surprise in store for everyone. Into the Water is a cautionary tale about the vulnerability of our children.

James Baldwin (1924–1987) was a pivotal figure of the twentieth century, an influential author, intellectual, and activist who led a celebrated public life—and whose words and image and persona remain current in our culture. Baldwin's many incarnations have reemerged in the digital age as Baldwin's work becomes a touchstone for a new generation. It is the private, vulnerable, and messier Baldwin—the man behind the prophet and the online meme—who is the focus of this book.

In the opening of Holding Silvan: A Brief Life, Monica Wesolowska gives birth to her first child, a healthy-seeming boy who is taken from her arms for "observation" when he won't stop crying. Within days, Monica and her husband have been given the grimmest of prognoses for Silvan, and they must make a choice about his life. The story that follows is not a story of typical maternal heroism. There is no medical miracle here. Instead, we find the strangest of hopes.

As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived.

La vida de Cervantes está contada en este libro partiendo de los fragmentos de autobiografía que el escritor dejó en sus obras. Él es el primer narrador, por tanto. Pero la biografía aquí relatada ha sido completada añadiendo investigaciones y hallazgos de muchos autores, desarrollados durante más de un siglo y medio.

"We are all travelers in the 'wilderness of the world' - travelers with a donkey." So Robert Louis Stevenson wrote to a friend on completing this enchanting account of a journey in rural France in 1878. Alone with his pack-donkey Modestine, and showing total disregard for discomfort, Stevenson relishes to the full his walking tour of the Cevennes.

Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an "exotic" life he yearned for as much as he yearned to see "la patria." A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.

Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

This new edition provides extensive commentary on the literary figures, such as Baudelaire, Swinburne, J.K. Huysmans, Mallarmé, Arthur Symons and Théophile Gautier, who formed Wilde's literary circle and, in some senses, underpinned his overconfidence in the shield of Art to protect him from the sword of social morality. Returning to this contemporary account of such an infamous trial allows the modern listener a broader historical perspective. Grolleau’s words are, in fact, part of the history surrounding the immediate literary and social aftermath of Wilde’s death.

First published in 1988, the award-winning Trash showcases Allison at her most fearlessly honest and startlingly vivid. The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse; and the healing power of storytelling.

«E noi, che cosa stiamo diventando? E io, cosa sono diventato?» si chiede Paolo Nori. E la risposta viene da una lontananza che in verità brucia distanze e porta con sé, come fosse turbine di visioni, di fatti, di sentimenti, e naturalmente di poesia, la vita di Anna Achmatova. «Vogliamo raccontare» dice Nori «la storia di Anna Achmatova, una poetessa russa nata nei pressi di Odessa nel 1889 e morta a Mosca nel 1966.