Literary Memoir

Viele Kinder lasen Enid Blyton oder Beatrix Potter - Carla Valentine war von klein auf verrückt nach Agatha Christie und rätselte mit, wer wohl der Mörder war. Diese frühe Faszination ließ Carla Valentine Forensik studieren, in Leichenhallen und in pathologischen Instituten arbeiten, doch von Agatha Christie ließ sie nie ab. Agatha Christie benutzte den Begriff "Forensik" noch nicht wie wir, doch auch sie beschreibt in ihren Krimis mit ihrer fachkundigen Beobachtung und viel Einfallsreichtum die Wendungen und Verwicklungen der einzelnen Fälle und überführt geschickt jeden einzelnen Mörder.

In the days just before the rise of the Internet, a music scene begins in the small Midwestern city of Terre Haute, Indiana and the local club owner has a fierce vision of the town becoming the next Seattle. But there is a long way to go for these scruffy upstarts. Some obstacles: a big-time music journalist with motivational difficulties, the antics of the musicians, a politician looking to make a name and the club owner's own personal drive.

В центре рассказа «Кремулятора» находится Петр Нестеренко — дворянин, офицер Первой мировой войны и участник Белого движения, ставший агентом НКВД в Париже и первым директором Московского крематория. В июне 1941 года Нестеренко был арестован, а его история стала отголоском воспоминаний из его личных дневников и архивных документов.

Frank Moorhouse was legendary in Australian literary and cultural life, the author of a huge and diverse body of work - essays, short stories, journalism, scripts, the iconic Edith Trilogy - an unapologetic activist, intellectual, libertarian and champion of freedom of speech and sexual self determination. Though he lived his life publicly, his private stories have not been shared, the many paths he forged left unexamined, until now. This landmark study is the fascinating story of how one of Australia's most original writers and pioneer of the discontinuous narrative came to be.

The inspiring stories of six people who changed history, including Voltaire, the French writer who believed in equality for all; Charlotte Brontë, the British novelist who wrote Jane Eyre; Mark Twain, the American who wrote Huckleberry Finn and Tom Sawyer; Jacques Prévert, the writer known in France as 'the People's Poet'; Ayn Rand, whose writing expressed her own philosophical ideas; and Aleksandr Solzhenitsyn, who wrote about life in a Soviet Labour Camp.

The inspiring stories of six people who changed history, including Geoffrey Chaucer, writer of the first great works of English literature; William Shakespeare, writer of the greatest plays in history; Charles Dickens, who wanted to make England a better place; Victor Hugo, the French writer who cared about the poor; Leo Tolstoy, the man who wrote War and Peace; and Rudyard Kipling, who wrote The Jungle Book and won a Nobel Prize.

Just as Anne had to use a male pseudonym in order to publish, Helen Graham, the novel's protagonist and a battered wife, must assume an alias in order to gain freedom from her suffering. With her young child, Helen takes up residence at Wildfell Hall, shrouding her past in secrecy, yet earning the attentions of a young, unmarried country gentlemen.

Nikola Tesla was a man forever misunderstood. From his boyhood in what is present-day Croatia, where his father, a Serbian Orthodox priest, dismissed his talents, to his tumultuous years in New York City, where his heated rivalry with Thomas Edison yielded triumphs and failures, Tesla was both demonized and lionized. Tesla captures the whirlwind years of the dawn of the electrical age, when his flair for showmanship kept him in the public eye.

John Phillip Santos won immense acclaim for his book Places Left Unfinished at the Time of Creation, a finalist for the National Book Award. In this beautifully written new book, Santos tells of how a family—his mother’s—erased and forgot over time their ancient origins in Spain. Blending genres brilliantly, Santos raises profound questions about whether we can ever find our true homeland and what we can learn from our treasured, shared cultural legacies.

How is it that Flaubert, the great 19th-century novelist and last of the great French romantics, still seems so very modern? In this stunning biography, Geoffrey Wall investigates why Flaubert and his work, Madame Bovary, exert such a firm hold on the popular literary imagination.

"Si je vous parle aujourd'hui, c'est qu'il y a une nouveauté. [...] Je ne veux plus voler, je ne veux plus mentir. Je veux mener une vie de morte, ouvertement, sans honte. C'est ce qu'on me demande, je suppose. Je suis une personne 'en plus', mais je suis là. Si j'étais véritablement indésirable, on me l'aurait signifié, je me serais liquéfiée, dissoute. Si je suis encore là, c'est qu'il y a un sens à ce non-être. À moi de le trouver. Voilà mon travail nouveau, voilà ma tâche." (Macha Méril)

Changers Book One: Drew opens on the eve of Ethan Miller's freshman year of high school in a brand-new town. He's finally sporting a haircut he doesn't hate, has grown two inches since middle school, and can't wait to try out for the soccer team. At last, everything is looking up in life. Until the next morning. When Ethan awakens as a girl. Ethan is a Changer, a little-known, ancient race of humans who live out each of their four years of high school as a different person.

Un homme encore jeune, c'est-à-dire pas tout à fait ; toujours en forme ; souligne-t-on au cas où certains petits détails auraient dit le contraire, soliloque dans un bar, dessine sur une nappe - il est comédien reconnu, un temps même très connu en interprétant le rôle de Cyrano.

Ein neuer Blick auf Leben und Werk des letzten Universalgenies. Das Goethe-Hörbuch für unsere Zeit: Rüdiger Safranski führt uns Goethe in neuem Licht vor und macht uns zu Zeitgenossen dieses Genies und Menschen, dessen Lebensspanne das verspielte Rokoko, die klassisch-romantische Zeit und die Nüchternheit des Eisenbahnzeitalters umgreift. Mit seinem Namen hat man später eine ganze Epoche bezeichnet: die Goethezeit.

Harvard Square is at the center of Cambridge, Massachusetts, and is the business district around Harvard University. It’s a place of history, culture, and some of the most momentous events of the nation. But it’s also a gathering place for some of the city’s homeless. What is life like for the homeless in Harvard Square? Do they have anything to tell people about life? And God? That’s what Harvard student John Frame discovered and shares in Homeless at Harvard.

Mark Twain relates how he broke the news when he was still unknown. He was in Honolulu when the survivors from the harrowing open sea voyage of the clipper-ship Hornet arrive. He stayed up late to get the accounts of the sailors’ trials, writes through the night and relays a detailed account when the other reporters only had an outline report.

Frances Hodgson Burnett's favorite theme in her fiction was the reversal of fortune, and she herself knew extremes of poverty and wealth. Born in Manchester in 1849, she emigrated with her family to Tennessee because of the financial problems caused by the cotton famine. From a young age she published her stories to help the family make ends meet. Only after she married did she publish Little Lord Fauntleroy that shot her into literary stardom.

The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition.

Azulejo es el tímido héroe de este relato, es uno de esos “niños de la guerra” que tanto se ha ocupado la literatura moderna española. Salvo en la primera parte del libro, donde el autor mantiene una quimérica conversación con el chaval considerado como un yo-otro independiente y autónomo, es el autor quien toma la palabra en tercera persona como cronista de la vida de ese niño, luego adolescente, hijo de una familia republicana en los años treinta y cuarenta del pasado siglo, los infaustos años de la guerra incivil y su primera posguerra.

For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespeare have been valued and understood?