Literary Realism

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger.

Set in Iran in the decade following the 1979 Islamic Revolution, this moving, richly imagined novel is narrated by the ghost of Bahar, a 13-year-old girl, whose family is compelled to flee their home in Tehran for a new life in a small village, hoping in this way to preserve both their intellectual freedom and their lives. But they soon find themselves caught up in the post-revolutionary chaos that sweeps across their ancient land. Bahar's mother, after a tragic loss, embarks on a long, eventful journey in search of meaning in a world swept up in the post-revolutionary madness.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

On an unnamed archipelago off the east coast of Britain, the impossible has come to pass. Women control the civic institutions. Decide how the islands’ money is spent. Run the businesses. Tend to their families. Teach the children hope for a better world. They say that this gynotopia is Eva Levi’s life’s work, and that now she has disappeared, it will be destroyed. But they don’t know about Cwen. Cwen has been here longer than the civilisation she has returned to haunt. The clouds are her children, and the waves.

This fierce and beautiful story charts the histories of two women: Rae, young, unmarried, and far from home, awaits the birth of her first child. Lila, a fortune-teller with no interest in the future, lost her own daughter more than a quarter of a century earlier in New York. When these two women meet in Southern California, it's earthquake weather - the time when unexpected things happen.

What happens when magic collides with reality? Donald is a young fisherman, eking out a lonely living on the west coast of Scotland. One night he witnesses something miraculous...and makes a terrible mistake. His action changes lives - not only his own but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence?

Where the Air Is Clear, Carlos Fuentes' first novel, is an unsparing portrayal of Mexico City's upper class. Departing from a traditional linear narrative, Fuentes overlays Mexican myths onto contemporary settings, showing that even the rich and powerful must succumb to the indomitable spirit of Mexico, which undermines all institutions and shapes all destinies.

De retour de vacances, sur le parvis d'une gare, Édouard laisse derrière lui sa femme et sa valise. Un départ sans préméditation. Une vieille romancière anglaise en est le déclic, la forêt de Brocéliande, le refuge. Là, dans une chambre d'hôtes environnée d'arbres centenaires, encore hagard de son geste insensé, il va rencontrer Gaëlle la douce, son fils Gauvain, enfermé dans le silence d'un terrible secret, Raymond et ses mots anciens, Adèle, jeune femme aussi mystérieuse qu'une légende.

Érase una vez un pueblo donde las noches eran largas y la muerte contaba su propia historia. En el pueblo vivía una niña que quería leer, un hombre que tocaba el acordeón y un joven judío que escribía bellos cuentos para escapar del horror de la guerra. Al cabo de un tiempo, la niña se convirtió en una ladrona que robaba libros y regalaba palabras. Con estas palabras comienza una historia hermosa y cruel que ahora ya es una novela inolvidable.

On the eve of his 90th birthday, a bachelor decides to give himself a wild night of love with a virgin. As is his habit - he has purchased hundreds of women - he asks a madam for her assistance. The 14-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to a master's work.

Deep in gambling debt, the celebrated Brazilian writer Beatriz Yagoda is last seen holding a suitcase and a cigar and climbing into an almond tree. She abruptly vanishes. In snowy Pittsburgh, her American translator, Emma, hears the news and, against the wishes of her boyfriend and Beatriz's two grown children, flies immediately to Brazil. There, in the sticky, sugary heat of Rio, Emma and her author's children conspire to solve the mystery of Yagoda's curious disappearance and staunch the colorful demands of her various outstanding affairs.

Un volumen excepcional que reúne por primera vez en un solo volumen todos los cuentos del Premio Nobel de Literatura Gabriel García Márquez.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Two strangers in a foreign city, Thora and Santi meet in a chance encounter. At once, they recognize in each other a kindred spirit - someone who is longing for more in life than the cards they’ve been dealt. Before their friendship can blossom, though, a tragic accident cuts their story short.

There is the beautiful, elusive Elisabet who cuts a surprisingly svelte path at The Knitting Company. Neighbors Kristin and Kjartan who seem…normal, but for their explosive passion that bewilders even themselves (and ignites the spectacular revenge of Kjartan’s wife). And then the most successful businessman in town decides to ditch his Range Rover and glamorous wife in exchange for Latin books and stargazing.

Cursed. Maisie Cothay has never known the feel of human flesh: born with the power to kill or resurrect at her slightest touch, she has spent her childhood sequestered in her family’s manor at the edge of a mysterious forest. Maisie’s father, an anthropologist who sees her as more experiment than daughter, has warned Maisie not to venture into the wood. Locals talk of men disappearing within, emerging with addled minds and strange stories.

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life. Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.

In the winter of 1953, Boy Novak arrives by chance in a small town in Massachusetts, looking, she believes, for beauty - the opposite of the life she' s left behind in New York. She marries a local widower and becomes stepmother to his winsome daughter, Snow Whitman. A wicked stepmother is a creature Boy never imagined she' d become, but elements of the familiar tale of aesthetic obsession begin to play themselves out when the birth of Boy' s daughter, Bird, who is dark-skinned, exposes the Whitmans as light-skinned African Americans passing for white.

The epic novel Beauty Is a Wound combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism....

Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.