Literary Realism

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

On the last day of December 1921, three enigmatic men - Cairo Martyr, a blue-eyed African who controls the Middle East's supply of aphrodisiac mummy dust; O'Sullivan Beare, a former Irish patriot and gunrunner who has made a fortune selling spurious, phallic-shaped Christian artifacts; and Mark Szondi, a dedicated Zionist who wagers only fried fish futures - sit down to a fateful game of poker in the back room of a Jerusalem antiquities shop owned by a 3000-year-old knight errant.

From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship. Employing an innovative, dreamlike style, and overflowing with symbolic descriptions, the novel transports the listener to a world that is at once fanciful and real.

Although the Green Dolphin is a bar of ill repute, it is there that Tancred Palmieri, a thief with elegant and erudite tastes, meets Willow Azarian, an aging heroin addict. She reveals to Tancred that her very wealthy father has recently passed away, leaving each of his five children a mysterious object that provides one clue to the whereabouts of a large inheritance. Willow enlists Tancred to steal these objects from her siblings and solve the puzzle.

Somewhere far away - or maybe right nearby - lies an archipelago called Popisho. A place of stunning beauty and incorrigible mischief, destiny, and mystery, it is also a place in need of change. A storm is brewing. Before it comes, before the end of the day, this wildly imaginative narrative will take us across the islands, their history, and into the lives of unforgettable characters.

Wayétu Moore’s powerful debut novel, She Would Be King, reimagines the dramatic story of Liberia’s early years through three unforgettable characters who share an uncommon bond. Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him.

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root.

Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She's often the subject of cruel local gossip. Her father, a sailor, walked into the ocean 11 years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid.

The year: 1936. Europe dances while an invidious dictator establishes himself in Portugal. The city: Lisbon-gray, colorless, chimerical. Ricardo Reis, a doctor and poet, has just come home after sixteen years in Brazil.

When Maximilian Ophuls is murdered outside his daughter's home by his Kashmiri Muslim driver, it appears to be a political killing. Ophuls is the former U.S. ambassador to India and America's leading figure in counter-terrorism. But there is much more to Ophuls and his assassin, a mysterious man calling himself "Shalimar the Clown", than meets the eye. One woman is at the center of their shared history, a history of betrayal and deception.

Luci LaBang is a star: For decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit musical. But as time takes its toll, Luci fears her star is beginning to dim. When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene: Luda, whose fantastical beauty and sinister charm infatuate Luci immediately . . . and who bears a striking resemblance to Luci herself at a much younger age.

On the eve of his 90th birthday, a bachelor decides to give himself a wild night of love with a virgin. As is his habit - he has purchased hundreds of women - he asks a madam for her assistance. The 14-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to a master's work.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’ masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.

Este libro excepcional reúne la novela corta que le otorga su título y otros seis relatos más, de los que todos menos uno pertenecen a la etapa de plena madurez del autor. Fueron los años en los que Macondo le abrió las puertas del realismo mágico: la frase se hace más larga y caudalosa, la realidad se expresa mediante fórmulas mágicas y legendarias, los milagros se insertan en la vida cotidiana.

Dans la Maison, vous allez perdre vos repères, votre nom et votre vie d'avant. Dans la Maison, vous vous ferez des amis, vous vous ferez des ennemis. Dans la Maison, vous mènerez des combats, vous perdrez des guerres. Dans la Maison, vous connaîtrez l'amour, vous connaîtrez la peur, vous découvrirez des endroits dont vous ne soupçonniez pas l'existence, et même quand vous serez seul, ça ne sera jamais vraiment le cas. Dans la Maison, aucun mur ne peut vous arrêter, le temps ne s'écoule pas toujours comme il le devrait, et la Loi y est impitoyable.

Hiromi Goto’s acclaimed debut novel is a feminist examination of the Japanese Canadian immigrant experience. Focusing on the lives of three generations of women in modern day Alberta, Goto uses their stories to examine the impacts of privilege and cultural identity on Asian Canadian immigrants.

One autumn afternoon in Mexico City, 17-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking - recklessness, impulse, independence. Tomás may also help Luisa fulfill an unusual obsession: She wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa's surreal dreams.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Born in the Argentine town of Mina Clavero, Camila is designated male but begins to identify from an early age as a girl. She is well aware that she’s different from other children and reacts to her oppressive, poverty-stricken home life, with a cowed mother and abusive, alcoholic father, by acting out—with swift consequences. Deeply intelligent, she eventually leaves for the city to attend university, slipping into prostitution to make ends meet. And in Sarmiento Park, in the heart of Córdoba, she discovers the strange, wonderful world of the trans sex workers who dwell there.

Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.