Literary Realism

Marisol vanished during the Cuban Revolution, disappearing with hardly a trace. Now, shaped by atrocities long-forgotten, her foul-mouthed spirit visits her nephew, Ramon, in modern-day New Jersey. Her hope: That her presence will prompt him to unearth their painful family history. Ramon launches a haphazard investigation into the story of his ancestor, unaware of the forces driving him on his search. Along the way, he falls in love, faces a run-in with a murderous gangster, and uncovers the lives of the lost saints who helped Marisol during her imprisonment.

A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.

One autumn afternoon in Mexico City, 17-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking - recklessness, impulse, independence. Tomás may also help Luisa fulfill an unusual obsession: She wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa's surreal dreams.

This collection of eight stories paints a vivid image of people who don't do what you might expect them to living on the fringes in America. Not stories of triumph over adversity but something completely other. Described in language that is brilliantly sardonic, Woods' characters return repeatedly to places where they don't belong - often the places where they were born. In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root.

Although the Green Dolphin is a bar of ill repute, it is there that Tancred Palmieri, a thief with elegant and erudite tastes, meets Willow Azarian, an aging heroin addict. She reveals to Tancred that her very wealthy father has recently passed away, leaving each of his five children a mysterious object that provides one clue to the whereabouts of a large inheritance. Willow enlists Tancred to steal these objects from her siblings and solve the puzzle.

In the not-too-distant future, a young spy named Elísabet Eva finds herself mentally unraveling following an assignment in Paris. Everything in Elísabet’s life in the city—her friends, social engagements, and late nights—revolved around her work as a spy with the Special Unit. To regain her mental balance, Elísabet finds herself taking long solitary walks near the lake.

One of the great masterpieces of modern Latin American fiction, Terra Nostra is concerned with nothing less than the history of Spain and of South America, with the Indian Gods and with Christianity, with the birth, the passion, and the death of civilizations. Fuentes skillfully blends a wide range of literary forms, stories within stories, Mexican and Spanish myth, and famous literary characters in this novel that is both a historical epic and an apocalyptic vision of modern times. Terra Nostra is that most ambitious and rare of creations - a total work of art.

La inspiración para escribir este libro le llegó a García Márquez con una insólita noticia que tuvo que cubrir como periodista. El 26 de octubre de 1949 el reportero Gabriel García Márquez fue enviado al antiguo convento de Santa Clara, que iba a ser demolido para edificar sobre él un hotel de cinco estrellas, a presenciar el vaciado de las criptas funerarias y a cubrir la noticia. Se exhumaron los restos de un virrey del Perú y su amante secreta, un obispo, varias abadesas, un bachiller de artes y una marquesa.

Thirty-two-year-old Jess Abbot has lost everything: her job, her apartment, and - most heart-wrenching - her eight-year-old son, Chance, to a tragic accident. Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman. A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home.

En este libro se incluye su primer cuento célebre, «Monólogo de Isabel viendo llover en Macondo», ambientado en lo que sería el escenario de sus obras posteriores. El personaje de Isabel reaparecerá en su primera novela, y el tema de la lluvia cayendo interminablemente, en su personal versión del diluvio universal, acabaría integrándose suave y flexiblemente en Cien años de soledad. Esta edición incluye, además, cuentos: «Tubal-Caín forja una estrella», «De cómo Natanael hace una visita» y «Un hombre viene bajo la lluvia».

What if, one day, Europe was to crack along the length of the Pyrenees, separating the Iberian peninsula? In Saramago's lovely fable, the new island is sent spinning, like a great stone raft, towards the Azores. While the authorities panic and tourists and investors flee, three men, two women and a dog are drawn together by portents that burden them with a bemusing sense of responsibility.

En Macondo transcurre la historia de un entierro imposible. Ha muerto un personaje extraño, un antiguo médico odiado por el pueblo, y un viejo coronel retirado, para cumplir una promesa, se ha empeñado en enterrarle ante la oposición de todo el pueblo y sus autoridades. Como en una tragedia griega -el libro lleva como lema una cita de Antígona que recuerda la prohibición de enterrar el cuerpo del Polinices-, el viejo coronel, su hija y su nieto van a cumplir la ominosa tarea.

A glittering landscape of twenty-five speculative stories that challenge oppression and envision new futures for America - from N. K. Jemisin, Charles Yu, Jamie Ford, G. Willow Wilson, Charlie Jane Anders, Hugh Howey, and more.

Listeners will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination. The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written.

A richly funny and fantastical novel about the strangeness at the heart of even the most ordinary lives, from one of South Korea’s most acclaimed novelists.

Stanley Maddox lives a mundane life in a nondescript town. His wife is cheating on him, his colleagues at work don’t recognize him, and he has recently noticed a mysterious creature darting its way through his house. When he notices a flap of skin on his face, he begins pulling. Beneath his skin lies another person, an evil person, with the power to change his life forever.

Simon Watson, a young librarian on the verge of losing his job, lives alone on the Long Island Sound in his family home - a house, perched on the edge of a bluff, that is slowly crumbling toward the sea. His parents are long dead, his mother having drowned in the water his house overlooks. His younger sister, Enola, works for a traveling carnival reading tarot cards and seldom calls.

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life. Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.