Literary Realism

Tens of thousands of crows invading Auburn, Pennsylvania, is a problem for everyone in town except 17-year-old Leighton Barnes. For Leighton, it’s no stranger than her house, which inexplicably repairs itself every time her father loses his temper and breaks things. Leighton doesn’t have time for the crows - it’s her senior year, and acceptance to her dream college is finally within reach. But grabbing that lifeline means abandoning her sisters, a choice she’s not ready to face.

The Years with Laura Diaz is Carlos Fuentes' most important novel in several decades. Like his masterpiece The Death of Artemio Cruz, the action begins in the state of Veracruz and moves to Mexico City - tracing a migration during the Revolution and its aftermath that was a feature of Mexico's demographic history and that is a significant element in Fuentes' fictional world. Now the principle figure is not Artemio Cruz (who, however, makes a brief appearance) but Fuentes' first major female protagonist, the extraordinary Laura Diaz.

In New York City, Joanna Marshall is an aspiring singer obsessed with success, determined to overcome the racism and sexism that stand in her way. Her childhood friends Maggie Ellersley and Peter Bye confront similar barriers but with different goals in mind: Maggie is focused on finding love; Peter, on becoming a surgeon. But as their interests overlap and their ambitions collide, the course of Joanna and Maggie’s lives seems destined to change forever. Written in response to the dominant stereotypes of the time, There Is Confusion paints a revelatory portrait....

Richard Milhous Nixon lived one of the most improbable lives of the 20th century. He faced down the Russians, the Chinese, and, ultimately, his own government. The man went from political mastermind to a national joke, sobbing in the Oval Office, leaving us with one burning question: How could he have lost it all? Here, for the first time, is the tale told in his own words: the terrifying supernatural secret he stumbled upon as a young man, the truth behind the Cold War, and the truth behind the Watergate cover-up.

The tales in Mark Haddon's lyrical and uncompromising new collection take many forms - Victorian adventure story, science fiction, morality tale, contemporary realism - but they all showcase his virtuoso gifts as a stylist and the deep well of empathy that made his three best-selling novels so compelling. The characters here are often isolated physically or estranged from their families, yet they yearn for connection.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

La segunda novela del maestro colombiano, una historia de injusticia y violencia.El coronel no tiene quien le escriba fue escrita por Gabriel García Márquez durante su estancia en París, adonde había llegado, a mediados de los cincuenta, como corresponsal de prensa y con la secreta intención de estudiar cine. El cierre del periódico para el que trabajaba le sumió en la pobreza mientras redactaba en tres versiones distintas esta excepcional novela.

In Jos, Nigeria, Dareng Pamson is slowly winning back the trust of his pregnant wife after his infidelity shook their marriage. When a young Muslim woman comes in out of the rain looking for work in Dareng’s auto repair shop, Dareng cautiously agrees—against his better judgment. She’s passionate and willing to learn. Besides, it’s time he started doing things differently. After being back in her hometown for only a week, Murmula Denge finds who she’s looking for: Dareng, the Christian man whose coldhearted ambition and greed shattered her family.

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

A startlingly remarkable novel set in 1984 where a group of teenagers begin to discover powerful secrets about themselves, and learn that the only way to create their own future is to break away from previous generations.They call it the plague. A generation of children born with extreme genetic mutations. They call it a home. But it's a place of neglect and forced labor. They call him a freak. But Dog is just a boy who wants to be treated as normal. They call them dangerous. They might be right.

Acclaimed for the grace, wit, and magic of her novels, Ramona Ausubel introduces us to a geography both fantastic and familiar in eleven new stories, some of them previously published in The New Yorker and The Paris Review. Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.

Everyone else knows the truth about you. Now you can know it, too. That's the slogan. The product: a junky contraption that tattoos personalized revelations on its users' forearms. It's an old con, playing on the fear that we are obvious to everybody except ourselves. This particular one's been circulating New York since the 1960s. The ad works. And, oddly enough, so might the device....

Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot, and they can't resist cooling off in the dark, bottomless water - until the day six-year-old Pansy vanishes...not drowned, not lost, simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together.

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.

May 1959. From one side of St. Brigid's Island, the mountains of Connemara can be glimpsed on the distant mainland; from the other, the Atlantic stretches as far as the eye can see. This remote settlement, without electricity or even a harbor, has scarcely altered since its namesake saint set up a convent of stone huts centuries ago. Those who live there, including sisters Rose and Emer, are hardy and resourceful, dependent on the sea and each other for survival.

Leah is a child from Away, isolated from her peers because of her stutter. After her family moves to Mattingly, she begins painting scenes that are epic in scope, brilliant in detail, and suffused with rich, prophetic imagery. When the event foreshadowed in the first painting dramatically comes true, the town takes notice. Leah attributes her ability to foretell the future to an invisible friend she calls the Rainbow Man. Some of the townsfolk are enchanted with her. Others fear her. But there is one thing they all agree on—there is no such thing as the Rainbow Man.

Book editor Emily Bryant finds herself unexpectedly in the charming town of Cascata on California’s Lost Coast, holding the keys to her grandmother’s rambling Victorian mansion. While sorting through her grandmother’s things, Emily learns that she must edit old manuscripts to inherit the estate. It’s a strange request from a family member who was basically a stranger. Emily quickly realizes that there’s something different about these manuscripts. Any changes she makes come true.

It's 2017, and the crisis of forced disappearances has reached a tipping point after forty-three docent students disappeared and are feared dead. Aureliano Más the Second is a fledgling writer at a lucrative fellowship in Mexico City chaired by his aunt, Rose.

In 1969, in the wake of Malaysia's deadliest race riots, a woman named Du Li An secures her place in society by marrying a gangster. In a parallel narrative, a critic known only as The Fourth Person explores the work of a writer also named Du Li An. And a third storyline is in the second person; "you" are reading a novel titled The Age of Goodbyes. Floundering in the wake of "your" mother's death, "you" are trying to unpack the secrets surrounding "your" lineage.

On the glistening surface of Virginia Woolf’s groundbreaking novel is the Ramsay family, a seemingly stable group of characters, but a group that is ultimately subject to the same alterations and losses that come with the passing of time. Set at the Ramsays’ summerhouse over two September days, ten years apart, Woolf’s influential landmark of twentieth-century literature explores the hopes, frustrations, and small moments of grace and change that permeate everyday life.