Literary Realism

Hanna has never been outside her secluded community of Clearhaven. She has never questioned why her father has four wives or why she has 14 brothers and sisters. And in only one week, on her 18th birthday, Hanna will follow tradition and become the fifth wife of a man more than twice her age. But just days before the wedding, Hanna meets Daniel, an enigmatic stranger who challenges her to question her fate and to follow her own will.

Though published second after Altmann's Tongue, The Din of Celestial Birds (1997) consists of the best of Evenson's early stories. They take place in a country (perhaps several countries) that seems at once everywhere and nowhere, haunted by birds, ghosts, poverty, tyranny, and the permeability of the line between the living and the dead. These stories offer a heady mix of absurdity and bleakness on the one hand and exuberant magic realism on the other.

Stanley Maddox lives a mundane life in a nondescript town. His wife is cheating on him, his colleagues at work don’t recognize him, and he has recently noticed a mysterious creature darting its way through his house. When he notices a flap of skin on his face, he begins pulling. Beneath his skin lies another person, an evil person, with the power to change his life forever.

Just because Jenny was born without a head doesn't mean she isn't still annoying to her older brother, and just because the Man of the Future's carefully planned extramarital affair ends in alien abduction and network fame doesn't mean he can't still pine for his absent wife. Romping through the fantastic with big-hearted ease, these stories cut to the core of what it means to navigate family, faith, and longing.

Kit Noonan is an unemployed art historian with twins to help support and a mortgage to pay—and a wife frustrated by his inertia. Raised by a strong-willed, secretive single mother, Kit has never known the identity of his father—a mystery that his wife insists he must solve to move forward with his life. Out of desperation, Kit goes to the mountain retreat of his mother’s former husband, Jasper, a take-no-prisoners outdoorsman.

Dopo il successo ottenuto come spettacolo teatrale sul tema dei desaparecidos, "L'ultima madre" diventa un romanzo, sospeso fra indagine storica, realismo magico e studio sociologico. Ambientato nella Buenos Aires degli anni Settanta, al culmine di quella "guerra sporca" che sarebbe costata la vita a innumerevoli attivisti politici, esso mette a confronto le vicende di due personaggi apparentemente contrapposti: da un lato María, madre di due gemelli rapiti dai soldati e scomparsi nel nulla, dall'altro Mercedes, figlia e moglie di militari, a sua volta madre dei due gemelli Nacho e Mari.

Als Santiago, ein andalusischer Hirte, zum zweitenmal von einem Schatz im fernen Ägypten träumt, bricht er auf. Was er findet, kann von keinem Wüstendieb geraubt werden, doch jede Lebensödnis in eine Oase verwandeln. Ein magisches Buch. Ein magischer Erfolg. Weltweit über 8 Millionen verkaufte Exemplare, in über 30 Sprachen übersetzt.

Delhi, 1997: It is India's fiftieth year of independence, the year of Hindu nationalists and atomic bombs. But twelve-year-old Adi has a bigger problem: his Ma has gone missing - again. Left with an ailing grandmother, a raging father and no answers, he finds an unlikely ally: a talking vulture who reveals itself to be a bureaucrat from the 'Department of Historical Adjustment'.

A year after his dad's death, 12-year-old Lincoln wonders whether his strait-laced but clearly struggling mom will ever tell him what really happened the night of the car accident. How did she walk away, and his dad didn't? When would life return to normal? As it turns out, never again.

Sometimes, la sangre atrae, "the blood calls you back," and when Maya gets the call to go back to her agave roots to claim the body of her long-missing father, her world changes forever. Set against the backdrop of her childhood in Mexico, Agave Blues is the story of ailing attorney Maya, in a broken relationship and butting heads with her teenage daughter, Lily.

What if the remarkable story of Ebenezer Scrooge was true? What if the account was relayed to Dickens, and he turned it into A Christmas Carol? What if the ghostly visitations did not begin or end with Scrooge, but the ghosts of Christmas past, present, and yet to come visit one misanthropic soul in need of reclamation every Christmas Eve? This modern-day sequel to the Charles Dickens classic assumes all of the above. And this time, the spiritual trio’s attentions have been directed to a not-so-nice woman in Philadelphia.

Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

Since her encounter with Ori years ago, Jessica has continued her mission to print the truth that the world needs to hear. This pursuit has led her to meet with a source, Zach Carver, a leading mind at Singularity Group. The meeting goes awry, and Jessica awakens to find that she has a gap in time and memory and that Zach is now missing. To her surprise, Ori reappears to help her. His solution involves a promising young recruit, Malik, whose research could be the key to recovering Zach. Yet the forces they are up against have proven they will go to great lengths to remove any obstacle.

In a world where aesthetics is simply an expression of the human soul and there is no differentiation between internal and external beauty, a kindhearted businessman struggling over a difficult breakup decides to join a unique beauty pageant, which will grant the beauty king the prize of a lifetime—tickets to the Beatles’ reunion concert. This is the story of a man who embarks on an adventure—a mental and emotional journey in pursuit of the concept of internal beauty, which will change the way he sees the world and his place in it forever.

Mi era stata chiesta una scelta dei racconti contenuti nei miei due volumi "Le Cosmicomiche" e "Ti con zero". Li organizzai in un libro costruito con un ciclo di storie sulla Luna, uno sulla Terra, uno su Sole Stelle Galassie, uno sull'Evoluzione, uno sullo Spazio e sul Tempo. Mi accorsi che il libro che avevo messo insieme, e che s'intitolò "La memoria del mondo", più che una rielaborazione di cose già pubblicate per avvicinare un pubblico di lettori nuovi, era il vero libro che avevo voluto scrivere fin da principio, o almeno era ciò che più vi si avvicinava.

Con il suo caratteristico stile ironico e surreale, ricco di riferimenti colti e soluzioni linguistiche originali, Roberto Barbolini torna con una nuova raccolta di racconti che esplorano il tragicomico intreccio fra le "basse voglie" del corpo e il richiamo insopprimibile del sacro nell’epoca della sua impossibilità.

La casa de Piranesi no es un edificio cualquiera: sus habitaciones son monumentales, con paredes llenas de miles de estatuas, y sus pasillos, interminables. Dentro del dédalo de corredores hay un océano aprisionado en el que las olas retumban y las mareas inundan los aposentos.

Ayant fui Téhéran pour échapper à la Révolution Islamique de 1979, Hashang, Roza et leurs trois enfants tentent de reconstruire leur vie dans le petit village de Razan, au cœur de la région montagneuse de Mazandaran. Mais personne n'échappe longtemps à la violence et au chaos... et la répression finira fatalement par les rattraper.

Two extraordinary women in 1865 establish a trading post in a southern jungle that grows to be a safe haven for cast-off women and the dispossessed. When a murderous forger sets up shop and the mayor on the right-side-of-the-tracks becomes intent on their destruction, the village fights for survival in its own special way. Told in evocative magical realism, Jaguar Paloma and the Caketown Bar is a tale of wronged women who stand up to be counted.

When Yusuf fled Syria, he lost everything. Now the circus, with its middle-eastern flair, is the only home he knows. When the lights go on, the refugees dazzle their audience, but off-stage tensions flare. Ellie is passionate about the circus and drawn to its broken people. Even so, if she wants to keep her job at the newspaper, she must head up a campaign against it.