Literary Realism

In a Seoul slum marked for demolition, residents’ shadows have begun to rise. No one knows how or why—but, they warn each other, do not follow your shadow if it wanders away. Employees of a small electronics repair shop, Eungyo and Mujae can only watch their tight-knit community begin to fade as the landscape of their lives is torn apart, building by building. Their growing connection with one another provides solace, but against an uncaring ruling class and the inevitability of the rising shadows, their relationship may not be enough.

In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother.

Róisín and François are immediately drawn to each other when they meet at a remote research base on the frozen ice sheets of Antarctica. At first glance the pair could not be more different. Older by a few years, Róisín, a daughter of Ireland and a peripatetic astronomer, joins the science team to observe the fracturing of a comet overhead. François, the base's chef, has just left his birthplace in Bayeux, France, for only the second time in his life.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

On a streetcar, on Christmas Day, 1950, clutching the chrome rail in front of him, Martin Radey looks at the woman seated beside him, a stranger, and utters his last words: "I can't breathe." Like millions, billions before him, it is his turn to die. But death is not what he expected. The journey has only begun. From 1880 to 1950, time happens to the world around him, not to memory, because memory, he discovers, is beyond time, traveling forward with him, shaping the earth, the sky, the heart.

On a hot, insomniac night at the Hotel Metropol, the novelist Carlos Fuentes steps onto his balcony only to find another man on the balcony next door. The other man asks for news of the social strife turning into revolution in the unnamed city below them. He reveals himself as the 19th century philosopher Friedrich Nietzsche, permitted to revisit Earth once a year for 24 hours based on his theory of eternal return.

The Years with Laura Diaz is Carlos Fuentes' most important novel in several decades. Like his masterpiece The Death of Artemio Cruz, the action begins in the state of Veracruz and moves to Mexico City - tracing a migration during the Revolution and its aftermath that was a feature of Mexico's demographic history and that is a significant element in Fuentes' fictional world. Now the principle figure is not Artemio Cruz (who, however, makes a brief appearance) but Fuentes' first major female protagonist, the extraordinary Laura Diaz.

Jilly Farina is 14. Her father is drunk on the day of the Barnstable County Fair, so she goes by herself, and that night her life is transformed. When she walks into a tent to see Millroy the Magician, his eyes lighten from brown to green and fasten upon her. He performs miracles before her spellbound eyes. He tells her that he will train her to be his assistant, and he will give her a sequined costume. But this is only the beginning. Millroy is a magician not just of mere conjuring but of true, baffling magic.

A young man's father, close to death, reveals to his son the true story of his grandfather's death, or at least the truth as he knows it. The mean old gaucho was murdered by some fellow villagers in Garopaba, a sleepy town on the Atlantic now famous for its surfing and fishing. It was almost an execution, vigilante style. Or so the story goes.

For weeks, Rachel has been noticing the same golden-haired young man sitting at her Brooklyn bus stop, staring off with a melancholy air. When, one day, she finally musters the courage to introduce herself, the chemistry between them is undeniable: Thomas is wise, witty, handsome, mysterious, clearly a kindred spirit. There's just one tiny problem: He's dead. Stuck in a surreal limbo governed by bureaucracy, Thomas is unable to "cross over" to the afterlife until he completes a 90-day stint on earth, during which time he is forbidden to get involved with a member of the living.

Lauren Pailing is born in the '60s, and a child of the '70s. She is 13 years old the first time she dies. Lauren Pailing is a teenager in the '80s, becomes a Londoner in the '90s. And each time she dies, new lives begin for the people who loved her - while Lauren enters a brand new life, too. But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him. And so it is that every ending is also a beginning. And so it is that, with each new beginning, Peter Stanning inches closer to finally being found....

Estamos en Macondo y su región una vez más, entre personajes y episodios reconocibles, pero ahora caen pájaros muertos sobre el poblado, rompiendo mosquiteros y alambradas, un cura ve al diablo o afirma haber encontrado al judío errante, y visitar la tumba de un ser querido supone un riesgo impredecible. Y hay que enterrar a la Mamá Grande, soberana absoluta de este mundo, que falleció en olor de santidad a los noventa y dos años, tras haber conservado la virginidad durante toda su vida, y a cuyos funerales acude el presidente de la República y hasta el Sumo Pontífice en su góndola papal.

Al pueblo ha llegado «la mala hora» de los campesinos, la hora de la desgracia. La comarca ha sido «pacificada» después de tanta guerra civil. Han ganado los conservadores, que se dedican a perseguir cruel y pertinazmente a sus adversarios liberales. Al alba de una mañana, mientras el padre Ángel se dispone a celebrar la misa, suena un disparo en el pueblo. Un comerciante de ganado, advertido de la infidelidad de su mujer por un pasquín pegado a la puerta de su casa, acaba de matar al presunto amante de ésta.

Cherry has a hidden talent. She can see things other people can't, and she decided a long time ago to use this skill to help others. As far as the rest of the town is concerned, she's simply the kind-hearted young woman who runs the local bakery, but in private she uses her gift to add something special to her cakes so that after just one mouthful, the townspeople start to feel better about their lives.

Iris Harper has lived in Pendleford for decades. The local witch is mistrusted by the townsfolk, but that doesn't stop some coming to her begging for potions, spells and quick-fixes. As time has marched on suddenly Iris is aware that her days are beginning to fade. Her sumptuous garden is turning against her, the sweet scent of rot potent and now a young girl has come begging for a solution at her door. Yet, the problem she brings causes Iris to remember a man from long ago - the man she loved, the man she could never trust.

Adamine Bustamante is born in Jamaica, inside one of the island’s last leper colonies. When she goes to a Revivalist Church, she discovers her gift of warning. But no one has bothered to warn Adamine that when she migrates to England her prophecies of hurricanes and earthquakes will no longer be respected. People will think she is crazy and lock her away in a mental hospital.

Ein unzufriedener Mann von dreißig Jahren, gerade ohne Arbeit und von seiner tüchtigen Frau zur Selbsterforschung ermutigt, so einer ist Murakamis Held Toru Okada in diesem schillernden Roman. Wenn er fliegen kann, dann eher wie ein Spielzeugvogel, von wer weiß wem aufgezogen. Vor diesem Herrn Aufziehvogel tun sich plötzlich Wirklichkeiten auf, von denen er bisher nichts ahnte. Erotische, ökonomische und politische.

Feminism fuels fantasy in this genre-busting collection by "master of the fantastic" (Roxane Gay) Amber Sparks. Exciting fans of such writers as Kelly Link, Karen Russell, and Carmen Maria Machado with prose that shimmers and stings, Amber Sparks holds a singular role in the canon of the weird. Now, she reaches new, uncanny heights with And I Do Not Forgive You.

It all starts on the morning the letter D disappears from language. First, it vanishes from Dhikilo’s parents’ conversation at breakfast, then from the road signs outside and from her school dinners. Soon the local dentist and the neighbor’s dalmatian are missing, and even the Donkey Derby has been called off. Though she doesn’t know why, Dhikilo is summoned to the home of her old history teacher Professor Dodderfield and his faithful Labrador, Nelly Robinson. And this is where our story begins.

Brida é uma garota apaixonada por magia, mas que busca algo além. Isso a leva a conhecer pessoas muito especiais, como um sábio que a ensina a confiar na bondade do mundo e uma mulher que lhe mostra a importância de buscar seu dom e sua alma gêmea. Seu desafio, então, passa a ser conciliar seus relacionamentos com o desejo de ser uma bruxa.