Literary Realism

Having lost his mother and been shunned by his father, Zabor grows up in the company of books, which teach him a new language. Ever since he can remember, he has been convinced that he has a gift: If he writes, he will stave off death; those captured in the sentences of his notebooks will live longer. Like a kind of inverted Scheherazade saving his fellow men, he experiments night after night with the delirious power of the imagination.

In 1980s Yugoslavia, a young Muslim girl is married off to a man she hardly knows, but what was meant to be a happy match goes quickly wrong. Soon thereafter her country is torn apart by war, and she and her family flee. Years later her son, Bekim, grows up a social outcast in present-day Finland, not just an immigrant in a country suspicious of foreigners but a gay man in an unaccepting society.

In isolated British Columbia, girls, mostly native, are vanishing from the sides of a notorious highway. Leo Kreutzer and his four friends are barely touched by these disappearances-until a series of mysterious and troublesome outsiders come to town. Then it seems as if the devil himself has appeared among them.

Set in the time of Charlemagne and narrated by a nun with her own secrets to keep, The Nonexistent Knight tells the story of Agilulf, a gleaming white suit of armor with nothing inside it. A challenge to his honor sends Agilulf on a search through France, England, and North Africa to confirm the chastity of a virgin he saved from rape years earlier.

Iris Harper has lived in Pendleford for decades. The local witch is mistrusted by the townsfolk, but that doesn't stop some coming to her begging for potions, spells and quick-fixes. As time has marched on suddenly Iris is aware that her days are beginning to fade. Her sumptuous garden is turning against her, the sweet scent of rot potent and now a young girl has come begging for a solution at her door. Yet, the problem she brings causes Iris to remember a man from long ago - the man she loved, the man she could never trust.

On a streetcar, on Christmas Day, 1950, clutching the chrome rail in front of him, Martin Radey looks at the woman seated beside him, a stranger, and utters his last words: "I can't breathe." Like millions, billions before him, it is his turn to die. But death is not what he expected. The journey has only begun. From 1880 to 1950, time happens to the world around him, not to memory, because memory, he discovers, is beyond time, traveling forward with him, shaping the earth, the sky, the heart.

On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be listened to one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl.

Training to become a therapist, Marissa discovers an unforeseen talent for helping others, and for a while at least, puts her own needs and concerns to one side. An unexpected windfall prompts a spontaneous trip to Peru, and an encounter while she is there triggers an astonishing series of events.

When Yusuf fled Syria, he lost everything. Now the circus, with its middle-eastern flair, is the only home he knows. When the lights go on, the refugees dazzle their audience, but off-stage tensions flare. Ellie is passionate about the circus and drawn to its broken people. Even so, if she wants to keep her job at the newspaper, she must head up a campaign against it.

Vavachan is a Pulayan who gets the opportunity to play a policeman with an immense moustache in a musical drama. The character appears in only two scenes and has no dialogue. However, Vavachan's performance, and his moustache, terrify the mostly upper-caste audience, reviving in them memories of characters of Dalit power, such as Ravanan. Afterwards, Vavachan, whose people were traditionally banned from growing facial hair, refuses to shave off his moustache. Endless tales invent and reinvent the legend of his magic moustache.

Magdalena has an unsettling gift. She sees writing on the body of everyone she meets - names, dates, details both banal and profound - and her only relief from the onslaught of information is to take off her glasses and let the world recede. Mercifully, her own skin is blank. When she meets Neil, she is intrigued to see her name on his cheek. He's in Paris for the summer, studying a medieval pilgrimage to the rocky coast of Spain, where the body of Saint Jacques was said to have washed ashore, covered in scallop shells.

Something strange is happening in Seabrook. The town's lighthouse - dormant for over 30 years and famously haunted - has inexplicably started shining, and its mysterious glow is sparking feverish gossip throughout the spooked community. Amy Tucker is only visiting for the night and has no plans to get caught up in the hysteria, but that changes when she meets Ryan, the loyal, hard-working son of a ranch owner who lives on the outskirts of town.

Kit Noonan is an unemployed art historian with twins to help support and a mortgage to pay—and a wife frustrated by his inertia. Raised by a strong-willed, secretive single mother, Kit has never known the identity of his father—a mystery that his wife insists he must solve to move forward with his life. Out of desperation, Kit goes to the mountain retreat of his mother’s former husband, Jasper, a take-no-prisoners outdoorsman.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.

La casa de Piranesi no es un edificio cualquiera: sus habitaciones son monumentales, con paredes llenas de miles de estatuas, y sus pasillos, interminables. Dentro del dédalo de corredores hay un océano aprisionado en el que las olas retumban y las mareas inundan los aposentos.

“Is me - Bob. Bob Marley.” Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed.

Thomas is a young boy growing up in Chattanooga, Tennessee, with a French-Canadian father, Albert, and an American mother, Laura. But beyond the fact that he lives between two cultures and languages, there’s something else about Thomas that sets him apart: He was born on February 29. Before Albert goes on a strange quest to find out more about their mysterious relative, Aimé Bolduc, he explains to Thomas that he will age only one year out of every four, and he will outlive all of his loved ones.

In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless.

A startlingly remarkable novel set in 1984 where a group of teenagers begin to discover powerful secrets about themselves, and learn that the only way to create their own future is to break away from previous generations.They call it the plague. A generation of children born with extreme genetic mutations. They call it a home. But it's a place of neglect and forced labor. They call him a freak. But Dog is just a boy who wants to be treated as normal. They call them dangerous. They might be right.

The Years with Laura Diaz is Carlos Fuentes' most important novel in several decades. Like his masterpiece The Death of Artemio Cruz, the action begins in the state of Veracruz and moves to Mexico City - tracing a migration during the Revolution and its aftermath that was a feature of Mexico's demographic history and that is a significant element in Fuentes' fictional world. Now the principle figure is not Artemio Cruz (who, however, makes a brief appearance) but Fuentes' first major female protagonist, the extraordinary Laura Diaz.