Literary Science Fiction

With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features all of Ken's award-winning and award-finalist stories.

The Skull Throne of Krasia stands empty. Built from the skulls of fallen generals and demon princes, it is a seat of honor and ancient, powerful magic, keeping the demon corelings at bay. From atop the throne, Ahmann Jardir was meant to conquer the known world, forging its isolated peoples into a unified army to rise up and end the demon war once and for all. But Arlen Bales, the Warded Man, stood against this course, challenging Jardir to a duel he could not in honor refuse.

In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-20th century to today, from Saul Bellow, Bernard Malamud, and Kafka to William Gass and Martin Amis, all assembled in provocatively named groups.

The third title in the continuing saga of a war in the darkest part of the Forgotten Realms setting. This latest title continues and expands the civil war among the drow, one of the most popular races in the Forgotten Realms setting. Best-selling author R.A. Salvatore wrote the prologue to Condemnation and continues to consult on the series, lending his expertise as one of the most prominent creators of the drow society and the author who brought the society to the forefront of the Forgotten Realms setting.

Former house cat turned war hero Mort(e) is famous for taking on the most dangerous missions and fighting the dreaded human bioweapon EMSAH. But the true motivation behind Mort(e)'s recklessness is his ongoing search for a pretransformation friend - a dog named Sheba. When he receives a mysterious message from the dwindling human resistance claiming Sheba is alive, he begins a journey that will take him from the remaining human strongholds to the heart of the Colony.

Un certain 21 juin eut lieu en Angleterre la révolte des animaux. Les cochons dirigent le nouveau régime. Snowball et Napoléon, cochons en chef, affichent un règlement : "Tout ce qui est sur deux jambes est un ennemi. Tout ce qui est sur quatre jambes ou possède des ailes est un ami. Aucun animal ne portera de vêtements. Aucun animal ne dormira dans un lit. Aucun animal ne boira d'alcool. Aucun animal ne tuera un autre animal. Tous les animaux sont égaux." Le temps passe. La pluie efface les commandements.

Some of the parchment pages were the color of cream, thick and substantial, made to last many, many lifetimes. Other pages were thin and desiccated, positively yellow from age, and crackled alarmingly as Van Richten turned them over. There were no ornate illuminations, no fussy borders, only lines of plain text in hard black ink. The flowing handwriting was a bit difficult to follow at first; the writer's style of calligraphy had not been in common use for 300 years. No table of contents, but from the dates it looked to be some kind of history.

Kurt Vonnegut's first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul's rebellion is vintage Vonnegut – wildly funny, deadly serious, and terrifyingly close to reality.

A visionary work that combines speculative fiction with deep philosophical inquiry, The Sparrow tells the story of a charismatic Jesuit priest and linguist, Emilio Sandoz, who leads a scientific mission entrusted with a profound task: To make first contact with intelligent extraterrestrial life. The mission begins in faith, hope, and beauty, but a series of small misunderstandings brings it to a catastrophic end.

In a world where the human population has suffered devastating losses, a handful of survivors cling to what passes for life in a postapocalyptic, dying landscape. A world where humans wander, drugged and lulled by electronic bliss. A dying world of no children and no art, where reading is forbidden.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages.

The Winternight Trilogy introduced an unforgettable heroine, Vasilisa Petrovna, a girl determined to forge her own path in a world that would rather lock her away. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now, Moscow has been struck by disaster. Its people are searching for answers - and for someone to blame.

S.T., a domesticated crow, is a bird of simple pleasures: hanging out with his owner Big Jim, trading insults with Seattle's wild crows (i.e. "those idiots"), and enjoying the finest food humankind has to offer: Cheetos®. Then Big Jim's eyeball falls out of his head, and S.T. starts to think something isn't quite right. Even the slobbering affection of Big Jim's loyal but dim-witted dog, Dennis, fails to cure Big Jim's debilitating malady. S.T. is left with no choice but to abandon his old life and venture out into a wild and frightening new world with his trusty steed Dennis.

The year is 2021. No child has been born for twenty-five years. The human race faces extinction. Under the despotic rule of Xan Lyppiat, the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden, lives a solitary life in this ominous atmosphere. That is, until a chance encounter with a young woman leads him into contact with a group of dissenters. Suddenly his life is changed irrevocably as he faces agonising choices which could affect the future of mankind.

What's left of the world is divided between the highly regimented life of those inside dome-cities that are protected from natural light (and natural shadows), and those forced to the dangerous, hardscrabble life in the wilds outside. In rural Texas, Mira, her shadow-addicted friend Murk, and an ex-Domer named Bale search for a possible mythological cure to the shadow sickness - but they must do so, it is said, before the return of Halley's Comet, which is only days away.

It is the 147th century. In the radically advanced post-human worlds of the Amaranthine Firmament, there is a contender to the Immortal throne: Aaron the Long-Life, the Pretender, a man who is not quite a man. In the barbarous hominid kingdoms of the Prism Investiture, where life is short, cheap, and dangerous, an invention is born that will become the Firmament's most closely kept secret.

An alien invasion comes to one man’s doorstep in the form of a story-creature, followed by death and rebirth in a transformed Earth, in this Tor.com Original science fiction tale from Jeff VanderMeer, the New York Times best-selling author of the Southern Reach trilogy.

Après avoir visité les mondes souterrains dans sa trilogie des "Fourmis" et l'au-delà dans les "Thanatonautes", Bernard Werber se lance sur les traces du fameux chaînon manquant, le "père de nos pères". Une course poursuite haletante où l'on rencontre une jeune reporter délurée ex-cambrioleuse, un journaliste à la retraite obèse mais fin limier, un spécialiste de la préhistoire qui en savait trop, un club de savants passionnés, une charcutière industrielle, une star du X, quelques primates avisés et une dame phacochère qui n'a pas peur des alliances contre nature.

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed audiences for more than 100 years. The work of English clergyman, educator, and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women - thin, straight lines - are the lowliest of shapes, and where men may have any number of sides, depending on their social status.