Literary Trauma

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.

As a rebellious teenager, Honey managed to escape her father’s circle of influence and reinvent herself in a world of art and beauty, working for a high-end auction house in Los Angeles. Now in her twilight years, she decides to return home and unexpectedly falls in love. But in her family, nothing has changed. When her grandnephew Michael bursts into her life in what appears to be a drug-fueled frenzy, and her Lexus gets jacked, it’s hard to keep minding her own business. As old cruelties begin to resurface, Honey is no longer sure what she really wants—to forgive or to avenge.

To be loved by your father is to be loved by God. So says Mona Dean—playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken.

In the opening scene of Falling Man, Keith Neudecker emerges from the smoke and ash of the burning tower where he worked, and makes his way to the apartment of his ex-wife and young son uptown. Throughout this bold and haunting novel, DeLillo traces the way the events of September 11 kindled or rekindled relationships, reconfigured our emotional landscape, our memory, and our perception of the world.

Isidore Mazal is 11 years old, the youngest of six siblings living in a small French town. He doesn't quite fit in. Isidore has never skipped a grade or written a dissertation. But he notices things the others don't, and asks questions they fear to ask. So when tragedy strikes the Mazal family, Isidore is the only one to recognize how everyone is struggling with their grief, and perhaps the only one who can help them - if he doesn't run away from home first.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, How to Be a Good Girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood's “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, her long-awaited follow-up, Hood turns her eye to the archetype of the rape survivor, who must perform penitence long after living through the unthinkable.

You like it when the outlaws win? When survivors turn the tables on their abusers? Then this is a story you’ll love. Listeners will benefit from the full emotional impact of the story. How Wonder Woman Became a Smuggler is an adventure-fueled tale of a child coming of age in the midst of domestic violence to become an outlaw. 

Brütende Hitze, ein Freibad und mittendrin sieben Menschen, deren Lebenswege sich für einen schicksalhaften Moment miteinander verbinden. Da ist Kiontke, der Bademeister, der noch immer am Beckenrand steht, auch wenn die Leute meinen, dass es ihn eigentlich hätte umhauen müssen, dieses Unglück damals. Da ist Renate, die hinter der Kasse sitzt und zu viel raucht und die zwei, vier, acht Sachen an Kiontke mag, was sie natürlich niemals zugeben würde.

In un romanzo tutta la nostra vita: come la vogliamo, come, a volte, non la vogliamo. Luísa era ancora un'adolescente. Tiago era ormai un giovane adulto. Si erano conosciuti nella solitudine di una spiaggia, sulla riva di un fiume. Avevano in comune una storia famigliare traumatica. In un caso, genitori troppo amati. Nell'altro, genitori troppo odiati.Si erano conosciuti un giorno che sembrava contenere una vita intera.