Magical Realism Fiction

The Russell women have always lived in a house that is as special as they are—a century-old Victorian with a radio that tunes itself to the listener’s mood and a pantry that rearranges to provide just the right ingredients for any baking need. Lilith Russell was the exception. She left the family home in Ivy Ridge, Georgia, and has been flitting like a hummingbird from place to place with her daughter, Mattie, in the decades since, only returning each summer to drop Mattie off with Lilith’s sister, Penelope.

Ixtepec se ubica en la tierra caliente del corazón de México, en un sitio que es todos y es ninguno, pues se trata del pueblo imaginario en que Elena Garro ambientó su representación de los convulsos años posrevolucionarios de un México en el que la injusticia del despojo de tierras, el racismo y la violencia contra las mujeres eran, como lo son hoy, un asunto de todos los días. Fábula poderosa de las heridas históricas de un país y una época, Los recuerdos del porvenir está llamada a ocupar, finalmente, su sitio como un clásico indiscutible de la literatura hispanoamericana.

When Harlow Estrada is abruptly fired from her dream job and her boyfriend proves to be a jerk, her world turns upside down. She flees New York City to the one place she can always call home—the enchanted Hacienda Estrada. The Estrada family farm in Mexico houses an abundance of charmed flowers cultivated by Harlow’s mother, sisters, aunt, and cousins. By harnessing the magic in these flowers, they can heal hearts, erase memories, interpret dreams—but not Harlow.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.

In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”

A woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door.

Imagine that there are American MIAs who chose to remain missing after the Vietnam War. Imagine that there is a family in which four generations of strong, alluring women have shared a mysterious connection to an outlandish figure from Japanese folklore. Imagine just those things (don’t even try to imagine the love story) and you’ll have a foretaste of Tom Robbins’s eighth and perhaps most beautifully crafted novel--a work as timeless as myth yet as topical as the latest international threat.

Amy and Flynn have been dating for two years. And they love each other. Don’t they? Only Amy can’t read Flynn’s mind and Flynn can’t read Amy’s. Little do they know this weekend is make or break. Amy’s nervous older sister is getting married at the world’s swankiest wedding venue in rural Devon and is relying on her younger sister to be the perfect Chief Bridesmaid. Frustrations on the way to the wedding escalate until both Amy and Flynn are shouting at each other in a country lane during a thunderstorm. Why can’t they see things from the other’s point of view?

Ophelia Castellan will never be just another girl at Elsinore Academy. Seeing ghosts is not a skill prized in future society wives. Even when she takes her pills, the bean sidhe beckon, reminding her of a promise to her dead mother. Now, in the wake of the Headmaster's sudden death, the whole academy is in turmoil, and Ophelia can no longer ignore the fae. Especially once she starts seeing the Headmaster's ghosts - two of them - on the school grounds.

Jordan Baker grows up in the most rarefied circles of 1920s American society - she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer and Asian, a Vietnamese adoptee treated as an exotic attraction by her peers, while the most important doors remain closed to her. But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book - by the philosopher Kant. As a storm brews and they lose contact with the outside world, they debate Kant, reality and the emptiness of the universe. The come to hate each other, and they learn that they are not alone.

After the death of his best friend, Eric Ly creates imaginary scenarios in his head to deal with his grief. Until one of them becomes real when a boy he met last summer in Japan finds his way back into his life. When he least expects it, Haru Tanaka walks into the coffee shop and sits down next to him. The only thing is, nobody else can see him. In a magical turn of events, Eric suddenly has someone to connect with, making him feel less alone in the world. But as they spend more and more time together, he begins to question what is real.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

Best-selling author Carlos Ruiz Zafón conceived of this collection of stories as an appreciation to the countless admirers who joined him on the extraordinary journey that began with The Shadow of the Wind. Comprising 11 stories, most of them never before published in English, The City of Mist offers the listener compelling characters, unique situations, and a gothic atmosphere reminiscent of his beloved Cemetery of Forgotten Books quartet.

On la surnomme Méduse depuis si longtemps qu’elle en a oublié son véritable prénom. Elle marche tête baissée, le visage caché derrière ses cheveux, pour épargner aux autres la vue de ses Difformités–des yeux si horribles qu’ils révulsent les femmes et pétrifient les hommes. Elle-même n’a jamais osé se regarder dans un miroir. Chassée du foyer familial, Méduse est enfermée à l’Athenæum, un institut pour jeunes filles malformées, qui se dresse sur les bords d’un lac infesté de méduses.

Bullied to the point of dropping out of school, Kokoro's days blur together as she hides in her bedroom, unable to face her family or friends. As she spirals into despair, her mirror begins to shine; with a touch, Kokoro is pulled from her lonely life into a resplendent, bizarre fairytale castle guarded by a strange girl in a wolf mask. Six other students have been brought to the castle, and soon this marvelous refuge becomes their playground.

The hero of The Invisibility Cloak lives in contemporary Beijing—where everyone is doing their best to hustle up the ladder of success while shouldering an ever-growing burden of consumer goods—and he’s a loser. Well into his forties, he’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall. He gets by just by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. Then an old friend tips him off about a special job....

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines."