Magical Realism Fiction

Koschei the Deathless is to Russian folklore what devils or wicked witches are to Western European culture: a menacing, evil figure; the villain of countless stories that have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the 20th century.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.

We all have inner demons. We fight them all the time. Some of us achieve inner peace by coming to terms with them. But how do you come to terms with inner demons that tear free and become outer demons? Eric has been a vampire for nearly a century, and his demons are more than metaphors. While they controlled him, he was the Demon King. Now he has to avoid the monsters in his own mind, as well as angry nobles, fanatical religions, assassins, magi, other vampires, criminal organizations, and more.

Make a wish. The words have haunted Rashmi since she first heard them whispered the night before her mother died, when she was just 10 years old. Rashmi’s mother used to tell her stories of a magical garden lit only by the moon, whose blossoms grant wishes. For years, Rashmi believed the whisper somehow came from the mysterious moon garden of her mother’s stories and that her own failure to respond—to wish—may have cost her mother her life.

Imagine this: When the stock market crashes on the Thursday before Easter, you — an ambitious, although ineffectual and not entirely ethical young broker — are convinced that you're facing the Weekend from Hell. Before the market reopens on Monday, you must scramble and scheme to cover your butt, but there's no way you can anticipate the baffling disappearance of a 300-pound psychic, the fall from grace of a born-again monkey, or the intrusion in your life of a tattooed stranger intent on blowing your mind and most of your fuses.

Autumn has finally arrived in the small town of Bascom, North Carolina, heralded by a strange old man appearing with a beat-up suitcase. He has stories to tell, stories that could change the lives of the Waverley women forever. But the Waverleys have enough trouble on their hands. Quiet Claire Waverley has started a successful new venture, Waverley's Candies, but it's nothing like she thought it would be, and it's slowly taking over her life.

Emer is just a woman living in New York City who takes the subway, buys ice cream from the bodega on the corner, has writerly aspirations, and lives with her boyfriend, Con. But is this life she lives the only path she’s on?

On her 12th birthday, Sierva Maria - the only child of a decaying noble family in an 18th-century South American seaport - is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur.

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who goes unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses–and finds–herself. Even the derailing of a friendship, in a devastating violation.

Type-A mathematician Catherine Lipton’s carefully calculated life goes awry when a university’s human resources system rejects her employment paperwork. Soon after, her credit card is declined. At the Social Security office, Catherine makes a shocking discovery—she’s disappeared from the government’s records, and there’s no evidence she exists at all. The one person who offers to help is Luca Morelli, her attractive but aggravating doorman who spends more time flirting with Catherine’s neighbors than he does enforcing the building rules.

In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything—if you bury yourself alive.

Somewhere far away - or maybe right nearby - lies an archipelago called Popisho. A place of stunning beauty and incorrigible mischief, destiny, and mystery, it is also a place in need of change. A storm is brewing. Before it comes, before the end of the day, this wildly imaginative narrative will take us across the islands, their history, and into the lives of unforgettable characters.

Carrie Morgan ran from Woodsmoke ten years ago, and the decision has haunted her ever since. Spending a decade painting and drifting around Europe, she tries to forget her family’s legacy and the friends she left behind. But the Morgan women have always been able to harness the power of the mountains surrounding the town, and their spells—and curses—are sewn into the soil. The mountains, they say, never forget. Sure enough, when Carrie’s grandmother dies and leaves behind her dilapidated cottage, she returns to renovate—certain she will only be there for one winter.

Two strangers in a foreign city, Thora and Santi meet in a chance encounter. At once, they recognize in each other a kindred spirit - someone who is longing for more in life than the cards they’ve been dealt. Before their friendship can blossom, though, a tragic accident cuts their story short.

From their first meeting, it was clear that Gwen and Tancred were meant to be together. But, as we know, the course of true love never did run smooth. Gwen’s mother, intuiting that her daughter is in love, gives her a magic ring that has been passed down through endless generations of mothers and daughters. This ring grants its wearer the opportunity to change three things about her beloved. Like all blessings, this may also be a curse.

Hiromi Goto’s acclaimed debut novel is a feminist examination of the Japanese Canadian immigrant experience. Focusing on the lives of three generations of women in modern day Alberta, Goto uses their stories to examine the impacts of privilege and cultural identity on Asian Canadian immigrants.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

When the Night Foxes boldly break into the Fourth Precinct’s Evidence Building, it causes quite the stir. As a Magical Examiner, Henri Davenforth is immediately called in. To his astonishment, Captain Gregson has him work the case like a detective. More astounding, he assigns Henri a partner - The Shinigami Detective. The woman is famous for killing the most destructive rogue witch of the century, and no one is quite certain where she’s from. Every officer in the precinct is either in awe of her, or a little frightened by her. Henri is just baffled.