Magical Realism Fiction

After the death of his best friend, Eric Ly creates imaginary scenarios in his head to deal with his grief. Until one of them becomes real when a boy he met last summer in Japan finds his way back into his life. When he least expects it, Haru Tanaka walks into the coffee shop and sits down next to him. The only thing is, nobody else can see him. In a magical turn of events, Eric suddenly has someone to connect with, making him feel less alone in the world. But as they spend more and more time together, he begins to question what is real.

Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her family’s cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Ma’s every need, while her favorite grandson, the cheerful and gregarious Sid, tries to lift her spirits with his guitar. But it is only after Sid’s younger brother—Serious Son, a young man pathologically incapable of laughing—brings his grandmother a sparkling golden cane covered with butterflies that things begin to change.

On la surnomme Méduse depuis si longtemps qu’elle en a oublié son véritable prénom. Elle marche tête baissée, le visage caché derrière ses cheveux, pour épargner aux autres la vue de ses Difformités–des yeux si horribles qu’ils révulsent les femmes et pétrifient les hommes. Elle-même n’a jamais osé se regarder dans un miroir. Chassée du foyer familial, Méduse est enfermée à l’Athenæum, un institut pour jeunes filles malformées, qui se dresse sur les bords d’un lac infesté de méduses.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

Bullied to the point of dropping out of school, Kokoro's days blur together as she hides in her bedroom, unable to face her family or friends. As she spirals into despair, her mirror begins to shine; with a touch, Kokoro is pulled from her lonely life into a resplendent, bizarre fairytale castle guarded by a strange girl in a wolf mask. Six other students have been brought to the castle, and soon this marvelous refuge becomes their playground.

Amy and Flynn have been dating for two years. And they love each other. Don’t they? Only Amy can’t read Flynn’s mind and Flynn can’t read Amy’s. Little do they know this weekend is make or break. Amy’s nervous older sister is getting married at the world’s swankiest wedding venue in rural Devon and is relying on her younger sister to be the perfect Chief Bridesmaid. Frustrations on the way to the wedding escalate until both Amy and Flynn are shouting at each other in a country lane during a thunderstorm. Why can’t they see things from the other’s point of view?

Ophelia Castellan will never be just another girl at Elsinore Academy. Seeing ghosts is not a skill prized in future society wives. Even when she takes her pills, the bean sidhe beckon, reminding her of a promise to her dead mother. Now, in the wake of the Headmaster's sudden death, the whole academy is in turmoil, and Ophelia can no longer ignore the fae. Especially once she starts seeing the Headmaster's ghosts - two of them - on the school grounds.

Jordan Baker grows up in the most rarefied circles of 1920s American society - she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer and Asian, a Vietnamese adoptee treated as an exotic attraction by her peers, while the most important doors remain closed to her. But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

Ixtepec se ubica en la tierra caliente del corazón de México, en un sitio que es todos y es ninguno, pues se trata del pueblo imaginario en que Elena Garro ambientó su representación de los convulsos años posrevolucionarios de un México en el que la injusticia del despojo de tierras, el racismo y la violencia contra las mujeres eran, como lo son hoy, un asunto de todos los días. Fábula poderosa de las heridas históricas de un país y una época, Los recuerdos del porvenir está llamada a ocupar, finalmente, su sitio como un clásico indiscutible de la literatura hispanoamericana.

Best-selling author Carlos Ruiz Zafón conceived of this collection of stories as an appreciation to the countless admirers who joined him on the extraordinary journey that began with The Shadow of the Wind. Comprising 11 stories, most of them never before published in English, The City of Mist offers the listener compelling characters, unique situations, and a gothic atmosphere reminiscent of his beloved Cemetery of Forgotten Books quartet.

So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. He is born into a world of poverty, ignorance and injustice, but Azaro awakens with a smile on his face. Despite belonging to a spirit world made of enchantment, where there is no suffering, Azaro chooses to stay in the land of the Living: to feel it, endure it, know it and love it. This is his story.

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Ayukta is finally sitting down with her wife Nadya to respond to a question she’s long avoided: Should they have a child? The decision is complicated by a secret her family has kept for centuries, one that Ayukta will be the first to share with someone outside their bloodline: the women in her family inherit a mysterious tapestry, through which each generation can experience the memories of those who came before her. Ayukta invites Nadya into this lineage, carrying her through its past.

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses–and finds–herself. Even the derailing of a friendship, in a devastating violation.

In this “dark fairy tale” (Kirkus Reviews), Phoebe, an eight-year-old girl, lies comatose following a car accident—a body without a spirit. Ceres, her mother, can only sit by her bedside and read aloud the fairy stories Phoebe loves in the hope they might summon her back to this world. But an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres.