Magical Realism Fiction

Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members.

Sadie Way Scott has been avoiding her family and hometown of Sugarberry Cove, Alabama, since she nearly drowned in the lake just outside her mother’s B&B. Eight years later, Sadie is the host of a much-loved show about Southern cooking and family, but despite her success, she wonders why she was saved. What is she supposed to do? Sadie’s sister, Leala Clare, is still haunted by the guilt she feels over the night her sister almost died. Now, at a crossroads in her marriage, Leala has everything she ever thought she wanted - so why is she so unhappy?

One spring afternoon after school, Amber arrives home on her bike. It’s just another perfectly normal day. But when Amber’s mom sees her, she screams. Because Amber died seven years ago, hit by a car while on the very same bicycle she’s inexplicably riding now. This return doesn’t only impact Amber. Her sister, Melissa, now seven years older, must be a new kind of sibling to Amber. Amber’s estranged parents are battling over her. And the changes ripple farther and farther out.

American chef Georgia May Jackson has one goal—to run her own restaurant in Paris. After a grueling decade working in Parisian kitchens, she is on the cusp of success. But in one disastrous night, Georgia loses her sous-chef position, her French boyfriend, and her sense of taste! Renowned for her refined palate and daring use of bold flavors to create remarkable dishes, Georgia is devastated to discover her culinary gift has simply...vanished. When she receives a surprising invitation from her estranged mother, Georgia flees to a small island near Seattle.

In the wake of the tragedy, 17-year-old Franny found solace in a group of friends whose experiences mirrored her own. The group calls themselves The Ordinary, and they spend their free time investigating local ghost stories and legends, filming their exploits. It's silly, it's fun, and it keeps them from dwelling on the sadness that surrounds them. Until one evening, when the strange and dangerous thing they film isn't fiction - it's a bright light, something massive hurtling toward them from the sky. And when it crashes and the teens go to investigate...everything changes.

It was supposed to be my first summer on my own, but then I meet Seth, Axel, Jasper, and Cody. There's something about them that drew me closer, and they seemed hell-bent on protecting me. I didn't think I needed protecting until people started showing up dead in the woods.

One of the great masterpieces of modern Latin American fiction, Terra Nostra is concerned with nothing less than the history of Spain and of South America, with the Indian Gods and with Christianity, with the birth, the passion, and the death of civilizations. Fuentes skillfully blends a wide range of literary forms, stories within stories, Mexican and Spanish myth, and famous literary characters in this novel that is both a historical epic and an apocalyptic vision of modern times. Terra Nostra is that most ambitious and rare of creations - a total work of art.

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries visions of golden horses running beneath the prison, heat flowing like molten metal from their backs with the devastating violence of prison life.

When Yui loses both her mother and her daughter in the tsunami, she begins to mark the passage of time from that date onward: Everything is relative to March 11, 2011, the day the tsunami tore Japan apart and when grief took hold of her life. Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around.

Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety. Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

Look Who's Back is a cutting satire on modern media-bloated, celebrity-obsessed society, seen through the eyes of Adolf Hitler. Adolf Hitler wakes up on a patch of open ground, alive and well. It is the Summer of 2011 and things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman.

Welcome to Darkblood - oops, I mean Darkhen Academy. There are three rules to survive the elite supernatural school: Do not talk or even look at The Seven, the uber-powerful supes that rule the academy. Never go into the Fae forest on a full moon...or else. And most definitely do not fall for one of the extremely hot and unattainable instructors. Too bad I’ve never really been a rule follower...If word gets out that humans are no longer safe from the supes, our worlds will once again be closed off. It’s up to us to stop that from happening.

In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women's lamentations inadvertently release the dead infant's "unused vitality" to draw Ezili - the Afro-Caribbean goddess of sexual desire and love - into the physical world. As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife's body - as well as those of Jeanne, a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris, and Meritet.

A woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’ masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.

Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot.

As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde's brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance.

Hidden behind back doors of bars and restaurants and theaters and shops all over New York City are shortcuts—secret passageways that allow you to jump through time and space to emerge in different parts of the city. No one knows where they came from, but there are rules—you can only travel through them one way and only at night. When Jean’s work friend Iggy introduces her to the shortcuts, it’s to help shorten her commute between her night shifts bartending and her work at an upscale bakery.