Magical Realism Fiction

“At one point they tried to calculate when time began, when exactly the earth had been created,” begins Time Shelter’s enigmatic narrator, who goes unnamed. “In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ.” But for our narrator, time as he knows it begins when he meets Gaustine, a “vagrant in time” who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century.

Make a wish. The words have haunted Rashmi since she first heard them whispered the night before her mother died, when she was just 10 years old. Rashmi’s mother used to tell her stories of a magical garden lit only by the moon, whose blossoms grant wishes. For years, Rashmi believed the whisper somehow came from the mysterious moon garden of her mother’s stories and that her own failure to respond—to wish—may have cost her mother her life.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.

As a little girl, Jane has no one. Her mother, Vivienne Margaux, the powerful head of a major New York theater company has no time for her. She does have one friend - Michael - but no one can see him except her. When Jane is in her 30s, working for her mother's company, she is just as alone as she was as a child. Then she finds Michael again - handsome and just the same as she remembers him, only now he's not imaginary.

Paris, 1925: To enter the Secret Circus is to enter a world of wonder - a world where women weave illusions of magnificent beasts, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything. Virginia, 2004: Lara Barnes is on top of the world until her fiancé disappears on their wedding day.

Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In “Bog Girl”, a revelatory story about first love, a young man falls in love with a 2,000-year-old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors”, two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. Plus much more.

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers - not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.

In a rare and gorgeous departure, beloved novelist Alice Hoffman weaves a web of tales, all set in Blackbird House. This small farm on the outer reaches of Cape Cod is a place that is as bewitching and alive as the characters we meet. These interconnected narratives are as intelligent as they are haunting, as luminous as they are unusual. Inside Blackbird House more than a dozen men and women learn how love transforms us and how it is the one lasting element in our lives.

Eva Luna is the daughter of a professor’s assistant and a snakebitten gardener - born poor, orphaned at an early age, and working as a servant. Eva is a naturally gifted and imaginative storyteller who meets people from all stations and walks of life. Though she has no wealth, she trades her stories like currency with people who are kind to her.

Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.

Ixtepec se ubica en la tierra caliente del corazón de México, en un sitio que es todos y es ninguno, pues se trata del pueblo imaginario en que Elena Garro ambientó su representación de los convulsos años posrevolucionarios de un México en el que la injusticia del despojo de tierras, el racismo y la violencia contra las mujeres eran, como lo son hoy, un asunto de todos los días. Fábula poderosa de las heridas históricas de un país y una época, Los recuerdos del porvenir está llamada a ocupar, finalmente, su sitio como un clásico indiscutible de la literatura hispanoamericana.

A richly funny and fantastical novel about the strangeness at the heart of even the most ordinary lives, from one of South Korea’s most acclaimed novelists.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

When called upon, she can talk the death out of the dying and save their lives—only once, never twice. But this truly unique gift comes at a price, rooting Weatherly to people who only want her around when they need her and resent her backwater ways when they don’t. Weatherly’s cousin Adaire also has a gift: she’s a Scryer and can see the future reflected back in dark surfaces. Right before she is killed in an accident, Adaire saw something unnerving, and that’s why Weatherly believes she was murdered—never thinking for a moment that it was an accident.

A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Donne, their wild, domineering leader, is obsessed with hunting for a mysterious woman and exploiting Indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior—their own hearts of darkness—deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock.

Set in Nigeria in the late 1960s, The Road to the Country is the epic story of a shy, bookish student haunted by long-held guilt who must go to war to free himself. When his younger brother disappears as the country explodes in civil war, Kunle must set out on an impossible rescue mission. Kunle’s search for his brother becomes a journey of atonement that will see him conscripted into the breakaway Biafran army and forced to fight a war he hardly understands, all while navigating the prophecies of a local Seer, he who marks Kunle as an abami eda—one who will die and return to life.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’ masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.