Magical Realism Short Stories

A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.

"You should be here; he's simply magnificent." These are the final words a biologist hears before his Margaret Mead-like wife dies at the hands of Godzilla. The words haunt him as he studies the kaiju (Japan's giant monsters) on an island reserve, attempting to understand the beauty his wife saw. Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we are at our most vulnerable."

In the tradition of narrativa de lo inusual (narrative of the unusual), The Only Sound Is the Wind combines the fantastic with the everyday, weaving elements of magical realism and surrealist twists to sharpen our view of human (and animal) connection. In the title story, the arrival of a mail-order clone complicates a burgeoning romance; a lonely librarian longing for her homeland strikes up an unusual relationship in the award-winning “The Moth”; when humans start giving birth to puppies and kittens in “This New Turn,” a realignment of the natural order ensues.

A S Byatt's fairy tales and fables are among the best-loved features of her fiction. Innumerable listeners have asked for the two marvellous fairy tales in Possession - 'The Glass Coffin' and 'Gode's Tale' of the Breton Naie des Trepasses - to be published separately. Here they take their place with three other stories with medieval and oriental settings.

Estamos en Macondo y su región una vez más, entre personajes y episodios reconocibles, pero ahora caen pájaros muertos sobre el poblado, rompiendo mosquiteros y alambradas, un cura ve al diablo o afirma haber encontrado al judío errante, y visitar la tumba de un ser querido supone un riesgo impredecible. Y hay que enterrar a la Mamá Grande, soberana absoluta de este mundo, que falleció en olor de santidad a los noventa y dos años, tras haber conservado la virginidad durante toda su vida, y a cuyos funerales acude el presidente de la República y hasta el Sumo Pontífice en su góndola papal.

Iris Harper has lived in Pendleford for decades. The local witch is mistrusted by the townsfolk, but that doesn't stop some coming to her begging for potions, spells and quick-fixes. As time has marched on suddenly Iris is aware that her days are beginning to fade. Her sumptuous garden is turning against her, the sweet scent of rot potent and now a young girl has come begging for a solution at her door. Yet, the problem she brings causes Iris to remember a man from long ago - the man she loved, the man she could never trust.

Acclaimed for the grace, wit, and magic of her novels, Ramona Ausubel introduces us to a geography both fantastic and familiar in eleven new stories, some of them previously published in The New Yorker and The Paris Review. Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

Is what you see all there is? Look again. Playful, frightening, even shocking - the stories in this collection blur the lines between illusion and reality. This is a writer at the height of his power, making the listener think, making them laugh, and sometimes making them want to look away while holding their gaze. Stories here are set in London, in Byzantium, in the ghetto, in the Andes, in a printer's shop in Spain. The characters include a murderer, a writer, a detective, a man in a cave, a man in a mirror, two little boys, a prison door, and the author himself.

En este libro se incluye su primer cuento célebre, «Monólogo de Isabel viendo llover en Macondo», ambientado en lo que sería el escenario de sus obras posteriores. El personaje de Isabel reaparecerá en su primera novela, y el tema de la lluvia cayendo interminablemente, en su personal versión del diluvio universal, acabaría integrándose suave y flexiblemente en Cien años de soledad. Esta edición incluye, además, cuentos: «Tubal-Caín forja una estrella», «De cómo Natanael hace una visita» y «Un hombre viene bajo la lluvia».

Though published second after Altmann's Tongue, The Din of Celestial Birds (1997) consists of the best of Evenson's early stories. They take place in a country (perhaps several countries) that seems at once everywhere and nowhere, haunted by birds, ghosts, poverty, tyranny, and the permeability of the line between the living and the dead. These stories offer a heady mix of absurdity and bleakness on the one hand and exuberant magic realism on the other.

Cuentos telúricos es una antología de cuentos casi fantásticos, o una colección de relatos mágicos por poco. En Cuentos telúricos caben los califas venerables, los hombres reptil, las niñas listas, los personajes atrapados dentro de personajes, las cartas llegadas del futuro, los círculos en los campos de cereal, los volcanes furibundos, las declaraciones de amor cuántico, los gatos, las abducciones, los calamares gigantes, las fábulas sin moraleja, las emanaciones invisibles surgidas del corazón de la tierra, los curas inmateriales, las mujeres del tiempo.

Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.

Una colección de historias muy queridas para brujas y hechiceros de todas las edades, Los cuentos de Beedle el Bardo son los cuentos de hadas de los hermanos Grimm del mundo mágico. Esta edición fue traducida de las runas originales por Hermione Granger, y contiene notas útiles del Profesor Dumbledore y de J. K. Rowling.

Singer's famous and never-before-recorded novel about a passionate, forbidden love affair between Jew and Gentile in 17th century Poland.

BETRAYAL. PASSION. MAGIC. And...WIGS! From the sparkling imagination of gifted entertainer Keke Palmer and her iconic alter ego, Lady Miss Jacqueline, comes a hilarious modern fairy tale about a wilting violet, a clash of personalities, and a multitude of hair.

Feminism fuels fantasy in this genre-busting collection by "master of the fantastic" (Roxane Gay) Amber Sparks. Exciting fans of such writers as Kelly Link, Karen Russell, and Carmen Maria Machado with prose that shimmers and stings, Amber Sparks holds a singular role in the canon of the weird. Now, she reaches new, uncanny heights with And I Do Not Forgive You.

Eyes of a Blue Dog (sp. Ojos de perro azul) is a collection of twenty-two death-themed short stories from the Colombian Nobel-winning novelist, screenwriter, and journalist, Gabriel García Márquez. These early stories of the late Nobel Prize winner were written and published between 1947 and 1955, although, as a book, Blue Dog Eyes would not appear until 1974, when the writer had already published two other books of short stories and four novels, of which the last, One Hundred Years of Solitude, would provide him with his first great international success.

Master storyteller David Almond presents a beautiful collection of short fiction interwoven with pieces that illuminate the inspiration behind the stories. May Malone is said to have a monster in her house, but what Norman finds there may just be the angel he needs. Joe Quinn's house is noisy with poltergeists, or could it be Davie's raging causing the disturbance?

A group of women contemplate violence after they’re sent into foreign territory to make husbands of the enemy. A support network of traumatized joggers meets to discuss the bodies they’ve found on their runs. And a town replaces its Confederate monument with a rotating cast of local residents. Slippery but muscular, sly but electric, this stunning debut collection moves from horror to magical realism to satire with total authority. In these stories, characters build and remake their sense of home, be it with one another or within themselves.