Magical Realism Short Stories

Eyes of a Blue Dog (sp. Ojos de perro azul) is a collection of twenty-two death-themed short stories from the Colombian Nobel-winning novelist, screenwriter, and journalist, Gabriel García Márquez. These early stories of the late Nobel Prize winner were written and published between 1947 and 1955, although, as a book, Blue Dog Eyes would not appear until 1974, when the writer had already published two other books of short stories and four novels, of which the last, One Hundred Years of Solitude, would provide him with his first great international success.

"You should be here; he's simply magnificent." These are the final words a biologist hears before his Margaret Mead-like wife dies at the hands of Godzilla. The words haunt him as he studies the kaiju (Japan's giant monsters) on an island reserve, attempting to understand the beauty his wife saw. Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we are at our most vulnerable."

Gritty...grimey...syrup-soaked and jelly-filled. A punctured and oozing tale of true love, abuse, gluttony, and unbelievable revenge, Bermetha and the Whale is the word-for-word account of an audio recording from an incarcerated man in 1980s Ohio. No price is too high to pay to be free from "The Whale", the world's most horrific individual. A unique piece of American literary fiction. A short story in magical realism. A work by Beard Bates.

The tales in Mark Haddon's lyrical and uncompromising new collection take many forms - Victorian adventure story, science fiction, morality tale, contemporary realism - but they all showcase his virtuoso gifts as a stylist and the deep well of empathy that made his three best-selling novels so compelling. The characters here are often isolated physically or estranged from their families, yet they yearn for connection.

Nicole has wanted to own a haunted car her entire teenaged life, and when she finally finds one - a junker of a Chrysler Neon with its own tragic backstory - her best friend, Johnny, has some serious doubts. Would a demon even want to possess a Chrysler Neon? But when the two of them take it for a test drive, Johnny’s doubts begin to fade: The steering wheel burns hot, the car traps Johnny in the back seat, and is Nicole even driving? Or is the car driving itself? They soon find themselves forced to face the potential evil controlling the car, and possibly even themselves.

Home is where we love, suffer and learn. Some homes we chose, others are inflicted upon us and still others are bodies we are born into. In this astounding collection of stories, human and more-than-human worlds come together in places we call home.

Una colección de historias muy queridas para brujas y hechiceros de todas las edades, Los cuentos de Beedle el Bardo son los cuentos de hadas de los hermanos Grimm del mundo mágico. Esta edición fue traducida de las runas originales por Hermione Granger, y contiene notas útiles del Profesor Dumbledore y de J. K. Rowling.

En el prólogo de estos Doce cuentos peregrinos, García Márquez nos regala su explicación de por qué doce, por qué cuentos y por qué peregrinos. En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica.

At the border with another world, a line of people wait for the gates to open; on the floor of a lonely room, a Born Winner runs through his life’s achievements and losses; in a suburban garden, a man witnesses a murder that pushes him out into the community. Struggling to realise the human ideals of love and freedom, the characters of Dark Neighbourhood roam instead the depths of alienation, loss and shame.

Een verzameling prachtige, zeer eenvoudige verhalen, die op speelse wijze grote waarheden presenteren. Door Ronald verzameld, verteld en becommentarieerd.

Acclaimed for the grace, wit, and magic of her novels, Ramona Ausubel introduces us to a geography both fantastic and familiar in eleven new stories, some of them previously published in The New Yorker and The Paris Review. Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.

Two dark pasts. One bond beyond their control. For a month, Coal has tried to stay away from the beautiful cadet who makes him feel things he shouldn’t, each day of separation spiraling him deeper into worsening nightmares. Already on edge, it takes Coal one split second to plunge into violence - and find himself in shackles once more.

A surreal love letter to this private side of the Met, Metropolitan Stories unfolds in a series of amusing and poignant vignettes in which we discover larger-than-life characters, the downside of survival, and the powerful voices of the art itself. The result is a novel bursting with magic, humor, and energetic detail, but also a beautiful book about introspection, an ode to lives lived for art, ultimately building a powerful collage of human experience and the world of the imagination.

A S Byatt's fairy tales and fables are among the best-loved features of her fiction. Innumerable listeners have asked for the two marvellous fairy tales in Possession - 'The Glass Coffin' and 'Gode's Tale' of the Breton Naie des Trepasses - to be published separately. Here they take their place with three other stories with medieval and oriental settings.

Seamlessly shifting between the speculative and the blindingly real, balancing the bizarre with the subtle brutality of the mundane, A Manual for How to Love Us is a tender portrait of women trying their best to survive, love, and find genuine meaning in the aftermath of loss. In these unconventional and unpredictably connected stories, Erin Slaughter shatters the stereotype of the soft-spoken, sorrowful woman in distress, queering the domestic and honoring the feral in all of us.

Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.

Still recovering from a brutal breakup, Stan Dobrev crashes a “divorce party” in the Southern California desert. An unknown extra in a stranger’s drama, he’s on his way back to the bar when a fellow interloper catches his wandering eye. She’s a formidable tortoise named Greeley, trudging through the drunken revelry and chaos like a true survivor. Before the night is over, she’ll lead Stan on a strange journey beyond oblivion.

Cuentos telúricos es una antología de cuentos casi fantásticos, o una colección de relatos mágicos por poco. En Cuentos telúricos caben los califas venerables, los hombres reptil, las niñas listas, los personajes atrapados dentro de personajes, las cartas llegadas del futuro, los círculos en los campos de cereal, los volcanes furibundos, las declaraciones de amor cuántico, los gatos, las abducciones, los calamares gigantes, las fábulas sin moraleja, las emanaciones invisibles surgidas del corazón de la tierra, los curas inmateriales, las mujeres del tiempo.

En este libro se incluye su primer cuento célebre, «Monólogo de Isabel viendo llover en Macondo», ambientado en lo que sería el escenario de sus obras posteriores. El personaje de Isabel reaparecerá en su primera novela, y el tema de la lluvia cayendo interminablemente, en su personal versión del diluvio universal, acabaría integrándose suave y flexiblemente en Cien años de soledad. Esta edición incluye, además, cuentos: «Tubal-Caín forja una estrella», «De cómo Natanael hace una visita» y «Un hombre viene bajo la lluvia».

Listening to John Crowley's stories is to see almost-familiar lives running parallel to our own, secret histories that never quite happened, memories that might be real or might be invented. In the 13 stories collected here, Crowley sets his imagination free to roam from a 20th-century Shakespeare festival to spring break at a future Yale in his Edgar Award-winning story "Spring Break". And in the previously unpublished "Anosognosia", the world brought about by one John C.'s high-school accident may or may not exist.