Magical Realism Short Stories

Lady Miss Jacqueline swears that hair makes a difference. And it does! Now Janet is taking charge on the job and making moves on a local barista she’s always shied away from. But when her brash new Lady Miss drawl gets all the wrong attention, Janet realizes that she needs to change her style - and her wig. It’s all a matter of finding the perfect fit.

This magical realist short tale was inspired by the Latin American myth of El Sombrerón, the nighttime guardian of peace and justice. El Sombrerón arrives in a sleepy town to find that a young girl has stolen a golden necklace. El Sombrerón must convince the girl to return the necklace so she can avoid El Sombrerón’s justice…and before the sun rises.

After her latest life-altering wig switch, Janet slips into leather leggings, quits her job, goes full advance on her barista crush, and makes a career commitment to her bestie, Candace. The follow-through? Not pretty. With guilt and betrayal hanging over her head (not to mention that dangerous, if fetching, wig), Janet must comb out the mess she’s made. And there’s only one way to do it.

After slipping on Chelsea - a magical wig that comes with a gregarious personality - Janet is making strides at work and has a new friend and a confident strut. Life is fab. Isn’t it? Honestly, there’s something missing. Where’s the adventure? The purpose? What she needs is to tap into her inner daredevil. But her mystical wigmaker has a word of caution: should Janet lose control, it might not be so easy to get it back.

Nathaniel is a well-intentioned, if naive, British cleric feeling blessed to educate a West African village about the benevolent power of God. But as slavers encroach, Nathaniel’s endeavor is daunted by the realities unfolding on the beautiful homeland of his congregation. It seems the Devil has power too. What follows for Nathaniel is a profound spiritual upheaval as he questions his purpose and even his humanity.

Set against the tropics and megacities of the Americas, Maria, Maria takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. Brimming with sharp wit and ferocious female intuition, these stories bubble over into the titular novella, "Maria, Maria"—a family drama set in a reimagined California rainforest that explores the legacies of three Marias, and possibly all Marias.

Spanning decades and landscapes, from the forests along the Black Sea to the streets of Istanbul, Kenan Orhan’s ​playful stories ​conjure dreamlike worlds—of talking animals, flying houses, and omniscient prayer-callers—to ​examine humanity’s unfaltering pursuit of hope in even the darkest circumstances.

Tu sei l’unico responsabile della tua "bella" o “brutta” vita. Cambiare la tua esistenza è possibile ed è possibile farlo in qualsiasi momento, a 15 anni come a 70. Ma non puoi cambiare la tua realtà, se prima non comprendi come è stata generata. Con questo breve racconto l’autore ci catapulta in un mondo fantastico fatto di libri che si cancellano, disegnatori di pensieri ed enormi bolle di sapone. Un sogno che di onirico, in fondo, ha ben poco. Attraverso gli occhi della protagonista ci introduce ai temi del cambiamento, della riprogrammazione, dell’immaginazione.