Mary Horror

It starts innocently enough. Four kids—three girls, one boy—are at one of their houses, playing games. One of them has read about "Bloody Mary" and the idea that if you look into a mirror and say her name thirteen times, she will show you the future. Some legends say she'll show you your one true love or a skull to mark your death within five years. Others say that conjuring Bloody Mary will bring her into your world.

Michael is a waif in eyeliner who's determined to wipe vampires off the face of the earth. Wild Bill's got the hots for Michael and will stop at nothing to go home with him. Forget about moonlit castles and windswept moors. These bad boys haunt all-night diners and cheap motels, cut-rate department stores and long, lonely stretches of the interstate.

All you need is a hand mirror, matches, a candle, and complete isolation… You’ve heard rumors this game has mixed results. Option one is to see your future spouse’s face. Option two is a much more sinister outcome. Option two is Bloody Mary. Now that you know your options, will you walk a staircase in the dark?

Twenty years ago a deadly virus swept the globe, ravaging the population. People died and came back as monsters, and through the tragedy that rocked the world, survivors were born.

Aspiring model Allison Parker finally moves into her dream apartment: a brownstone on Manhattan's Upper West Side. But her perfect home quickly turns hellish. The building is filled with a cast of sinister tenants, including a reclusive blind priest, who seems to watch her day and night through an upstairs window. Eventually, Allison starts hearing strange noises from the empty apartment above hers. Before long, she uncovers the building's demonic secret and is plunged into a nightmare of sinful misdeeds.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

In una sera di tempesta del 1816, Lord Byron propone quasi per gioco agli amici riuniti nella sua villa in Svizzera di scrivere un racconto dell'orrore. Folgorata da una spaventosa visione notturna, Mary Shelley, allora diciannovenne, scrive "Frankenstein". Il romanzo, che narra la storia agghiacciante di uno scienziato dall'ambizione prometeica e della sua mostruosa e straziata creatura, ottiene un immediato successo. Per la sua forza di mito universale, è da allora uno dei grandi classici della letteratura.

Frankenstein, or the Modern Prometheus, is Mary Shelley's passionate and Gothic tale of terror, in which a man's desire to know the unknowable sweeps him into a living nightmare. Victor Frankenstein's experiments with life itself give birth to an extraordinary force with the potential for either good or evil.

Maria Dahvana Headley blends history, romance, and the supernatural for a fantastic tale set in ancient Egypt. Upon hearing news of her husband Antony’s death, Cleopatra is distraught. In an effort to resurrect him, she summons the fearsome warrior goddess Sekhmet. Striking a deal with the deity, Cleopatra pays a terrible price in the bargain and is transformed into a terrifying vampire-like creature whose lust for blood is only matched by her desire to exact vengeance upon those who have wronged her.

Frankenstein, or, The Modern Prometheus was written by the English author Mary Shelley. It recounts the tale of Victor Frankenstein, a scientist who creates a grotesque, living creature in an unorthodox scientific experiment. The first edition was published anonymously in 1818 when Shelley was only 20 years old. Her name finally appeared in the second edition, published in France in 1823. She was supposedly influenced by knowledge of alchemist experiments carried out by Johann Dippel in the Frankenstein Castle in Germany.

Three of the top horror novels of all time have been newly adapted into novellas, and are now side by side in this one audiobook. These world-famous monsters are familiar household names. These are the monsters that authors and filmmakers continue to draw from again and again. And these are stories that introduced them to the world over a century ago. So turn down the lights, and experience triple the action, suspense, chills, and thrills, as you listen to all three classic tales.

For a century Bram Stoker's Dracula has reigned supreme as the undisputed masterpiece of horror writing. We have all grown up under the shadow of the elegant Count, at once an attractive, brutal and erotic creature of the night. The gothic tale of Frankenstein and his construction of a human being which runs amok, has, with the help of numerous films, become one of the most vivid horror stories.

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

Frankenstein is the most famous novel by Mary Shelley: a dark Faustian parable of science misused that was an immediate success on its publication in 1818. Purporting to be the record of an explorer, it tells of Victor Frankenstein, a brilliant but wayward student of science, who builds a human from dead flesh. Horrified by what he has done, he abandons his creation. The creature, an outcast for his horrific appearance, learns language and becomes civilized. In time, he attempts to join society but is rejected because he is assumed to have murderous intentions.

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.

In the frozen wastes north of Russia, a lone seaward vessel seeks the elusive Northwest Passage. Suddenly they sight a dog sled with a gargantuan figure in the shape of a man, driving the dogs northward to sure oblivion. The following day, they find another sled. This sled is filled with a European near death, and when asked what he is chasing, he simply replies, "to seek one who fled from me."

In a quaint New England village, the Glynn siblings gather to mourn the unexpected death of their brother Henry. As they convene in the dimly lit family home, old tensions and secrets begin to surface, intertwining with an unsettling presence that lurks within the house. The siblings soon discover eerie shadows cast upon the walls—shadows that seem to move of their own volition, whispering untold tales of the past. As the family grapples with their own guilt and grief, the mysterious shadows grow darker, revealing a truth more sinister than any of them could have imagined.

This is a detailed original summary of Mary Shelley's masterpiece. Frankenstein is a novel that is considered both one of the first science fiction novels and a timeless classic of the horror genre. It has terrified and entertained readers for decades. It is more than just a story about the creation of a monster. Mary Shelley gave readers not only a novel that has inspired great minds to create monsters of their own, but also opened up an endless debate regarding who the real monster is.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

It was at a masked ball at the Palais Royal that my fatal quarrel with my first cousin André de Brissac began. The quarrel was about a woman. The women who followed the footsteps of Philip of Orleans were the causes of many such disputes; and there was scarcely one fair head in all that glittering throng which might not have seemed bedabbled with blood.