Mary Horror

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

He’s one of America’s most brilliant neuroscientists. He’s also Black and dying of cancer. But he has a plan—a brain transfer. He’ll put his gifted mind into the body of Sammy Sturgeon, a White high school football star who was on the rise until a touchdown collision left him brain-dead. He convinces his co-conspirator, Dr. Dino Battaglia, to help him with the forbidden procedure. Douglass wakes up in Sammy’s White, athletic body, with his new family and legions of fans weeping at his miraculous recovery.

Scary stories help children face fear and master it, by portraying the elements of conflict in clear, good-versus-evil terms with good triumphant in the end.

One of the greatest horror stories ever written, Frankenstein comes to spellbinding life once again in this tour-de-force performance by the acclaimed director and star of Henry V, Dead Again, and Much Ado About Nothing. The definitive recording of one of the most haunting tales of all time, Kenneth Branagh's performance of Frankenstein is a true audio classic.

On the longest night of 1895, a terrible storm rages above Harewood Hall. Max, Markham and an injured Peterson are welcomed in by the Harewood family but quickly realise that the gathering is far from celebratory. For tonight marks the Ordeal of the Haunted Room. Every Harewood heir must endure one terrifying night alone in the Haunted Room before he can inherit the family seat. Legend says that ghosts will murder anyone who isn't the true heir. Francis Harewood's ordeal will begin at midnight and end at dawn, but it isn't long before everything goes horribly wrong.

Hours after throwing a third birthday party for their twins Kathy and Kelly in their Connecticut home, Margaret and Steve Frawley return home from a dinner in New York to discover the police in the house, their daughters missing, and an eight million dollar ransom note. The Frawleys meet the kidnapper's demands, but the abandoned car they're led to contains only Kelly, the body of the driver, and a suicide note, saying he had inadvertently killed Kathy and dumped her body in the ocean.

When sixteen-year-old Cynda goes to stay with her father and his second wife, Susan, at their remote bed-and-breakfast inn in Maine, everything starts off well despite legends about ghosts and a murder at the inn. But Cynda feels like a visitor in Dad's new life, an outsider. Then intense, handsome stranger Vincent Morthanos arrives at the inn and seems to return Cynda's interest. At first, she is blind to the subtle, insistent signs that Vincent is not what he seems—that he is, in fact, a vampire. Can Cynda free herself—and her family—from Vincent's power before it's too late?

A new couple have moved into Hardstone House, and it's just Jake's luck that instead of a cool, footballing grandson they have a granddaughter called Claire, who likes tap dancing and tea parties. But then Claire tells Jake and Jenna that Hardstone House was once a school, with a cruel and heartless headmaster, and she reckons it's haunted. But by whom? And why?

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

Michael is a waif in eyeliner who's determined to wipe vampires off the face of the earth. Wild Bill's got the hots for Michael and will stop at nothing to go home with him. Forget about moonlit castles and windswept moors. These bad boys haunt all-night diners and cheap motels, cut-rate department stores and long, lonely stretches of the interstate.

Just before summer begins, 13-year-old Ali finds an old photograph. She recognizes the two children in it; one’s her mother, the other her aunt Dulcie - but who is the third person, the one who’s been torn out of the picture? Ali will have two months to figure it out, since she’s spending the summer with her aunt and her cousin in the same house her mom and aunt used to visit when they were kids. Then Ali meets Sissy. Sissy is mean, spiteful, and determined to ruin Ali’s summer. Sissy also has a secret. Could it have something to do with the old photo? Ali is dying to find out - though, if she’s not careful, that may be exactly what happens to her.

He crept forward between the tall narrow aisles created by the shelves. Just before he reached the corner he heard a thump, the sound of a body hitting the floor. He rushed forward into the corner of the room. The desk was empty. The chair was pushed up against it, neatly awaiting its usual occupant. No one was in the corner. No one was there to make the sound. No one...alive.

These shivery tales were collected from the oral tradition, from people all over the Southwest, and represent the rich cultural diversity of the region, from the Ozarks to the Rio Grande, California to the Big Thicket.

Everybody loves scary stories, and nobody loves them more than children. Storytellers Richard and Judy Dockrey Young gathered these stories from the most discerning of critics: the children themselves.

In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real - and she could prove it. That belief got Becca killed.

Obsessed with the secret of creation, Swiss scientist Dr. Victor Frankenstein cobbles together a body he's determined to bring to life. And one fateful night, he does. When the creature opens his eyes, the doctor is repulsed: his vision of perfection is, in fact, a hideous monster. Dr. Frankenstein abandons his creation, but the monster won't be ignored, setting in motion a chain of violence and terror that shadows Victor to his death.

Stranded on a desert island, a young man yearns for objects from his past. A local from a small coastal town in England is found dead as the tide goes out. A Norwegian whaling ship is stranded in the Arctic, its crew threatened by mysterious forces. In the nineteenth century, a ship drifts in becalmed waters in the Indian Ocean, those on it haunted by their evil deeds. A surfer turned diver discovers there are things worse than drowning under the sea. Something from the sea is creating monsters on land.

In the best-selling tradition of Rosemary Altea and John Edwards comes the memoir of Mary Ann Winkowski, the real life "Ghost Whisperer" and consultant on the Top 30 CBS show Ghost Whisperer starring Jennifer Love Hewitt. Lights flicker on and off for no good reason. You feel drained and inexplicably irritable. Your four-year-old is scared to enter her bedroom. Tell these things to Mary Ann Winkowski, and she'll tell you that you have a ghost. Mary Ann works with these spirits to help them make peace with what keeps them here.

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

"Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics" is a work by Sigmund Freud, published in German in 1913. It is a collection of four essays first published in the journal "Imago" (1912-13), employing the application of psychoanalysis to the fields of archaeology, anthropology, and the study of religion.