Mary Horror

These shivery tales were collected from the oral tradition, from people all over the Southwest, and represent the rich cultural diversity of the region, from the Ozarks to the Rio Grande, California to the Big Thicket.

The isolated cottage on the remote Hebridean island of Moila seemed like an ideal away-from-it-all retreat for writer Rose Fenemore, a place where she could work in peace, and where her brother Crispin could walk, fish, and photograph the birds and wildlife. But it is not easy to escape the world and its troubles. Crispin's arrival is delayed, and Rose, on her own in the lonely cottage, has to cope with two very different men who come in from the sea on a night of summer storm.

Ariel Kimber isn't like most 17 year old girls. She's different because she's a witch with magic and it's rare for females to hold magic anymore. She's settling into her new place amongst her coven of guys while she's settling into her new home at the same time. The Council's appearance into their lives has put everyone on edge. With good reason. Ariel is forced to meet with one of them on a regular basis so that they can learn from each other. Really, though, they just want to get to the bottom of where Ariel came from and she is more than happy to comply with them.

Exerilla is a white witch. Her father is a dark and dangerous warlock with an agenda to marry her to someone she despises. He has the power to do this before she reaches her majority, which will occur at Samhain, Halloween. Her mother has a plan and against her daughter's will, implements that plan, which sends Exerilla into the past, where she must remain until October 31st - months away. And magic is something she can't use because her father could trace it to her.

This annotated edition of the classic Gothic novel, Frankenstein, by Mary Shelly includes an historical introduction, an overview, study of the themes present in the book, and a list of famous quotes.

Durante un viaje en Alta Mar, el capitán Walton le escriba cartas a su hermana: en ellas le cuenta sus aventuras, y sobre todo el misterioso encuentro con el doctor Víctor Frankenstein. Escrita por la inglesa Mary Shelley y publicada en 1818, la tenebrosa historia del científico que juega a ser Dios, singnificó un antes y un después en la llamada tradición gótica. La famosa novela explora temas como la moral, la creación y la destrucción de la vida, considerándose el primer texto del género de ciencia ficción.

Mary Wilkins Freeman's "The Southwest Chamber" and "Shadows on the Wall", Gertrude Atherton's "The Bell in the Fog", Charlotte Gilman's "The Yellow Wallpaper", Kate Chopin's "Her Letters", and Madalene Yale Wynne's "The Little Room" comprise this eerie collection.

After barely escaping Heath with their lives, Rowan, Kiaya, and Devon are thrilled to have a safe place to live as winter sets in. With plenty of supplies, a group that works together well, and the security of their new home, things are looking up. Even better? The freezing temperatures might have taken care of the zombies once and for all. Too bad everyone knows that things with Hank are far from over.

En el verano de 1816, Lord Byron invita al poeta Percy Bysshe Shelley y a su joven esposa, Mary, a su casa de Suiza. Los días son lluviosos y el anfitrión propone que cada uno escriba un relato de fantasmas. Así surgirá "Frankenstein o el moderno Prometeo", publicada en 1818 y considerada la primera novela del género de ciencia ficción.

Frankenstein, or the Modern Prometheus, is Mary Shelley's passionate and Gothic tale of terror, in which a man's desire to know the unknowable sweeps him into a living nightmare. Victor Frankenstein's experiments with life itself give birth to an extraordinary force with the potential for either good or evil.

Hours after throwing a third birthday party for their twins Kathy and Kelly in their Connecticut home, Margaret and Steve Frawley return home from a dinner in New York to discover the police in the house, their daughters missing, and an eight million dollar ransom note. The Frawleys meet the kidnapper's demands, but the abandoned car they're led to contains only Kelly, the body of the driver, and a suicide note, saying he had inadvertently killed Kathy and dumped her body in the ocean.

For a century Bram Stoker's Dracula has reigned supreme as the undisputed masterpiece of horror writing. We have all grown up under the shadow of the elegant Count, at once an attractive, brutal and erotic creature of the night. The gothic tale of Frankenstein and his construction of a human being which runs amok, has, with the help of numerous films, become one of the most vivid horror stories.

From the mind of Edward Lee comes a brand new neighborhood anthology. EROTIC HORROR FOR HORNY HOUSEWIVES is a cul-de-sac of some of the best female horror writers within the sadistic suburbs. With two introductions from both the MOTHERS OF MAYHEM: Marian Echevarria and Christina Pfeiffer… the anthology includes all new stories from Mary SanGiovanni, Lucy Taylor, Monica J. O’Rourke, CV Hunt, Christine Morgan, Jackie Mitchell, Bridgett Nelson, Candace Nola, Karolina “Mangusta” Kaczkowska & Edward Lee.

In the frozen wastes north of Russia, a lone seaward vessel seeks the elusive Northwest Passage. Suddenly they sight a dog sled with a gargantuan figure in the shape of a man, driving the dogs northward to sure oblivion. The following day, they find another sled. This sled is filled with a European near death, and when asked what he is chasing, he simply replies, "to seek one who fled from me."

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.

Zoey loves spending the summer with her Aunt Alice, and her aunt's new house is the perfect place to cozy up with a good book. But she's unnerved by the overgrown forest next door, which is creepy even in the daytime and full of eerie sounds at night. Worse, there are rumors in town of a dark force in those woods. And Zoey can't deny that the wild black cats who live there seem to be watching her. When she encounters a mean old woman who claims to be their owner, Zoey realizes there's more to the cats than meets the eye.

Frankenstein is the most famous novel by Mary Shelley: a dark Faustian parable of science misused that was an immediate success on its publication in 1818. Purporting to be the record of an explorer, it tells of Victor Frankenstein, a brilliant but wayward student of science, who builds a human from dead flesh. Horrified by what he has done, he abandons his creation. The creature, an outcast for his horrific appearance, learns language and becomes civilized. In time, he attempts to join society but is rejected because he is assumed to have murderous intentions.

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space. Suddenly, land, buildings, animals, and people are falling through "timeslips" and being transported briefly back to earlier eras. One of these inadvertent time travelers, Joe Bodenland, is shocked when he finds himself parked outside a villa on the shore of Lake Geneva—and soon after, unbelievably, in the presence of nineteenth-century literary luminaries Lord Byron and Percy Shelley, along with Shelley's very enticing fiancee, budding author Mary.