Mary Horror

Of supposed unsound mind without a penny to her name, Blanche Magruder lies alone in a home for the aged and infirm. Meanwhile, her house, a crumbled ruin in the heart of Georgetown, Washington, DC, is pillaged nightly by thieves looking for treasure rumored to be hidden there. A distant niece, Margaret O’Keefe, is tapped as executor and soon becomes embroiled in the hunt for recovering monies, taking it on as a welcome escape from her financial and marital woes. As Margaret discovers caches in unlikely spots throughout the house, family mysteries begin to unravel.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Twenty years ago a deadly virus swept the globe, ravaging the population. People died and came back as monsters, and through the tragedy that rocked the world, survivors were born.

Ginger Stuyvesant, an American heiress living in London during World War I, is engaged to Captain Benjamin Hartshorne, an intelligence officer. Ginger is a medium for the Spirit Corps, a special Spiritualist force. Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the corps can pass instant information about troop movements to military intelligence. Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels.

Nothing about Kess Pedrock’s life is normal. Not her home (she lives in her family’s Unnatural History Museum), not her interests (hunting for megafauna fossils and skeletons), and not her best friend (a talking demon’s head in a jar named Shrunken Jim).

From the moment Andra hears about the mysterious illness spreading the globe, she knows it’s the end. Sheltering in place with her daughter, ex, and his new family, they watch in dread as the world begins to crumble around them, while rumors of survivors turning into monsters spread. When the dust finally settles, all Andra wants to do is keep her daughter safe as they build a new life for themselves. But a fresh horror awaits, and it’s going to take all of them working together to survive the new world they’re facing. And maybe not even then....

With supplies running low and animals scarce, not even the freezing zombies can make the future look bright for Axl's group. And as the snow grows deeper, Vivian's concern for Hadley and Jon only becomes more intense. Each day seems to bring more challenges, and every week that passes with no sign of their friends makes it more difficult for the group to believe life can ever return to normal.

With their shelter destroyed and their sense of security shattered, Vivian, Axl and the group set off in search of a safe place. But the group's morale is at an all-time low, and they now know it's not just the dead they have to fear. Weeks of wandering brings sickness, death and loss to the survivors, and Vivian soon finds herself losing hope of ever discovering a safe place to live. To make matters worse, two members of the group go missing, leaving the others to wonder not only what happened to them, but if they will ever see their friends alive again.

When the crew of the Oceanus rescued a man close to death, its captain could barely have guessed at the incredible story that man would come to share. This is the story of Victor Frankenstein: a man obsessed with discovering the secret of life and cheating death; a man who brings to life to a body built from corpses; and a man who rejects this would-be child.... Soon Victor and his creature are entangled in a dangerous game of cat and mouse across Europe. But who is truly the monster?

Frankenstein, écrit par Mary Shelley et publié en 1818, et traduit par Jules Saladin dès 1821, est un roman gothique qui raconte l’histoire de Victor Frankenstein, un scientifique ambitieux qui crée un être vivant à partir de morceaux de cadavres. Son expérience tourne au drame lorsqu'il rejette la créature, la laissant seule et perdue. L’histoire explore des thèmes profonds tels que la quête du savoir, les conséquences de l'ambition démesurée, la solitude, et la responsabilité morale.

En el verano de 1816, Lord Byron invita al poeta Percy Bysshe Shelley y a su joven esposa, Mary, a su casa de Suiza. Los días son lluviosos y el anfitrión propone que cada uno escriba un relato de fantasmas. Así surgirá "Frankenstein o el moderno Prometeo", publicada en 1818 y considerada la primera novela del género de ciencia ficción.

In una sera di tempesta del 1816, Lord Byron propone quasi per gioco agli amici riuniti nella sua villa in Svizzera di scrivere un racconto dell'orrore. Folgorata da una spaventosa visione notturna, Mary Shelley, allora diciannovenne, scrive "Frankenstein". Il romanzo, che narra la storia agghiacciante di uno scienziato dall'ambizione prometeica e della sua mostruosa e straziata creatura, ottiene un immediato successo. Per la sua forza di mito universale, è da allora uno dei grandi classici della letteratura.

Frankenstein, or, The Modern Prometheus was written by the English author Mary Shelley. It recounts the tale of Victor Frankenstein, a scientist who creates a grotesque, living creature in an unorthodox scientific experiment. The first edition was published anonymously in 1818 when Shelley was only 20 years old. Her name finally appeared in the second edition, published in France in 1823. She was supposedly influenced by knowledge of alchemist experiments carried out by Johann Dippel in the Frankenstein Castle in Germany.

Jasmin has always known that monsters are real. And they wear ordinary faces. When she was a child, she witnessed her famous, adored grandfather attempt to kill her grandmother. Now Jasmin is seventeen, watchful and curious. She hangs out at the local college, sneaking into the lectures of charismatic professor Theo Merrick and spying on an intoxicatingly cool group of older students. She can only dream of being part of their world.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Mary Shelley´s FRANKENSTEIN oder: Der moderne Prometheus, gelesen von Ingolf Kloss. Mary Shelleys Frankenstein ist eine erschreckende Vision des wissenschaftlichen Fortschritts ohne moralische Grenzen und führt den Zuhörer auf eine gefährliche Reise von der erhabenen Schönheit der Schweizer Alpen in die trostlose Einöde des Polarkreises. Besessen von der Idee, das Leben selbst zu erschaffen, plündert Victor Frankenstein Friedhöfe und Schlachtereien.

Don't sleep, Mary. Satan's night is near. He will take you and drown you in blood-drenched sin. Mary Taylor is happy now, married to the man she loves. The years of the Christian Home for Children are behind her, buried in the dark, unspoken folds of memory. But still she awakens to terror, to the hideous acts that gentle Mary would never, ever commit. And someone is killing the girls she knew at the Christian Home.

It was at a masked ball at the Palais Royal that my fatal quarrel with my first cousin André de Brissac began. The quarrel was about a woman. The women who followed the footsteps of Philip of Orleans were the causes of many such disputes; and there was scarcely one fair head in all that glittering throng which might not have seemed bedabbled with blood.

Als Rachel in der neuen High School in einen Streich verwickelt wird, der furchtbar daneben geht, hat sie plötzlich mehr Feinde als Freunde. Zu ihrer Überraschung erregt sie jedoch die Aufmerksamkeit eines geheimen Schülerclubs. Der Mary-Shelley-Club, benannt nach der Autorin von Frankenstein, hat nur ein Ziel: mit gruseligen Aktionen echte Angst zu verbreiten. Schon bald eskaliert das Spiel und wird immer gnadenloser – und Rachel muss das echte Monster aufspüren. Es ist an der Zeit, den ultimativen Streich zu spielen ...

This volume proves that the assertion that women are the gentler sex is frequently an unfounded and unlikely description. From the minds and pens of some of the best female writers of the last century comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic - usually black - and entrance you with their narratives you just know that “sugar and spice and everything nice” are not likely to be what all girls really are made of - and certainly not these femme fatales....