Mary Horror

Una colección imprescindibles para los amantes de lo espectral, del misterio gótico, de la cortina que se desplaza sin que haya viento y el susurro de pasos en mitad del pasillo en plena noche. Cuentos escalofriantes de una de las damas del terror victoriano más destacadas, Mary Elizabeth Braddon. Incluye los cuentos: "El rostro en el espejo", "Ella", "La sombra en la esquina", "La buena lady Ducayne", "Su última aparición" y "El visitante de Eveline".

Victor Frankenstein er en ung og ærgerrig videnskabsmand, der drømmer om at skabe sit eget levende væsen - af rester af lig. Han har opdaget, hvordan det kan lade sig gøre og forestiller sig at skabe noget smukt, men sådan går det som bekendt ikke. Han skaber et monster, som han ikke kan holde af, og så går det løs. Monsteret flygter, lever som udstødt og indleder en uhyggelig vendetta for at påkalde sig Frankensteins opmærksomhed. Mary Shelleys klassiske gyser- og science fictionroman fra 1818 foreligger nu i en ny oversættelse af Jakob Levinsen.

Hannah Whitmire's body may lie on the forest floor a hundred miles from home, but her spirit is upright and determined. She must get to her children before the murderer does. The question is - how? She can’t drive and the living - most of them at least - can’t hear her. Hannah is on her own.

Mary Shelley hat als 18jährige etwas vollbracht, was noch kein Mensch vor oder nach ihr geschafft hat: In diesem zarten Alter einen Roman zu verfassen, der die Zeiten überdauert und eine bis heute aktuelle Thematik behandelt. Können, dürfen und sollen wir Leben auf Basis aller uns zu Verfügung stehenden technischen Mitteln ermöglichen oder sind Gottes bescheidene und beschränkte Grenzen Sperrgebiet für unseren Intellekt?

Of supposed unsound mind without a penny to her name, Blanche Magruder lies alone in a home for the aged and infirm. Meanwhile, her house, a crumbled ruin in the heart of Georgetown, Washington, DC, is pillaged nightly by thieves looking for treasure rumored to be hidden there. A distant niece, Margaret O’Keefe, is tapped as executor and soon becomes embroiled in the hunt for recovering monies, taking it on as a welcome escape from her financial and marital woes. As Margaret discovers caches in unlikely spots throughout the house, family mysteries begin to unravel.

No one will tell Eva and Frost the truth about the Blurred Ones. Not their hunter friend, and definitely not the parentals. Maybe it’s because Frost spent time in a psychiatric ward and Eva never ceases to think with her hormones. So, when the girls see an opportunity to meet Albert Knox, the most infamous Blurred One of all, they lie about their true plans and head out on their field trip to San Antonio. Eva thinks she can use her feminine wiles to woo Knox, but he has a couple more minions than they thought - and she ends up getting tossed through the window.

Unwilling to stand around and wait while Eva's been taken over by one of the Despairity, Frost works tirelessly with Beau and Leo to figure out how to free her sister. Leo shows Frost memories of The Before, and Beau admits to a chilling connection with the Tree of Knowledge of Good and Evil. And when Alora reveals her sinister plan - to build an unconquerable army of Blurred Ones by placing them inside the perfect hosts - the girls and their friends must fight to protect not just Bloodcreek, but all of the world.

Eva and Frost are pretty stoked about their blooming hunting skills. But when they finally meet Raylan’s sister, Tess, after a witch-doctor hunt in New Orleans, the group dynamic gets rather awkward. Tess wants to kill Knox straight up dead. As in, drag him up from the bottom of the old mine shaft and use Tess’ favorite snake from the Louisiana bayou to finish the job. Eva loves the idea of bonding with Tess and being extra sure that Knox will never come back to harm them. But Maggie ain’t thrilled at the idea, and Frost is a little distracted by her new cowboy boy-toy.

This Mary Shelley's classic short story, The Invisible Girl, is perfect for the fall season. Henry and Rosina's Gothic love story is a classic.

Patty Decker, a socially awkward widow, moved in, and her neighbors keep leaving, the hard way. A misunderstood hussy dies and practically everyone has a motive.... Patty has solved all the unexpected deaths in her park so far; but there were no unexpected deaths before she moved in! She closes in on her suspect, who has no choice but to "remove" Patty from the investigation. Will she live to sleuth again?

It tells the story of a young woman whose mother died in her childbirth - just as Shelly's own mother died after hers - and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet.

Being a lumberjack isn’t easy - especially when your brother is trying to kill you. For Annalise, Younish Camp - the only home she’s ever known - has turned into a factioned nightmare. Her brother, Paul, had always been a little off, but now things have spiraled. With the oppression of the scrawn and breeders at an all-time high, and the pure lumberjacks now severing limbs in favor of mechanical appendages, camp has become extremely dangerous. Who wants to live with a bunch of men with saws for arms anyway?

Samantha Tyler is a kick-ass, take-no-prisoners kind of girl. She lives by her own set of slightly broken rules, and the drummer she marches to has cloven hooves. She’s having just another normal day as a vigilante on the good side of the supernatural until an alarming call from her mentor, Sister Evangeline, prompts a trip across the sea to the Abbey of Sainte Aelis in France. One of the nuns and a local village woman are missing, unusual enough, but there are ominous whispers in the air leading everyone to believe an unholy creature is responsible. 

A no-nonsense governess returns to the family home at Christmas to celebrate the season and an upcoming wedding but learns of a curse affecting the men of the family. 'At Chrighton Abbey' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

The Summer I Believed in God and Johnny B. Good by Pamela Jekel is the story of a woman searching for her father. Raised by her grandparents, Lacey Wickham was told that her mother had a nervous breakdown shortly after her birth and was institutionalized. Now at twenty-seven, a psychologist with her own relationship issues, Lacey visits her aunts to discover if they know who her father might be. Two sisters who fled the family home in their teens, the aunts run a thriving spiritualist business in Cassadaga, Florida, specializing in tarot readings, séances, and spells.

A country doctor visits the spacious house of a Baron. But when he arrives, he draws up in shock. Everything inside and outside of the house, down to the clothing of the inhabitants, is all the same color—white. Why is everything about the house eerily bloodless? Mary Fortune was one of the earliest female writers of crime fiction, and likely the first to write from the point of view of the detective. She enjoyed a prolific career in Australia, where she also wrote under the pseudonyms Waif Wanderer and W.W.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

Mary Wollstonecraft Shelley (1797-1851) will forever be known as the author of one of the all-time great Gothic novels, Frankenstein; or The Modern Prometheus (1818). In 1824, she published her essay "On Ghosts", which offers a personal glimpse into her own opinions and experiences. This edition includes a new preface with historical context and an excerpt from M.G. Lewis' 1796 work The Monk: A Romance that Shelley references in "On Ghosts". 

Frankenstein is the classic story of of a young doctor, Victor Frankenstein, who creates what comes to be known as "the monster." Interestingly, many people refer to "the monster" as "Frankenstein" when in fact Dr. Frankenstein is the creator of the monster.

Ariel Kimber has settled into life with her family and coven. Everything seems to be as it should, and she finally feels like she's exactly where she needs to be in her life. Her dad is awesome, and she loves getting to know him. Her guys are the best, and she falls deeper in love with them by the day. Her job at Fortunes for the Unfortunate does not suck, and she's more than happy to spend her days there. Her guardians have become family to her, and she finally thinks she's living the good life. But, like everything else in Ariel's life, that goodness does not last.