Medieval England

Un hombre despierta en el claro de un bosque de lo que parece ser la Inglaterra medieval, sin ningún recuerdo sobre quién es, de dónde procede ni por qué está allí. Perseguido por un grupo llegado de su propia época, su única posibilidad de sobrevivir pasa por recuperar la memoria perdida, conseguir aliados entre la gente del lugar y quizás incluso confiaren sus supersticiosos alardes. Su única ayuda del «mundo real» debería haber sido un manual titulado La guía del mago frugal para sobrevivir en la Inglaterra del Medievo, pero el ejemplar que tenía explotó en el traslado.

The famous conqueror from the European continent came ashore with thousands of men, ready to set up a new kingdom in England. The Britons had resisted the amphibious invasion from the moment his forces landed, but he was able to push forward. In a large winter battle, the Britons’ large army attacked the invaders, but was eventually routed, and the conqueror was able to set up a new kingdom.

Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern audiences. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a trove of these gems and uses them to illuminate the lives of the earliest English speakers.

England, 1388: All her life, Louisa has dreamed of finding the rumored "Giant's Treasure," a collection of ancient, lost riches said to be hidden on a mountaintop in Scotland, guarded by a fierce monster. It's a story her father used to tell her, and when he dies and she and her younger sister have to go live with their shiftless, greedy uncle, Louisa is determined to find that treasure. It's the hope that has kept her defying her uncle's efforts to marry her off to the highest bidder.

The focus of the book is on Shakespeare's London, how it influenced his drama, and how he represents it on stage. Taking listeners on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and geographically, traversing London from west to east.

In this sequel to Dream of Me, Josie Litton pursues the romantic and political affiliations between the Saxons and Norse at the end of the ninth century. When the Saxon lord Hawk agrees to take a Norse bride, he finds an unexpected affection for his enigmatic and fiery fiancee, Lady Krysta. But Lady Krysta arrives bearing many secrets, including her gift for seeing what others cannot.

Richard III is accused of murdering his nephews, the "Princes in the Tower", in order to usurp the throne of England, but this book tells a different story. Rather than looking at all the killings Richard III did not commit, this account focuses on the one judicial murder for which we know that he was responsible. On June 13, 1483, William, Lord Hastings, was hustled from a meeting of the Royal Council and summarily executed on Tower Green within the confines of the Tower of London.

In the rich turbulence of English history, one day stands magnificently apart: June 15, 1215, the day of the signing of the Magna Charta. On this day, the first blow for English freedom was struck and forever affected the Western world. Here is the story of three true men, Stephen Langton, Williams Marshall, and Hubert de Burgh, whose heroic deeds are set against those of the ever deceitful and crafty King John.

In May 1315 it started to rain. It didn't stop anywhere in north Europe until August. Next came the four coldest winters in a millennium. Two separate animal epidemics killed nearly 80 percent of northern Europe's livestock. Wars between Scotland and England, France and Flanders, and two rival claimants to the Holy Roman Empire destroyed all remaining farmland. After seven years, the combination of lost harvests, warfare, and pestilence would claim six million lives - one eighth of Europe's total population.

Harriet Harvey Woods fascinating and accessible book will change forever our view of the Norman conquest of England. Although the prevailing view is that the invaders brought culture and enlightenment to England, Harvey Wood argues that the Normans aggressive and illegal attack actually destroyed a highly developed civilization with long-established political institutions and sophisticated art forms.

London, 1385: Surrounded by ruthless courtiers - including his powerful uncle, John of Gaunt, and Gaunt's artful mistress, Katherine Swynford - England's young king, Richard II, is in mortal peril. Songs are heard across London - catchy verses said to originate from an ancient book that prophesies the ends of England's kings - and among the book's predictions is Richard's assassination. Only a few powerful men know that the cryptic lines derive from a "burnable book", a seditious work that threatens the stability of the realm.

From William Shakespeare’s series of history dramas, to Sir Walter Scott, and George R. R. Martin’s A Song of Ice and Fire—not to mention the smash-hit TV show Game of Thrones—the British civil war of 1455 to 1485 has inspired writers for centuries. Ed West’s My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne.

Henry II had all the gifts of the gods. He was charismatic, clever, learned, empathetic, a brilliant tactician, with great physical strength and an astonishing self-belief. Henry was the creator of the Plantagenet dynasty of kings, who ruled through eight generations in command of vast lands in Britain and Europe. Virtually unbeaten in battle, and engaged in a ceaseless round of conquest and diplomacy, Henry forged an empire that matched Charlemagne's.

The Plantagenets reigned over England longer than any other family - from Henry II to Richard III. Four kings were murdered, two came close to being deposed, and the last - and most notorious, Richard III - was killed in a battle by rebels. Shakespeare wrote plays about six of them, further entrenching them in the national myth. Based on major contemporary sources and recent research, acclaimed historian Desmond Seward provides the first accessible overview of the whole extraordinary dynasty.

The Bayeux Tapestry is the world's most famous textile: an exquisite 230-foot-long embroidered panorama depicting the events surrounding the Norman Conquest of 1066. It is also one of history's most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture.

There are very few national relationships quite as complicated and enigmatic as the one that exists between the English and the Irish. For two peoples so interconnected by geography and history, the depth of animosity that is often expressed is difficult at times to understand. At the same time, historic links of family and clan, and common Gaelic roots, have at times fostered a degree of mutual regard, interdependence, and cooperation that is also occasionally hard to fathom. During World War I, for example, Ireland fought for the British Empire as part of that empire.

William Shakespeare is a name that every English speaking person has heard. He is considered to be the most famous English man, the greatest playwright in history and a literary genius. However, how much do you really know about Shakespeare other than the fact that he wrote Romeo and Juliet? Do you know what he really looked like? That he invented a lot of the words that you use when you write your next social media post?

Late in AD 937, four armies met in a place called Brunanburh. On one side stood the shield-wall of the expanding kingdom of the Anglo-Saxons. On the other side stood a remarkable alliance of rival kings - at least two from across the sea – who’d come together to destroy them once and for all. The stakes were no less than the survival of the dream that would become England. The armies were massive. The violence, when it began, was enough to shock a violent age.

Sex: It was just another commodity that the medieval royals had on tap. Not content with the wealth, power and a lifestyle to match, they also seemed to have an unlimited amount of sex available. If anyone in power today were to behave in the manner that some of those that wore the crown did, then there would be a revolution quicker than you could say, "undress, wench".

Who was Robin Hood? Throughout history the figures of the hooded man of Sherwood Forest and his band of outlaws have transfixed readers, listeners, and viewers; but where does the myth come from? The story appeared out of the legend of the Green man, but found its location during the reign of Richard I, the Lionheart, who was away from England fighting in the crusades. In his absence, his brother John laid waste to the country. But does this tell the full story?