Medieval English

The Tudor dynasty died out because there was no heir of Elizabeth I's body to succeed her. Henry VIII, despite his six marriages, had produced no legitimate son who would live into old age. Three of the reigning Tudors (Edward VI, Mary I, and Elizabeth I) died without heirs apparent, the most tragic case being that of Mary Tudor, who went through two recorded cases of phantom pregnancy. If it were not for physical frailty and the lack of reproductive health among the Tudors, the course of history might have been different.

Seeking to depose his brother Artaxerxes and take his place upon the Persian throne, Cyrus the Younger leads the 10,000 mercenaries on a dangerous campaign deep into the heart of Persia. There, Cyrus is killed and his generals overthrown, leaving a young Xenophon to lead the army on its treacherous journey home. Snowy mountains, wide rivers, violent blizzards, and hostile tribes obstruct their way, testing Xenophon's leadership and his soldiers' perseverance to the extreme.

In historian Tabitha Stanmore’s beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.

It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair.

In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans.

John Gaunt was the son of Edward III, brother to the Black Prince, father to Henry IV, and the sire of all those Tudors. He has had pretty bad press: supposed usurper of Richard II’s crown and the focus of hatred in the Peasants’ Revolt, as they torched his home, the Savoy Palace. Helen Carr paints a complex portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, and patronized the arts.

Gregory the Great (bishop of Rome from 590 to 604) is one of the most significant figures in the history of Christianity. His theological works framed medieval Christian attitudes toward mysticism, exegesis, and the role of the saints in the life of the church. The scale of Gregory's administrative activity in both the ecclesial and civic affairs of Rome also helped to make possible the formation of the medieval papacy.

Prince Kuluch has been cursed by his evil stepmother! Now he is in love with the daughter of a giant. Follow Kuluch as he completes the list of tasks from the giant with the help of knights, King Arthur, and even ants! Will he be able to marry the love of his life?

Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern audiences. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a trove of these gems and uses them to illuminate the lives of the earliest English speakers.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting.

Genevieve McInnis is locked behind the fortified walls of McHugh Keep, captive of a cruel laird who takes great pleasure in ruining her for any other man. Yet when Bowen Montgomery storms the gates on a mission of clan warfare, Genevieve finds that her spirit is bent but not broken. Still, her path toward freedom remains uncertain. Unable to bear the shame of returning to a family that believes her dead or to abandon others at the keep to an imposing new laird, Genevieve opts for the peaceful life of an abbess. But Bowen's rugged sensuality stirs something deep inside her that longs to be awakened by his patient, gentle caress - something warm, wicked, and tempting.

In the final installment of the Tales of the Otori, the young Takeo meets his destiny, fulfilling the prophesy: "You were born into the Hidden, but your life...is no longer your own."

The People of Holbrook are suffering under the rule of the greedy Lord Kingsley. Will greed destroy the kingdom the way it destroyed Lord Kingsley? Sir Bentley, an honorable young knight, abandons his calling in order to seek the truth of the Prince. Choosing to live as the Prince did, he forsakes his former lifestyle and wealth to live as a pauper. His travels take him to Holbrook, where the townsfolk live in poverty, paying high taxes to support the lavish lifestyle of Lord Kingsley and his court.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil. Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft.

Beobrand is besieged in the action-packed instalment in the Bernicia Chronicles set in AD 647 Anglo-Saxon Britain. War hangs heavy in the hot summer air as Penda of Mercia and his allies march into the north. Caught unawares, the Bernician forces are besieged within the great fortress of Bebbanburg. It falls to Beobrand to mount the defence of the stronghold, but even while the battle rages, old and powerful enemies have mobilised against him, seeking vengeance for past events.

When a stranger comes to Glenna Gordon's isolated island farm, she learns her whole life has been a lie. Lyall Roberston, Baron Montrose, carries a secret royal order to take Glenna to the father she has never known, a man so powerful he has hidden his daughter away to protect her from his enemies.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

No one desires retribution against their enemy more than Highlander Cormac MacLean. Yet his foe has the favor of the king, and Cormac lacks irrefutable proof of the man’s nefarious deeds, so revenge must be planned with calculated care. But when Cormac’s hot-headed brother impulsively attempts to kidnap their enemy’s stepsister, Cormac finds himself fleeing with the wounded beauty after she sustains an injury trying to protect him.

Danger stalks across the surface. Tension and panic rise within the clan as whispers of a massive raider army of a size never before heard of, rallying together. They plan a grand crusade to sweep across the white wastes, eliminating any who stand in their way. Their numbers are legion, their power and resources near limitless. And their course is set to cross the clan.