Medieval English

Fionna's only hope to save her family lies across the Irish Sea. As a warrior princess of Ulster, the rival clan holding her father and sister for ransom knows she'll pay any price to get them back. But even she couldn't predict the task set before her - to steal a faerie sword from a king. The Kingdom of Caerleon is dying under Morgan le Fay's dark magic. Her vengeful curse has locked Excalibur in its scabbard, placing Arthur Pendragon's kingship in jeopardy. Now Arthur and his sword brothers have one hope. The fifth knight. The one foretold by Merlin who will break the curse.

In this vivid and alluring history, medievalist Anthony Bale invites listeners on an odyssey across the medieval world. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens.

Widely hailed as a revelation of a "lost" golden age, this history brings to vivid life the rich and thriving culture of medieval Spain, where, for more than seven centuries, Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and literature, science, and the arts flourished.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.

Full of tragic heroes, intoxicating love stories, and the unstoppable force of fate, there is no conflict more iconic than the Trojan War. Troy is the story of the epic battle retold by Fry with drama, humor, and vivid emotion. Achilles, Hector, Odysseus, Helen, their lovers, and their mortal enemies all burn bright in Fry's compelling prose. This volume invites you to explore a captivating world with a brilliant storyteller as your guide.

AD 1294. Caernarfon has fallen to Madog, and the Welsh uprising spreads like a wildfire. The four main warlords of Wales join forces to wreak havoc amongst the English settlers and rampage across the country in a frenzy of aggression born of a lifetime of servitude. One by one, Edward’s castles fall before the Welsh onslaught, but though there seems to be little reaction from the king, across the border, he musters his armies and plans the re-taking of his famed Ring of Steel.

Oxford, Spring 1353. When young bookseller Nicholas Elyot discovers the body of student William Farringdon floating in the river Cherwell, it looks like a drowning. Soon, however, Nicholas finds evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his scholar friend Jordain try to unravel what lies behind William's death, they learn that he was innocently caught up in a criminal plot.

When the Emperor's army comes recruiting, Mai signs up, seeing it as the perfect escape from her stepmother and a lifetime of drudgery. Armed with her mother's armor and a pair of magic shoes, Mai marches off to war only to find herself sharing a tent with the General's arrogant nephew, Prince Yi. The best swordsman in the Empire, Prince Yi wants to make war, not love, but the Emperor insists this will be Yi's last campaign before he must marry. Prince Yi has never met his match until now.

When a stranger comes to Glenna Gordon's isolated island farm, she learns her whole life has been a lie. Lyall Roberston, Baron Montrose, carries a secret royal order to take Glenna to the father she has never known, a man so powerful he has hidden his daughter away to protect her from his enemies.

From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.

A Medieval Life offers a biography of one woman, a portrait of her world, and an introduction to historical method. Written in a clear and accessible style, it reworks a well-loved book to provide an entirely new resource for students, teachers, and general listeners. Like Cecilia Penifader, most people in the Middle Ages were peasants, humble people living socially below the knights, bishops, and kings who figure so large in history books. Judith M. Bennett shows that peasants, too, made history.

The parish, the lowest level of hierarchy in the medieval church, was the shared responsibility of the laity and the clergy. Most Christians were baptized, went to confession, were married, and were buried in the parish church or churchyard; in addition, business, legal settlements, sociability, and entertainment brought people to the church, uniting secular and sacred concerns.

After being set adrift at sea, baby Mordred is found by fisherfolk who raise him as their own. One day, a beautiful, magical lady appears to carry him back to his birth-mother's cold castle. There, alone but for his faithful dog, he comes of age and learns the horrible truth about his identity. Everyone knows Mordred as the dark, evil son who kills the noble King Arthur. But what would it be like to be born as Mordred, an unwanted child with a dreadful destiny?

Nearly three thousand years after they were composed, The Iliad and The Odyssey remain two of the most celebrated and widely read stories ever told, yet next to nothing is known about their author. He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early seventh centuries BCE Authorship is traditionally ascribed to a blind poet named Homer, and it is under this name that the works are still published.

When MMO gamer Lansius woke up in a fantasy world, his greatest concerns were learning the language and keeping a thatch roof over his head. Then he joined the army as a lowly soldier right as the thousand-year third Imperium rule was crumbling. Little did he know he would end up leading his own troops into battle.

Life in a Medieval Village, by respected historians Joseph and Frances Gies, paints a lively, convincing portrait of rural people at work and at play in the Middle Ages. Focusing on the village of Elton, in the English East Midlands, the Gieses detail the agricultural advances that made communal living possible, explain what domestic life was like for serf and lord alike, and describe the central role of the church in maintaining social harmony.

The 14th century reflects two contradictory images: on the one hand, a glittering time of crusades and castles, cathedrals and chivalry, and the exquisitely decorated Books of Hours; and on the other, a time of ferocity and spiritual agony, a world of chaos and the plague.

Acclaimed actress Claire Danes burnishes an epic story of heroes, gods, and monsters in a groundbreaking translation of The Odyssey, the first great adventure story in the Western literary tradition. When the wily warrior-king Odysseus sets off for home after the Trojan War, he doesn’t realize this simple undertaking will become a perilous journey of 10 years. Beset at every turn, he encounters obstacles, detours, and temptations—both supernatural and human—while his wife Penelope fends off would-be suitors desperate to take the throne.

For centuries, the Crusades have been central to the story of the medieval Near East, but these religious wars are only part of the region's complex history. As The Mongol Storm reveals, during the same era the Near East was utterly remade by another series of wars: the Mongol invasions. In a single generation, the Mongols conquered vast swaths of the Near East and upended the region's geopolitics. This is the definitive history of the Mongol assault on the Near East and its enduring global consequences.

Aristotle’s Poetics is the earliest-surviving work of dramatic theory and the first fully intact philosophical treatise to focus on literary theory. The respected Greek sage offers an account of what he calls "poetry" (which the Greeks understood to literally mean "making"), examining its "first principles" and identifying its genres and basic elements, including what he terms drama-comedy, tragedy, and the satyr play - as well as lyric poetry, epic poetry, and iambic pentameter, which he always associates with wit.