Medieval English

For centuries, the Vikings have swept out of the Norse countries and fallen on whatever lands they could reach aboard their longships, and few could resist the power of their violent onslaught. They came at first to plunder and then to settle, an encroachment fiercely resisted wherever they went. Such was the case in the southern lands of Ireland. En route to the Viking longphort there, known as Dubh-linn, Thorgrim Night Wolf and Ornolf the Restless stumble across an Irish ship.

These classic fables use simple allegories to convey universal truths. Though it is unkown if Aesop ever actually existed, dating back to the sixth century, BC, these fables are known in cultures throughout the world and have been translated into many languages.

Since the day Lord Dillon earned his spurs, rumors of his savagery on the battlefield have preceded him into every room, stilling tongues and sparking fear. Weary of battle, he wishes only to find a woman he can wed who will approach him not with fear but with the tenderness that has been absent from his life for so long. Yet only the wisewoman seems invariably at ease in his presence.

Northmen is there to tell the tale, to pay homage to what was lost and celebrate what was won. Focusing on key events, including the sack of Lindisfarne in 793 and the Battle of Stamford Bridge in 1066, medieval history expert John Haywood recounts the saga of the Viking Age, from the creation of the world through to the dwindling years of halfhearted raids and elegiac storytelling in the 13th century.

Bound home after two years away, Gavan MacNabb comes across a lass and her deerhound in a moonlit circle of standing stones. Little does he know that the garland of bluebells she weaves and the spell she sings will change the course of his life. Marsali Murray doesn't really believe the old wives' tale that making a chain of bluebells by the standing stones under a waxing moon will bring true love, but she's desperate to try anything to escape the boring, everlasting sameness of her life. Anything except marrying a man her father chooses for her.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

After four broken betrothals, Elizabeth Fraser believes her father's political ambitions will keep her from ever finding a husband. Content to be considered on the shelf, Elizabeth would rather be left in peace as one of the queen's ladies in waiting than engage in flirtations that lead nowhere. She never expected one chance encounter months ago would alter the future she had accepted. Will Elizabeth give Edward a second chance to prove he wants more than a dalliance?

The Discarded Image paints a lucid picture of the medieval worldview, providing the historical and cultural background to the literature of the middle ages and renaissance. It describes the 'image' discarded by later years as "the medieval synthesis itself, the whole organization of their theology, science, and history into a single, complex, harmonious mental model of the universe". This, Lewis' last book, has been hailed as "the final memorial to the work of a great scholar and teacher and a wise and noble mind".

Adrianne Percy was hidden in the Western Isles, safe from her family's enemies - until her sisters sent a notorious pirate to return her to the Highlands. But when she hatches a plan to free her kidnapped mother, it requires her to marry the handsome rogue. But what begins as a simple matter of business quickly flares into an uncontrollable desire. As Adrianne's heart smolders, their calculated arrangement threatens to ignite into a burning passion....

Cainnech (Cain) MacPherson's hatred for the English was born when he was a lad of seven, the day they raided his village and killed his family. They took everything from him without mercy and tossed him onto the battlefield, where the memory of love faded to dust and left nothing in its wake but violence. Now, as Robert the Bruce's most formidable, most lethal warrior, he wreaks havoc on his enemy, taking land by force, without mercy. But when he raids a small castle in Northumberland, he faces his greatest opponent yet - a bold, beautiful Norman lass who will see him dead at any cost.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

The Illiad dates back to the 8th century BC and is Homer's epic precursor to The Odyssey. Set during the Trojan War, it tells of battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.

Annie MacPherson’s world was torn apart when her family’s castle was ravaged during the war. Determined to aid her countrymen, she braves the battlefield and finds Lieutenant Craig MacLean left for dead. Soon her heart belongs to the fierce warrior. As the English dragoons draw closer to Annie’s makeshift hospital, Craig knows they have to escape together if they’ll have any chance to survive. But when they come face-to-face with the enemy and Craig is imprisoned, Annie will have to risk everything she has to save the man she can’t live without.

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

When Bampton’s coroner, Hubert Shillside, does not return from a trip to Oxford, Master Hugh de Singleton is called. Concerned for his old friend, Hugh takes to the road to investigate. Travel is safer than in times hence but, out of sight of prying eyes, it is still unwise to travel alone. Hugh finds a body, stabbed and left to rot, but it is not the body he was expecting to find. Indeed, reports of pillage, attacks, and chaos on the roads out of Oxford suddenly seem rampant. Hugh must ascertain whether the incidents are random, or whether something darker is afoot.

Jamie MacKay has spent a lifetime serving as the right hand to the Laird of the MacKays. Now that he possesses his ancestral home again, he has his own plans for the future, including the ambition to start a new branch of the MacKays. Lady Helen Sutherland has lived to please her father and honor the family name. But when her sire forces her into a betrothal with a man who is a known murderer, she finally finds the courage to say no. Helen flees to the one place where she knows she'll find sanctuary.

In 1349, one small town in Germany disappeared and was never resettled. Tom, a contemporary historian, and his theoretical-physicist girlfriend, Sharon, become interested. By all logic, the town should have survived, but it didn't. Why? What was special about Eifelheim that it utterly disappeared more than 600 years ago?

Mr. Henty weaves a story of the life and times of King Richard the Lion-hearted that is yet to be equaled. Cuthbert de Lance, the hero of the story, is of Norman blood on his father's side and Saxon by his mother. By providing timely aid to the Earl of Evesham, Cuthbert is rewarded by being allowed to go to the Crusade as his page. He gains a reputation for valor and prowess due to gallant deeds, and his resourcefulness not only helps King Richard but aids Cuthbert in many a 'hairbreadth escape'.

It is early in the twelfth century, and the civil war between King Stephen and the Empress Maud rages with renewed vigor. In the battle of Lincoln, the sheriff of Shropshire is captured, and the king himself is detained by his enemies. An exchange of prisoners is arranged: the sheriff will be bartered for a young Welsh lordling who has been captured during a misguided assault on a convent.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.