Medieval English

In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities—Cahors, Moissac, Montauban—all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. “The onward march of history, my House keeps demonstrating, never takes a rest,” he observes, pulling us vividly into his world.

At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital.

Autumn 1192. With Jerusalem still in the Saracens' hands, and a peace treaty agreed with their leader Saladin, Richard the Lionheart is free at last to travel back to his strife-ridden kingdom. By his side at every turn is the loyal knight Ferdia, also known as Rufus. Together they will face not just Richard's archenemy Philippe Capet of France, but also the king's treacherous younger brother, John.

A hero of the crusades, Dominic le Sabre has returned in glory and in triumph to claim his reward: the beautiful Saxon bride awarded to him by the conqueror king. But Lady Margaret of the Blackthorne cannot yield to the bold Norman invader.

Kihrin is a bastard orphan who grew up on storybook tales of long-lost princes and grand quests. When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised. He also discovers that the storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies, true love, and how the hero always wins. Then again, maybe he’s not the hero, for Kihrin is not destined to save the empire. He’s destined to destroy it.

At the side of the most famous warlord of history, Matilda worked, not as a quiet, modest wife, but as a leader...as a ruler just as ruthless as her husband. Under her soft mask of beauty and modesty there lay the heart of a woman powered by ambition. A woman who was strong, courageous, and devious.... Through the eyes of one of the most extraordinary women of history unfold the events leading to the invasion of England and the battle that would decide its fate....

Chandra de Avenell might look like a golden princess, but she fights like a warrior, dreams a warrior’s dreams, and wears a warrior’s pride like a suit of armor. She wants to be strong, independent, and free. She has no use at all for a husband. Enter the man her father has selected for her. Jerval de Vernon takes one look at Chandra, and he wants her. After he saves her from a very bad situation, he sets himself to wooing her—not an easy task.

The day Elena MacLeod’s arrow pierced Rolland MacKay’s arse, she fell in love with the ruggedly handsome Scot, despite her better judgment. After all, he was known as the Highland Heartbreaker. Given that, it should have come as no surprise when he disappeared without a trace the day before they were to be wed. But she had become a hopeless fool for the warrior and was devastated. Four years later, when the Highlander resurfaces just as mysteriously as he vanished, Elena is thrilled…until it’s clear the rogue doesn’t deserve her unwavering devotion.

Desperate times call for desperate measures, and no one is more desperate than Highlander Alasdair MacRae. His clan is on the verge of disaster thanks to continuous raids from the lying, thieving, murdering MacKenzies. Their latest strike has left Alasdair’s family on the precipice of starvation, and his brother badly wounded. The time has come to hit back, and what better blow to deliver than to kidnap his enemy’s daughter and use her to negotiate much-needed peace.

Bran Davidson's sister is going to be hanged unless he agrees to take Werrick Castle. Ever a pawn in a rich man's game, Bran has no choice but to force his way into Werrick on behalf of the Scottish Middle March Warden. He quickly discovers getting into the castle is the easy part. Dealing with its mistress, however, will take every ounce of cunning and determination he can muster, especially when she turns his blood to fire.

Everyone knows something of Shakespeare's sonnets, even if only in memorable fragments like "the darling buds of May", or "remembrance of things past", or "the marriage of true minds". For centuries these wonderfully crafted, intense lyrics have stood for something valued about youth, love, and the emotional complexities belonging to that time of life. This new recording presents all 154 of Shakespeare's sonnets, using the New Cambridge Shakespeare texts.

After the bloody trials of Alexandria, Sir William Gold is readying for a pilgrimage to Jerusalem to ease the burden on his soul. He hopes, too, that the Holy City might allow his relationship with Emile, cousin of the Green Count of Savoy, to develop. But the Roman emperor of Constantinople has been taken hostage by an unknown enemy, and the Green Count is vital to the rescue effort. It is up to Sir William to secure his support, but he soon finds that his past, and his relationship with Emile, might have repercussions he had not foreseen.

Present day: When thirty-six-year-old Robyn Willoughby discovers an exquisite yet blood-stained Tudor map in her father’s antique map shop, desperate for a distraction from her problems, she decides to investigate. But as Robyn delves into the mystery, she finds herself caught up in a centuries-old secret—one that will change her life forever.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

Lady India Lindley is accustomed to having her own way in everything, and marriage is no exception. Determined to elope, she boards a ship bound for Italy with her intended. But when Ottoman pirates capture the vessel, Lady India finds herself a slave to the mysterious and very commanding Caynan Reis, ruler of the Barbary state of El Sinut. He makes it quite clear that she is no longer in charge - and that's his first mistake.

Lady Carliss faces the challenge of her life. Can she save the kingdom before it's too late? Determined, smart, and a master of both the sword and the bow, Lady Carliss has proven herself as a veteran Knight of the Prince. Returning from a mission of aid, Carliss is plunged into adventure once again as she searches for the marauders responsible for kidnapping a friend's family.

Three years after the Essex Dogs battled through the Siege of Calais, the Black Death has torn through Europe. Romford, basking in his new riches, now finds himself living as a knight errant. Loveday, whose businesses have been destroyed by the plague, must return to the life he vowed to abandon: fighting. And Millstone and Thorp enlist themselves on a deadly mission to escort a princess to Castille.

De Brevitate Vitae (frequently referred to as On the Shortness of Life in English) is a moral essay written by Seneca the Younger, a Roman Stoic philosopher, to his father-in-law Paulinus. The philosopher brings up many Stoic principles on the nature of time, namely that men waste much of it in meaningless pursuits. According to the essay, nature gives man enough time to do what is really important and the individual must allot it properly.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil. Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft.

Homer is one of the most important figures in ancient Greek literature, believed to have lived in the 8th century BC. He is most famous for his epic poems, the Iliad and the Odyssey, which are considered to be the founding works of Western literature. The Iliad tells the story of the Trojan War, focusing on the hero Achilles, while the Odyssey recounts the adventures of the Greek hero Odysseus as he attempts to return home after the war. Both works are celebrated for their vivid storytelling, complex characters, and profound exploration of human nature.