Medieval English

Edinburgh merchant Tavish Cameron has no choice but to pay outrageous tolls to the nobility, until fate gives him an unexpected opportunity for advancement. To claim Tower Roscraig, all he has to do is admit that he is the bastard son of a murdering baron...and evict the proud, impoverished Lady Glenna Douglas from her crumbling castle. With her father ailing and her village devastated by illness, Glenna has lost everything except her home. Now a handsome stranger intends to take that, too. Until the king arrives to determine the rightful laird, Glenna and Tavish must share her castle.

The windswept Scottish Highlands hold great beauty, but also great danger. So when Aimil Mengue's abducted by a feuding clan, she's right to fear for her life - and her virtue. For Aimil's keeper is the infamous warrior Parlan MacGuin. Aimil sets out to hate him, but Parlan is more honorable - and infinitely more alluring - than expected. Though betrothed to another, Aimil cannot deny her startling desire for the man who holds her captive. Parlan MacGuin knows well his reputation as a fierce warrior; he uses it to claim land and lovers.

Since the day Lord Dillon earned his spurs, rumors of his savagery on the battlefield have preceded him into every room, stilling tongues and sparking fear. Weary of battle, he wishes only to find a woman he can wed who will approach him not with fear but with the tenderness that has been absent from his life for so long. Yet only the wisewoman seems invariably at ease in his presence.

When Raelynd Schellden and her sister are caught in the stables with the notorious McTiernay twins, her father sees not scandal, but opportunity. The future of his clan is uncertain, and a double engagement - even under false pretenses - will lend security to his people and protect his beloved daughters from power-mad fools. But Raelynd's designated intended interests her far less than his quietly powerful brother, Crevan, a man born to lead.

When Mairead MacMhathain learns that the eldest MacBrieve is returning home, she imagines he'll bring salvation in the form of a powerful army. Instead, the hulking, powerful man she idolized as a girl arrives alone. But now instead of a little sister, Hamish sees her as the woman she has become. And under his heated gaze, despite the danger swirling around them, Mairead finds herself tempted, taunted, and tantalizingly seduced....

Medieval manuscripts can tell us much about power and art, knowledge and beauty. Many have survived because of an author’s status - part of the reason we have so much of Chaucer’s writing, for example, is because he was a London-based government official first and a poet second.

Duffy engages with some of the central aspects of Western religion in the thousand years between the decline of pagan Rome and the rise of the Protestant Reformation. In the process, he opens windows on the vibrant and multifaceted beliefs and practices by which medieval people made sense of their world: the fear of death and the impact of devastating pandemic, holy war against Islam and the invention of the blood libel against the Jews, provision for the afterlife and the continuing power of the dead over the living, the meaning of pilgrimage and the evolution of Christian music.

Before Twilight and True Blood, only one vampire commanded “the children of the night". In this bloodthirsty tale of unholy terror, Count Dracula slips into Victorian London with a cargo of his native Transylvanian soil - so he can rest between victims. The city seems helpless against his frightful power, and only one man, Dr. Van Helsing, can stop the carnage. But to do this, he must uncover the vampire’s lair and pierce his heart with a wooden stake.

Adair Radcliffe is only a child when her family perishes in the War of the Roses, so her real father, the womanizing King Edward IV, takes her in, honoring his promise to her mother. Once Adair turns 16, the king marries her off without her knowledge - and to her later outrage - in a wedding by proxy. But when tragedy leaves her a widow twice over, Adair realizes that her already tenuous social position has sunk even lower. Now, all she can do is hope that the Scottish laird to whom she is sold will have mercy on her. But little does master or servant suspect that love knows no rank.

The Holy Land is in turmoil and desperately awaits the arrival of Edward Longshanks and his relieving army of French and English Crusaders. This is a time of brutality, an age of chivalry. A time of strong men with stronger hearts, an era with no place for the weak. Yet a thousand miles away, a 14-year-old boy learns a disturbing secret that drives him on a Crusade of his own. A quest to avenge his family, save his brother, and in the process recover the holiest relic in the history of Christendom.

Northmen is there to tell the tale, to pay homage to what was lost and celebrate what was won. Focusing on key events, including the sack of Lindisfarne in 793 and the Battle of Stamford Bridge in 1066, medieval history expert John Haywood recounts the saga of the Viking Age, from the creation of the world through to the dwindling years of halfhearted raids and elegiac storytelling in the 13th century.

England, 1455 - King Henry VI is proving to be an unstable monarch, prone to bouts of mysterious illness and susceptible to manipulation from others. Richard of York, the most powerful magnate in the land, steps in to manage affairs whilst Henry is unwell. Many people prefer York's rule, which does not please the queen. The country begins to divide and plots start to hatch. York himself is directly descended from the royal family line, in fact, a little more directly than Henry, but he puts this fact aside and strives only to serve the king.

The thousand-year-old Imperium era is drawing to a close, and the threat of war and violence hangs over the land. With no magic or wealth, Lansius has to face this new reality on his own. Well, mostly. The squire Stefi is at his side as he leaves his new home to march with young Lord Arte against the invaders. When Lansius is separated from Stefi and their liege, he faces his greatest challenge yet: taking command of a ragtag group of misfits as they battle to save their people. And as he reluctantly climbs the ranks of power, others flock to his banner seeking glory or safety.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

On the run from a dangerous man, Ava Sutton flees to the Isle of Mull off the coast of Scotland. Masquerading as a titled, English lady, Ava must convince the cynical and darkly handsome chief of the Macleans of Aros to wed her before the devil tracks her down. Tor Maclean, the new chief of Aros Castle, has sworn off marriage after his first wife tricked him into it. Despite his efforts to scare away the Englishwoman, his father arranged for him to wed, Tor is drawn to her fire, courage, and beauty.

Though she has yet to be courted by any man, spirited Gillyanne Murray decides the time has come to visit the dower lands gifted to her by her father's kinsmen. She arrives to find the small keep surrounded by three lairds, each one vying for her hand... and property. Though resolved to refuse them all, the threat of battle on her threshold forces her to boldly choose a suitor: Sir Connor MacEnroy, a handsome, daring knight of few words.

Richard de Claiborne, the dark earl of Dunsmore, serves King Edward Plantagenet well. Sworn to obey his king's every order, he nevertheless chafes at the command he wed the daughter of his enemy - a man who slew his father in cold blood. But King Edward wants peace in his lands, and he will stop at nothing to get it. If he has to order his most powerful Marcher lord to marry a Welsh princess, he considers it a small price to pay. Princess Gwenllian is a political pawn. When she's forced to marry the evil Black Hawk de Claiborne, she quakes at his fierceness and brutality.

England, 1333. The chink in Baron Boursier's armor is his fondness for a lovely face. When it costs him half his sight and brands him as one who abuses women, he vows to never again be "blinded" by beauty. Thus, given the choice between forfeiting his lands and wedding one of his enemies to end their feud, he chooses as his betrothed the lady said to be plain of face, rejecting the lady rumored to be most fair.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe - these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill.

Plato's dialogue in the Symposium, which has as its topic the subject of love, explores the idea of love as a means of ascent to contemplation of the Divine. For Plato, generally, to love other human beings is to direct one's mind to love of Divinity. One proceeds from recognition of another's beauty to appreciation of Beauty as it exists apart from any individual, to consideration of Divinity, the source of Beauty, to love of Divinity.