Medieval English

Who is Jesus? What is he like? And who am I, encountering Jesus? These questions were just as important to Christians in the Middle Ages as they are today. And yet—as C.S. Lewis noted—the modern church tends to forget that people of different cultures and times also thought carefully about who Jesus was; and sometimes their ideas and emphases were different. Medievalist scholar Grace Hamman believes that we can deepen our understanding and adoration of Christ by looking to the Christians of the Middle Ages.

Scarred by the cruel whims of her late husband, Lena MacLeod lives in fear of men and marriage. So when the king's edict obliges her to wed Scottish warrior Alex MacLean, she never expects to feel safe, let alone happy. But behind Alex's fierce exterior lies a gentle, gallant highlander who renews her soul, emboldens her, and offers her the one thing she never thought she would possess - true love. Now that Alex has her whole heart, she'll settle for nothing less than all of his.

In the Highlands, strength is the currency of choice and if you can't protect what is yours, be prepared to pay a ransom. Annis is a prize. Born of a royal blood line, the fact that she's illegitimate isn't really important. With her mother gone, her kin barter her and send her off to Scotland where her husband's family is eager to see her produce heirs to their line with impeccable lineage.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe - these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today. On visits to the great cities of Europe, Thomas Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world.

The Argonautica, also known as Jason and the Golden Fleece or Jason and the Argonauts, is the only surviving epic poem from Hellenistic Greece. It is a masterpiece whose story was well known to the audiences of the time. Virgil and other later poets were greatly influenced by it. Its author, Apollonius, was a well-known third century BC scholar living in Alexandria during the great age of Ptolomaic scholarship, and his bold attempt at writing a Homeric epic about Jason and his quest for the Golden Fleece faced a daunting audience of knowledgeable contemporaries.

Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports listeners back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.

Guilt and desire battle within Hughe, Lord Oxley’s, soul. When the enigmatic leader of the Assassin’s Guild learns that the widow of one of his targets is at the mercy of a cruel man, he does the only thing left in his power to do. He marries her. Then the worst thing happens. He falls in love with her. With more than one person trying to kill him and a family to rescue, Hughe needs the help of all his Assassins Guild friends to stay alive and keep his wife from learning the truth. Because he knows, and dreads, what will happen when she discovers what he did.

In The Knight at Dawn, Jack and Annie find peacocks for dinner and boys in skirts when the Magic Tree House transports them back to the Middle Ages for another wild adventure. In this second book in the series, inquisitive, notebook-carrying Jack and his animal-charming younger sister, Annie, find themselves in the middle of an enormous castle. They can hear the beginnings of a feast under way in the Great Hall.

Bordeaux, 1367. Having angered the bloodthirsty Don Pedro, King of Castile, Sir Thomas Blackstone is thoroughly sick of his mission for the Prince of Wales, but must remain true to his oath. But this is the Hundred Years' War, and tensions are rising once more. With the Prince of Wales deeply unpopular in his Aquitainian lands, Blackstone, King Edward's Master of War, must return to French soil to help stem the tide of support for the King of France. Meanwhile, Henry, Blackstone's son, faces an incognito ride across France with his own motley band of outlaws and mercenaries.

Gideon Sinclair, the third Sinclair brother, judges everything in stark terms of good and evil. There is nothing in between, and he is efficient at passing judgment without mercy. Now that his clan has conquered the warring MacKays, Gideon starts the process of integrating them into the Sinclair Clan. He will sort the people, punish the bad, and better the lives of the good. Judging is as easy to him as breathing, until he meets Christina MacKay, who steals his breath...along with his Sinclair ring.

For over two millennia in the West, familiarity with the literature, philosophy, and values of the Classical World has been synonymous with education itself. The traditions of the Greeks explain why Western Culture’s unique tenets of democracy, capitalism, civil liberty, and constitutional government are now sweeping the globe. Yet the general public in America knows less about its cultural origins than ever before, as Classical education rapidly disappears from our high school and university curricula.

Extreme sub-zero temperatures suffocate the surface. Frozen structures of bygone eras span across massive ice-wastes. And the survivors closely guard any technology rediscovered within them. The only escape from the deadly climate is beneath the surface, but that doesn't mean it's safe... Monstrous machines lurk in the depths. Unhinged demigods war against them, dying over and over, treating it all like a game. The depths themselves shift over time, more contraption than rock.

Mourn me but briefly. Then find your destiny, Lara, my love, my life. Now let me go.... With those words, the spirit of Magnus Hauk, Dominus of Terah, departs his body - leaving the fate of his nation to his wife, the half faerie Lara. While Lara's son Prince Taj is well loved by the people of Terah, he is too young to rule, so Lara must obey Magnus's dying command and govern in his stead. Yet some in Terah still believe that a female must never wear the crown...and Lara and her children will face old enemies who are not finished with their schemes for revenge.

Spring, AD 777. Sigurd Hring, new King of the Svear, is summoning all the greatest warriors of the North to his banner. He invites Bjarki Bloodhand, the famous berserkr, to swear an oath of fealty to him. But Bjarki has already sailed away to rescue a beautiful Saxon princess. Tor Hildarsdottir, sister of Bjarki, now oath-bound to a powerful Svearland jarl, finds herself unwillingly enrolled in Sigurd’s mighty army. When Sigurd Hring arrogantly rejects the overlordship of Siegfried, King of the Dane-Mark, red war is inevitable.

Best-selling author Monica McCarty captivates millions with swashbuckling Scottish romances like The Hawk. Brilliant seafarer Erik MacSorley has never encountered a gale he couldn’t weather or a woman he couldn’t win—until he drags a wet, halfclothed “nursemaid” from the Irish Sea. But Ellie’s ordinary dress belies the truth that she’s the spirited daughter of an Irish nobleman. And her determination to resist Erik’s charms is a challenge he can’t resist.

Scotland, 1477: Nicholas de Fleury, former banker and merchant, has reappeared in the land that, four years earlier, he had brought very close to ruin in the course of an intense commercial and personal war with secret enemies—and, indeed, with his clever wife Gelis. Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives amid a complex, corrosive power struggle centering on the Scottish royal family but closely involving the powerful merchants of Edinburgh, the gentry, the clergy, the English, the French, the Burgundians.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

In historian Tabitha Stanmore’s beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.

Captain Robbie Grant has always had a way with the lasses, but his warrior's heart is too married to the battlefield to seek out a wife. Then Robbie saves a mysterious beauty from a Norse attacker. He knows little about Caralyn Crauford beyond that she has a damaged past and two wee daughters, but he volunteers to bring her and the lasses to a priory where they will be safe from the oncoming battle. The last thing he expects is for Caralyn to give him a night of unrestrained passion and then disappear.