Medieval English

Amanda Scott concludes her thrilling Border trilogy with the incandescent story of a woman and a man who are mortal foes…until they're undone by love. The rebellious daughter of a Scottish march warden, Lady Laurie Halliot is as fearless as she is beautiful. Now, to protect her runaway sister who stands accused of murder, Laurie offers herself as hostage - and reluctant bride - to the man who is her country's enemy. She prays that her sister will return before the next wardens' meeting, or Laurie herself will have to bear the punishment.

Set in treacherous sixteenth-century Scotland, Border Bride is the unforgettable story of a woman sworn to defy the knight she is forced to wed - only to discover a love she’ll do anything to claim. As Mary, Queen of Scots, languishes in the Tower of London as a prisoner of her cousin, Queen Elizabeth, war tears Scotland apart. To save her beloved homeland, a proud Highland beauty named Mary Kate MacPherson must wage her own battle when she’s forced into wedlock with a knight, Sir Adam Douglas.

Jamie MacKay has spent a lifetime serving as the right hand to the Laird of the MacKays. Now that he possesses his ancestral home again, he has his own plans for the future, including the ambition to start a new branch of the MacKays. Lady Helen Sutherland has lived to please her father and honor the family name. But when her sire forces her into a betrothal with a man who is a known murderer, she finally finds the courage to say no. Helen flees to the one place where she knows she'll find sanctuary.

In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight, fresh from combat in Scotland finds his wife, Marguerite, accusing squire Jacques Le Gris of brutally raping her. A deadlocked court decrees a “trial by combat” that also leaves Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris.

Wrongly accused of murdering his father, Drake Thornton MacDougall wanted nothing more than to strike back at his guilty, duplicitous half brother. So he made the fiend pay by abducting his bride-to-be. But as Drake carried his captive off to a windswept Scottish isle, he soon found that vengeance wasn't the only thing on his mind. Lady Averyl Campbell proved herself no biddable maiden but an alluring, strong-willed beauty who could tame his dark moods with her touch.

1236. Beautiful Ailenor of Provence, cultured and intelligent, is only 13 when she marries Henry III. Aware of the desperate importance of providing heirs to secure the throne from those who would snatch it away, she is ruthless in her dealings with Henry's barons. As conflict escalates between them, Ailenor's shrewd and clever Savoyard uncles come to support her, but her growing political power is threatened when Henry's half-siblings also arrive at court. Henry and Ailenor become embroiled in an unpopular war to protect Gascony, the last English territory on the continent.

Bound home after two years away, Gavan MacNabb comes across a lass and her deerhound in a moonlit circle of standing stones. Little does he know that the garland of bluebells she weaves and the spell she sings will change the course of his life. Marsali Murray doesn't really believe the old wives' tale that making a chain of bluebells by the standing stones under a waxing moon will bring true love, but she's desperate to try anything to escape the boring, everlasting sameness of her life. Anything except marrying a man her father chooses for her.

The parish, the lowest level of hierarchy in the medieval church, was the shared responsibility of the laity and the clergy. Most Christians were baptized, went to confession, were married, and were buried in the parish church or churchyard; in addition, business, legal settlements, sociability, and entertainment brought people to the church, uniting secular and sacred concerns.

The Mongol army led by Genghis Khan subjugated more lands and people in 25 years than the Romans did in 400. In nearly every country the Mongols conquered, they brought an unprecedented rise in cultural communication, expanded trade, and a blossoming of civilization.

When Columbus triumphantly returned from America to Spain in 1493, his discoveries inflamed an already smoldering conflict between Spain's renowned monarchs, Ferdinand and Isabella, and Portugal's João II. Which nation was to control the world's oceans? To quell the argument, Pope Alexander VI issued a proclamation laying the foundation for the Treaty of Tordesillas of 1494, an edict that created an imaginary line in the Atlantic Ocean dividing the entire known (and unknown) world between Spain and Portugal.

Laura Amy Schlitz wrote the Newbery Medal winner Good Masters! Sweet Ladies! for the students at the school where she is a librarian. The 22 monologues introduce readers to everyone in a medieval village, from the town half-wit, to Nelly the Sniggler, to the Lord's daughter.

Widely hailed as a revelation of a "lost" golden age, this history brings to vivid life the rich and thriving culture of medieval Spain, where, for more than seven centuries, Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and literature, science, and the arts flourished.

1135, England: Matilda, daughter of Henry I, knows that there are those who will not accept her as England's queen when her father dies. But the men who support her rival, and cousin, Stephen do not know the iron will that drives her. She will win her inheritance against all odds, and despite all men. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty.

From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.

July 1346. The Hundred Years' War has begun, and King Edward and his lords are on the march through France. But this war belongs to the men on the ground. Swept up in the bloody chaos, a tight-knit company from Essex must stay alive long enough to see their home again. With sword, mace and longbow, the Essex Dogs will fight, from the landing beaches of Normandy to the bloodsoaked field of Crécy.

Commonly cited as one of the most important works of Anglo-Saxon literature, Beowulf is an epic poem that traces the exploits of the titular hero. After coming to the aid of the king of the Danes, whose mead hall is under constant attack by the monster Grendel, Beowulf slays Grendel's mother and goes on to become the king of the Geats.

In imagining a Viking, a certain image springs to mind: a barbaric warrior, leaping ashore from a longboat, and ready to terrorize the hapless local population of a northern European town. Yet while such characters define our imagination of the Viking Age today, they were in the minority. Instead, in the time-stopping soils, water, and ice of the North, Eleanor Barraclough excavates a preserved lost world, one that reimagines a misunderstood society.

Who is Jesus? What is he like? And who am I, encountering Jesus? These questions were just as important to Christians in the Middle Ages as they are today. And yet—as C.S. Lewis noted—the modern church tends to forget that people of different cultures and times also thought carefully about who Jesus was; and sometimes their ideas and emphases were different. Medievalist scholar Grace Hamman believes that we can deepen our understanding and adoration of Christ by looking to the Christians of the Middle Ages.

Life in a Medieval Village, by respected historians Joseph and Frances Gies, paints a lively, convincing portrait of rural people at work and at play in the Middle Ages. Focusing on the village of Elton, in the English East Midlands, the Gieses detail the agricultural advances that made communal living possible, explain what domestic life was like for serf and lord alike, and describe the central role of the church in maintaining social harmony.

Medieval manuscripts can tell us much about power and art, knowledge and beauty. Many have survived because of an author’s status - part of the reason we have so much of Chaucer’s writing, for example, is because he was a London-based government official first and a poet second.