Medieval English

The year is 1173. King Henry's efforts to crush his rebellious sons ignite bloody border skirmishes throughout the land. Yet it is a time of triumph for mercenary Josceline de Gael, bastard son of the king's most trusted ally. Victorious on the battlefield, de Gael suffers sweet defeat when his heart is conquered by the lovely Linnet de Montsorrel. But their love will find its greatest challenge as the torments of jealousy, suspicion, pride—and an enemy from beyond the grave—threaten all they hold dear.

Eleven-year-old Adam loved to travel throughout 13th-century England with his father, a wandering minstrel, and his dog, Nick. But when Nick is stolen and his father disappears, Adam suddenly finds himself alone.

Much of what we know about the greatest medical disaster ever, the Black Plague of the fourteenth century, is wrong. The details of the Plague etched in the minds of terrified schoolchildren the hideous black welts, the high fever, and the final, awful end by respiratory failure are more or less accurate. But what the Plague really was, and how it made history, remain shrouded in a haze of myths.

Present day: When thirty-six-year-old Robyn Willoughby discovers an exquisite yet blood-stained Tudor map in her father’s antique map shop, desperate for a distraction from her problems, she decides to investigate. But as Robyn delves into the mystery, she finds herself caught up in a centuries-old secret—one that will change her life forever.

Number one New York Times best-selling author John Flanagan returns to the world of Ranger's Apprentice, beginning a new story arc starring fan favorites, Will and Maddie (Ranger's Apprentice: The Royal Ranger). Picking up where Ranger's Apprentice: The Royal Ranger left off, this next installment continues the story arc featuring young apprentice, Maddie, and the student-turned-master, Will Treaty. The time has come for the next generation to assume the mantle and become protectors of the kingdom of Araluen.

Lady Carliss faces the challenge of her life. Can she save the kingdom before it's too late? Determined, smart, and a master of both the sword and the bow, Lady Carliss has proven herself as a veteran Knight of the Prince. Returning from a mission of aid, Carliss is plunged into adventure once again as she searches for the marauders responsible for kidnapping a friend's family.

Scotland, 1032. Everything Gruoch loves has turned to ash. With Gillacoemgain gone, Gruoch rides north with her newborn son and a broken heart. While she desperately clings to hope, Gruoch's new alliance with Macbeth proves more challenging than she ever anticipated. Only her unexpected reunion with an important person from her past offers solace. All may yet be well, but the raven's wary eyes cannot help but notice clouds gathering on the horizon.

Lindisfarne, AD 793. There had been portents - famine, whirlwinds, lightning from clear skies, serpents seen flying through the air. But when the raiders came, no one was prepared. They came from the North, their dragon-prowed longships gliding out of the dawn mist as they descended on the kingdom's most sacred site. It is 8th June AD 793, and with the pillage of the monastery on Lindisfarne, the Viking Age has begun. While his fellow monks flee before the Norse onslaught, one young novice stands his ground.

This is a story of the days of chivalry in England and of young Myles Falworth, son of a lord unjustly disgraced for treason, who was forced to make his fortune as best he might in the days when men seemed made of iron. How he entered the service of a powerful lord, rose to knighthood, defeated his father's old enemy in thrilling combat, and at last won the friendship of the king is told against a background of the dangerous times of the 14th century that makes them live again.

Battle-hardened warrior and favored of the king, Sir Lucien de Russe is called the Iron Knight because of his indestructibility in battle. An older knight, Lucien is entering his fortieth year and has seen a good deal in his lifetime. But having sustained fairly serious wounds in the most recent rebellions against Henry IV, Lucien retires his sword and spurs, choosing to live out the rest of his life in peace. Physically, he is damaged goods and must heal. Mentally, however, he is already dead.

Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports listeners back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.

At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital.

The Empire’s mighty imperial armies are marching on Collegium once more. They’ve learnt from past failures and this time their Empress will brook no weakness. Stenwold Maker’s aviators still dominate the skies, but their rule will soon be over. For the Empire has developed a terrifying aerial weapon to level the battlefield. Yet victory may be decided elsewhere. In an ancient forest, where Mantis clans pursue their own civil war, Empress Seda is seeking a lost power from the old world.

Spring, AD 777. Sigurd Hring, new King of the Svear, is summoning all the greatest warriors of the North to his banner. He invites Bjarki Bloodhand, the famous berserkr, to swear an oath of fealty to him. But Bjarki has already sailed away to rescue a beautiful Saxon princess. Tor Hildarsdottir, sister of Bjarki, now oath-bound to a powerful Svearland jarl, finds herself unwillingly enrolled in Sigurd’s mighty army. When Sigurd Hring arrogantly rejects the overlordship of Siegfried, King of the Dane-Mark, red war is inevitable.

Throughout the Disputed Lands, she is called "Amber the Untouched" - a chaste, golden-haired beauty fleeing the remarkable love that was prophesied at her birth...and the death that must inevitably follow.

Alfraed is now the Earl of Cleveland but his new position throws him into a world of intrigue. There are plots and coups as the enemies of England try to wrest the land from King Henry. The Earl has to fight the Scots, the Welsh and Vikings before he travels to Normandy to fight alongside the king. Filled with battles and knightly combat, the fast-moving novel reflects the chaotic times before the first English Civil War.

From William Shakespeare’s series of history dramas, to Sir Walter Scott, and George R. R. Martin’s A Song of Ice and Fire—not to mention the smash-hit TV show Game of Thrones—the British civil war of 1455 to 1485 has inspired writers for centuries. Ed West’s My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne.

Jewish Life in Medieval Spain is a detailed exploration of the Jewish experience in medieval Spain from the dawn of Sephardic society in the ninth century to the expulsion of 1492. An important contribution of the book is the integration of the rise and fall of Jewish life in Muslim al-Andalus into the history of the Jews in medieval Christian Spain. It traces the collapse of Jewish life in Muslim Spain, the emigration of Andalusi Jewry to the lands of Christian Iberia, and the difficult confluence of these two distinct Jewish subcultures.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

This collection of recordings about Brother Cadfael—a Benedictine monk and amateur sleuth in the 12th century—are performed here by the ideal actor. Sir Derek Jacobi, who portrayed Cadfael in several television adaptations, captivates listeners with his renderings of Monk's Hood, Saint Peter's Fair, The Heretic's Apprentice, The Potter's Field, The Summer of the Danes, and Brother Cadfael's Penance.