Medieval English

Aoife MacMurchada is just 14 years old when her father Diarmit, King of Leinster, is brutally deposed, and her family is forced to flee Southern Ireland into English exile. Diarmit seeks help from King Henry II, an alliance that leads him to the charismatic Richard de Clare, lord of Striguil, a man dissatisfied with his lot and open to new horizons. Diarmit promises Richard wealth, lands, and Aoife's hand in marriage in return for his aid, but Aoife, has her own thoughts on the matter. She may be a prize, but she is not a pawn and she will play the game to her own advantage.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

In the rich turbulence of English history, one day stands magnificently apart: June 15, 1215, the day of the signing of the Magna Charta. On this day, the first blow for English freedom was struck and forever affected the Western world. Here is the story of three true men, Stephen Langton, Williams Marshall, and Hubert de Burgh, whose heroic deeds are set against those of the ever deceitful and crafty King John.

1368. War is coming between France and Spain, and England, and in Italy the pope and the Visconti princes are battling for bloody supremacy. The worst years of Sir William Gold's life are about to begin. Leaving the side of his commander, Sir John Hawkwood, William embarks on a journey to serve the Count of Savoy, finding fame and favour in his service. But when his wife and children are struck down by the plague, William uses the poisoning of the Duke of Clarence as an excuse to escape on a witch hunt across Southern France and embark on a pilgrimage that he'd always pledged to do.

Kel has finally achieved her lifelong dream of being a knight. But it's not turning out as she imagined at all. She is torn between a duty she has sworn to uphold and a quest that she feels could turn the tide of war. Unrelentingly realistic in its depiction of the horrors of war, Pierce provides exquisite details of the weaponry, topography, and culture of her world, and her control of a voluminous cast of characters is masterful.

In Foundation the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death of the first Tudor king, Henry VII, in 1509. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past - a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house.

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.

Outlaw Princess of Sherwood is award-winning author Nancy Springer's third delightful tale of Rowan Hood. Her popular adventure novels provide a fresh new vision of the medieval period. When Princess Ettarde refuses to marry the man her father, King Solon, has chosen for her, she flees to Sherwood Forest and joins Rowan Hood's band of outlaws.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief.

This is the first major biography for a generation of a truly formidable king. Edward I is familiar to millions as 'Longshanks', conqueror of Scotland and nemesis of Sir William Wallace ('Braveheart'). Edward was born to rule England, but believed that it was his right to rule all of Britain. His reign was one of the most dramatic of the entire Middle Ages, leading to war and conquest on an unprecedented scale and leaving a legacy of division that has lasted from his day to our own.

Central Europe has long been infamous as a region beset by war, a place where empires clashed and world wars began. In The Middle Kingdoms, Martyn Rady offers the definitive history of the region, demonstrating that Central Europe has always been more than merely the fault line between West and East. Even as Central European powers warred with their neighbors, the region developed its own cohesive identity and produced tremendous accomplishments in politics, society, and culture.

Historians have only recently awakened to the importance of the family, the basic social unit throughout human history. This book traces the development of marriage and the family from the Middle Ages to the early modern era. It describes how the Roman and barbarian cultural streams merged under the influence of the Christian church to forge new concepts, customs, laws, and practices. Century by century, it follows the development—sometimes gradual, at other times revolutionary—of significant elements in the history of the family.

In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans.

In historian Tabitha Stanmore’s beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.

In 871, three of England’s four kingdoms were overrun by Vikings, the ruthless, all-conquering Scandinavian raiders who terrorized early medieval Europe. With the Norsemen murdering one king with arrows and torturing another to death by ripping out his lungs, the prospects that faced the kingdom of Wessex were bleak. Worse still, the Saxons were now led by a young man barely out of his teens who was more interested in God than fighting.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

The Wolf Age takes listeners on a thrilling journey through the bloody shared history of England and Scandinavia, and on across early medieval Europe, from the wild Norwegian fjords to the wealthy cities of Muslim Andalusia. Warfare, plotting, backstabbing, and bribery abound as Tore Skeie skillfully weaves sagas and skaldic poetry with breathless dramatization as he entertainingly brings the world of the Vikings and Anglo-Saxons to vivid life.

Bernard Cornwell, the New York Times best-selling "reigning king of historical fiction" (USA Today), tackles his most thrilling, rich, and enthralling subject yet - the heroic tale of Agincourt. The epic battle immortalized by William Shakespeare in his classic Henry V is the background for this breathtaking tale of heroism, love, devotion, and duty from the legendary author of the Richard Sharpe novels and the Saxon Tales.

Dombey and Son is vintage Dickens and explores the classic themes of betrayal, cruelty and deceit. Dombey's dysfunctional relationships are painted against a backdrop of social unrest in industrialized London, which is populated by a host of fascinating and memorable secondary characters. The complete and unabridged novel is brought spectacularly to life by veteran reader David Timson.