Medieval English

The Illiad dates back to the 8th century BC and is Homer's epic precursor to The Odyssey. Set during the Trojan War, it tells of battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.

Richard de Claiborne, the dark earl of Dunsmore, serves King Edward Plantagenet well. Sworn to obey his king's every order, he nevertheless chafes at the command he wed the daughter of his enemy - a man who slew his father in cold blood. But King Edward wants peace in his lands, and he will stop at nothing to get it. If he has to order his most powerful Marcher lord to marry a Welsh princess, he considers it a small price to pay. Princess Gwenllian is a political pawn. When she's forced to marry the evil Black Hawk de Claiborne, she quakes at his fierceness and brutality.

The Peloponnesian War drags on and on with no end in sight, and the tough-minded Lysistrata has had enough. Men! - always making stupid decisions that affect everyone. Women's opinions are never listened to. Taking matters into her own hands, Lysistrata convenes a meeting of women from warring city-states across Greece and calls for a sex strike. It's a hard sell, but in the end, it is agreed: They will withhold sex until the war is brought to hasty a close.

When Mairead MacMhathain learns that the eldest MacBrieve is returning home, she imagines he'll bring salvation in the form of a powerful army. Instead, the hulking, powerful man she idolized as a girl arrives alone. But now instead of a little sister, Hamish sees her as the woman she has become. And under his heated gaze, despite the danger swirling around them, Mairead finds herself tempted, taunted, and tantalizingly seduced....

Elijah Muddle’s life changed in an instant. The son of a spiteful and mean manure farmer, Elijah now has become an apprentice to the town’s warlock, Caliban. The chance to escape his terrible father and learn magic? It’s a dream come true! Until...it turns out that Elijah’s internal magic is wonky, and he is the absolute worst warlock ever - all his spells go wildly wrong, causing both hilarious and disastrous consequences all over town.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

The Civilization of the Middle Ages incorporates current research, recent trends in interpretation, and novel perspectives, especially on the foundations of the Middle Ages and the Later Middle Ages of the fourteenth and fifteenth centuries. A sharper focus on social history, Jewish history, women’s roles in society, and popular religion and heresy distinguish the book.

Alex MacKay has roamed the world as a mercenary, trying to forget his shattered past. But when he's summoned by his brother to defend clan lands, the very man who betrayed him and married the woman he loved, he's surprised to learn that the spirited Keely not only abandoned his brother on their wedding night, but never returned.

Micheil Ramsay is determined never to settle down. But when he rescues Diana of Drummond and brings her to Edinburgh to snare a husband, he finds himself swayed by her beauty, her bossiness, and her bravery. Now he finds himself in the position of trying to help the object of his affection woo another man.

Since the day Lord Dillon earned his spurs, rumors of his savagery on the battlefield have preceded him into every room, stilling tongues and sparking fear. Weary of battle, he wishes only to find a woman he can wed who will approach him not with fear but with the tenderness that has been absent from his life for so long. Yet only the wisewoman seems invariably at ease in his presence.

All Adanel MackBaythe knows about her Highland lover is that he is a McTiernay soldier - and a means of escaping her cruel father. But Dugan is not a man with whom to be toyed. His distrust of Adanel's motives will put a distance between them that can't be breached. Yet when their secret trysts are discovered - sparking a war between clans - a lust for vengeance will drive Dugan back into her arms, where he will embark on his greatest battle: for her heart....

There is an ancient evil in the Back Country, dormant for centuries but now hungry and lurking. When it sets its sights on an unsuspecting mother one routine morning, a quiet farming family is suddenly thrust into a world of unspeakable terror, and a young Gretel must learn to be a hero. Collection includes Gretel, Marlene's Revenge, Hansel, and Anika Rising.

Northmen is there to tell the tale, to pay homage to what was lost and celebrate what was won. Focusing on key events, including the sack of Lindisfarne in 793 and the Battle of Stamford Bridge in 1066, medieval history expert John Haywood recounts the saga of the Viking Age, from the creation of the world through to the dwindling years of halfhearted raids and elegiac storytelling in the 13th century.

Seven McTiernay brothers, each a Highlander born to protect Scotland and her people, warriors known for their quick wits and quicker broadswords. The third brother, Cole, stared death in the face when he was only a boy... Now Cole McTiernay is a man. And though he resists them in every way, he has responsibilities. The wild northern Highlands need a laird who can guide them to peace. Cole has the army strong enough to accomplish this task. What he doesn't have is the desire to be a leader among men.

Highland laird Conor McTiernay had always dreamed of an enduring love. But the reality of women who desired him only for his title and lands made him swear off marriage forever. That is until he first set eyes on the Englishwoman his men found hiding in the forest. But would she prove to be yet another beguiling seductress?

Wrongly accused of murdering his father, Drake Thornton MacDougall wanted nothing more than to strike back at his guilty, duplicitous half brother. So he made the fiend pay by abducting his bride-to-be. But as Drake carried his captive off to a windswept Scottish isle, he soon found that vengeance wasn't the only thing on his mind. Lady Averyl Campbell proved herself no biddable maiden but an alluring, strong-willed beauty who could tame his dark moods with her touch.

An unclaimed land in the Scottish isles is ruled by the male and female victors in a series of war games every five years. Named Chief and Lady of the land, they rule the vast holding and protect the people by divine right until the next game begins. After her brother's death, Ceana is named laird. The only way for her clan to survive the ravages of the Highlands is to join in the war games. Bastard son of a powerful earl, Macrath is placed in the games by his vengeful stepmother.

We see our age as the greatest in human history, filled with seemingly unending originality. Yet such dynamism is not a necessary characteristic of great eras. Among the most long-lasting and stable civilizations was that of medieval Europe. There stasis was achieved, and with it a stability that permitted the development of structured thought and intellectual embellishment of unparalleled degree.

Aristotle’s Poetics is the earliest-surviving work of dramatic theory and the first fully intact philosophical treatise to focus on literary theory. The respected Greek sage offers an account of what he calls "poetry" (which the Greeks understood to literally mean "making"), examining its "first principles" and identifying its genres and basic elements, including what he terms drama-comedy, tragedy, and the satyr play - as well as lyric poetry, epic poetry, and iambic pentameter, which he always associates with wit.