Medieval English

Classic stories of gods, goddesses, heroes and monsters come to life in a stunning tableau of Norse myths, including those of the thunder god Thor, the one-eyed god and Allfather Odin, and the trickster god Loki. The lyrical storytelling of award-winning author Donna Jo Napoli dramatizes the timeless tales of ancient Scandinavia.

A big Irish knight, much beloved by his English men, faces his biggest challenge when an injury nearly claims his life...and his confidence as a warrior.

When a red-haired woman tries to steal Sir Gybbon Murray's horse on his journey back to the Murray stronghold, he thanks his lucky stars his horse is a rude lout - and that the pretty thief is not so injured that she can't tell her tale. He's no nursemaid to delicate lasses, but Mora Ogilvy is fleeing her ruthless cousins, fearing for her life. And when she tells him of the home they've taken from her and the man they say she murdered, Gybbon cannot let such injustice stand....

The murder of her mother leads 13-year-old Rowan to a desperate decision. She must set out alone across dangerous country to find the father she has never met: a famous outlaw of Sherwood Forest named Robin Hood. And when Robin is captured by the Sheriff of Nottingham, Rowan and an unlikely band of rescuers must use all their skills to set him free.

Aristotle’s Poetics is the earliest-surviving work of dramatic theory and the first fully intact philosophical treatise to focus on literary theory. The respected Greek sage offers an account of what he calls "poetry" (which the Greeks understood to literally mean "making"), examining its "first principles" and identifying its genres and basic elements, including what he terms drama-comedy, tragedy, and the satyr play - as well as lyric poetry, epic poetry, and iambic pentameter, which he always associates with wit.

England, 1455 - King Henry VI is proving to be an unstable monarch, prone to bouts of mysterious illness and susceptible to manipulation from others. Richard of York, the most powerful magnate in the land, steps in to manage affairs whilst Henry is unwell. Many people prefer York's rule, which does not please the queen. The country begins to divide and plots start to hatch. York himself is directly descended from the royal family line, in fact, a little more directly than Henry, but he puts this fact aside and strives only to serve the king.

The summer of 1273 is peaceful for most of England, except in the village of Tyndal, where Martin the cooper has been poisoned at the local inn. Martin had plenty of enemies; the killer could be anyone. Prioress Eleanor grieves for her friend, the newly bereaved Crowner Ralf, and offers what help she can. But then her own problems multiply.

When English troops threaten Lady Christiane MacGillean's beloved castle, she has no choice but to set it ablaze - and with it, the ancient treasure hidden there. Escaping into the Highland hills, she is quickly captured, taken south, and caged by the English king. Outraged by the lady's treatment, Sir Gavin Faulkener bargains for her life - and suddenly finds himself not only guardian of her castle, but wedded to her as well.

After proving himself on the field of battle, Ramon de Segrave is appointed to the Council of Barons by Richard the Lionheart. But instead of taking his most formidable warrior on his latest crusade, the king assigns Ramon an even more dangerous task - woo and win the lady of Thistle Keep. Isabel of Camoys is a capable widow with no intention of surrendering her valuable estate. She's fought long and hard for her independence, and if the price is loneliness, then so be it.

A leper's daughter is found in the well of a dying hamlet, and the only suspect has fled into Feckenham Forest. But the sun is setting, and Warwickshire's sheriff is hunting his new crowner. That sends Sir Faucon de Ramis and Brother Edmund, his prickly clerk, racing for a nearby abbey only to meet the man he least wishes to see at the abbey gates. Before long, Faucon finds himself riding into the dark at Sir Alain's side as they hunt for yet another lost innocent.

Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization, they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated.

Fearing her "gifts" will be used to defeat her sister Matilda, Elspeth Pendragon escapes the Black Mountain priory that has sheltered her and her four sisters since King Henry's death, only to find herself indebted to, of all men, a Scotsman, whose loyalties are in question.... Left to face the wrath of a new sovereign, Malcom Scott is forced to swear fealty to Stephen of Blois to keep the castle he won by slaying his own grandfather. But having done that, he's pitted himself against Scotland, and even his own father.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

Richard de Claiborne, the dark earl of Dunsmore, serves King Edward Plantagenet well. Sworn to obey his king's every order, he nevertheless chafes at the command he wed the daughter of his enemy - a man who slew his father in cold blood. But King Edward wants peace in his lands, and he will stop at nothing to get it. If he has to order his most powerful Marcher lord to marry a Welsh princess, he considers it a small price to pay. Princess Gwenllian is a political pawn. When she's forced to marry the evil Black Hawk de Claiborne, she quakes at his fierceness and brutality.

Leona MacConnoway is the daughter of the local gentry. When her mother's father passes away in faraway France, a messenger brings word that she must travel to his estate at the order of the new Lord du Mas. However, there is no word on when - or if - she will ever be allowed to return to the wilds of Scotland. Handsome Conn MacNeil has always known that his betrothal to Leona would lead to happily ever after, and he's never doubted that theirs will be a blissful union. Before they can wed, though, she's torn away and sent to France.

Here, National Book Award winner Richard Winston explores life in the Middle Ages - from the fifth to the 15th centuries - beginning with the fall of the Roman Empire and ending with the dawn of the Renaissance. In both countryside and cities, from the peasants to the bourgeoisie to the nobility, no aspect of life in this era is left unexplored.

John Lackland was born to King Henry II and Eleanor, Duchess of Aquitane in December, 1166; he was the youngest of five sons. However, he unexpectedly became the favored heir to his father after a failed rebellion by his older brothers in 1173. He became king in 1199, though his reign was tumultuous and short. After a brief peace with Phillip II of France, war broke out again in 1202 and King John lost most of his holdings on the continent. This led to conflict upon his return from battle. Buffeted from all sides, King John was pushed in 1215 to sign the Magna Carta.

Meet the daughters of King Arthur's descendant, Merlin Pendragon: Averil: She may be the lord's eldest - and illegitimate-daughter, but Averil knows her dazzling beauty can buy her what she wants most: marriage to a great and powerful lord. Maia: As the legitimate heiress with a hefty dowry, Maia can have any man she chooses, namely Emrys Llyn, a descendant of Lancelot and the Lady of the Lake. Junia: As charming as she is irrepressible, Junia is the lord's youngest daughter. Junia is content to roam the countryside, where she can be alone with Richard de Bohun.

A reckless princess. An enemy kingdom. And a mistake that could cost her everything.

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.