Medieval English

A hero of the crusades, Dominic le Sabre has returned in glory and in triumph to claim his reward: the beautiful Saxon bride awarded to him by the conqueror king. But Lady Margaret of the Blackthorne cannot yield to the bold Norman invader.

In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities—Cahors, Moissac, Montauban—all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. “The onward march of history, my House keeps demonstrating, never takes a rest,” he observes, pulling us vividly into his world.

At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital.

Lady Carliss faces the challenge of her life. Can she save the kingdom before it's too late? Determined, smart, and a master of both the sword and the bow, Lady Carliss has proven herself as a veteran Knight of the Prince. Returning from a mission of aid, Carliss is plunged into adventure once again as she searches for the marauders responsible for kidnapping a friend's family.

After enduring years of her nobleman father's cruelty and abuse, Celestina Lunde is ready to take her own life rather than enter into an arranged marriage with an equally brutal man. But just when she is about to leap through the window of her tower bedroom, a brawny Highland warrior arrives at her home and changes everything.

Kihrin is a bastard orphan who grew up on storybook tales of long-lost princes and grand quests. When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised. He also discovers that the storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies, true love, and how the hero always wins. Then again, maybe he’s not the hero, for Kihrin is not destined to save the empire. He’s destined to destroy it.

At the side of the most famous warlord of history, Matilda worked, not as a quiet, modest wife, but as a leader...as a ruler just as ruthless as her husband. Under her soft mask of beauty and modesty there lay the heart of a woman powered by ambition. A woman who was strong, courageous, and devious.... Through the eyes of one of the most extraordinary women of history unfold the events leading to the invasion of England and the battle that would decide its fate....

Chandra de Avenell might look like a golden princess, but she fights like a warrior, dreams a warrior’s dreams, and wears a warrior’s pride like a suit of armor. She wants to be strong, independent, and free. She has no use at all for a husband. Enter the man her father has selected for her. Jerval de Vernon takes one look at Chandra, and he wants her. After he saves her from a very bad situation, he sets himself to wooing her—not an easy task.

Socrates, at 70+ years of age, defends himself against charges of corrupting the youth of Athens, atheism, and other false claims before accepting his fate and starting his final days on Earth.

Gideon Sinclair, the third Sinclair brother, judges everything in stark terms of good and evil. There is nothing in between, and he is efficient at passing judgment without mercy. Now that his clan has conquered the warring MacKays, Gideon starts the process of integrating them into the Sinclair Clan. He will sort the people, punish the bad, and better the lives of the good. Judging is as easy to him as breathing, until he meets Christina MacKay, who steals his breath...along with his Sinclair ring.

In a saga reminiscent of Game of Thrones and The Last Kingdom, Battle for the Island Kingdom reveals the life-and-death struggle for power which changed the course of history. The six decades leading up to 1066 were defined by bloody wars and intrigues, in which three peoples vied for supremacy over the island kingdom. In this epic retelling, Don Hollway (The Last Viking) recounts the clashes of Vikings, Anglo-Saxons and Normans, their warlords and their conniving queens.

Lady Leila Barrington is the youngest daughter of the Earl of Werrick. While she has always known she is loved, she still carries the guilt of her birth and feels set apart from her sisters—not only in appearance but also by the visions that haunt her. In a world where fear and superstition rule, her gifts may cost her everything, including her life. But when she has a premonition of the great pestilence, she knows she will not be able to turn her back on the sick and dying. Not even after she sees her own death at the hands of the man she is fated to love.

Desperate times call for desperate measures, and no one is more desperate than Highlander Alasdair MacRae. His clan is on the verge of disaster thanks to continuous raids from the lying, thieving, murdering MacKenzies. Their latest strike has left Alasdair’s family on the precipice of starvation, and his brother badly wounded. The time has come to hit back, and what better blow to deliver than to kidnap his enemy’s daughter and use her to negotiate much-needed peace.

For a man who has no intention of wedding anytime soon, if ever, Thor MacLeod finds himself submitting to an unwanted marriage in one moment and obliged to hunt down his new wife in the next—all in the name of protecting his family. The task seems simple enough: Find the lass accused of treason who stabbed him and then fled after their vows, return her to his commander, and then have their union dissolved. But nothing is ever simple when it comes to beguiling lasses like the fiery-haired woman he wed.

Bran Davidson's sister is going to be hanged unless he agrees to take Werrick Castle. Ever a pawn in a rich man's game, Bran has no choice but to force his way into Werrick on behalf of the Scottish Middle March Warden. He quickly discovers getting into the castle is the easy part. Dealing with its mistress, however, will take every ounce of cunning and determination he can muster, especially when she turns his blood to fire.

Epictetus (c. AD 50-135) was a former Roman slave (he was also lame in one leg, and walked with a crutch) who went on to become a great teacher. His philosophy, Stoicism, was practical, not theoretical - aimed at relieving human suffering here and now. The Manual is a collection of Epictetus' essential teachings and pithy sayings, compiled by one of his students.

A hero’s journey begins in an exhilarating new series by Griff Hosker. In 1335 the Black Death was just 13 years away from England, but there were other threats and dangers. Young John Hawkwood is forced to leave his home and seek a life in London. There he learns how to survive and, more importantly, how to fight. Leaving his life as an apprentice tailor he follows the army and King Edward to fight the Scots. He has a skill: he can not only use a bow, but he can use a sword and his mind.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

The kingdom of Goredd: a world where humans and dragons share life with an uneasy balance, and those few who are both human and dragon must hide the truth. Seraphina is one of these, part girl, part dragon, who is reluctantly drawn into the politics of her world. When war breaks out between the dragons and humans, she must travel the lands to find those like herself - for she has an inexplicable connection to all of them, and together they will be able to fight the dragons in powerful, magical ways.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.