Medieval English

In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities—Cahors, Moissac, Montauban—all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. “The onward march of history, my House keeps demonstrating, never takes a rest,” he observes, pulling us vividly into his world.

At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital.

Magic is fading from Wales—choked off by King Offa’s Dyke, the enemy earthworks that spans the entire border. Even the dragons have disappeared. And now an attack is imminent. Prince Taliesin would love to watch magic die. Prince Dafydd fears it, and the throne. But when their father promises the crown to whichever son can destroy the dyke and restore magic to Wales, the brothers are forced into an uneasy rivalry.

England in the Age of Chivalry … and Awful Diseases covers the events, personages, and ideas most commonly known as “medieval.” This includes Geoffrey Chaucer, the peasants revolt, the Scottish Wars of Independence, the Great Famine of 1315, the Black Death, and the 100 Years War. Central to this time is King Edward III, who started the 100 Years War and defined the concept of chivalry, including England’s order of the garter. His legacy continues to shape our view of England’s history and is crucial in understanding the development of Europe.

Oedipus Rex, by Sophocles, is a tragedy that has been enjoyed for centuries. This drama is an absolute must for any scholar, student, drama lover, or classical literature fan. Here, you will find the unabridged and complete version of the work.

Kihrin is a bastard orphan who grew up on storybook tales of long-lost princes and grand quests. When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised. He also discovers that the storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies, true love, and how the hero always wins. Then again, maybe he’s not the hero, for Kihrin is not destined to save the empire. He’s destined to destroy it.

In the Robin Hood reimagining, a beautiful maiden poaches to feed the poor, while a handsome forester is on a mission to catch her.

When Hugh and Kate’s new-born son is taken to the church to be baptized, they are astounded to find that the locked font is completely dry. The possibility of a leak is quickly ruled out, and just as Hugh is beginning to wonder if there may be a sinister explanation for the stolen holy water, Fr Robert is found lying motionless by the rood screen in a pool of blood …

At the side of the most famous warlord of history, Matilda worked, not as a quiet, modest wife, but as a leader...as a ruler just as ruthless as her husband. Under her soft mask of beauty and modesty there lay the heart of a woman powered by ambition. A woman who was strong, courageous, and devious.... Through the eyes of one of the most extraordinary women of history unfold the events leading to the invasion of England and the battle that would decide its fate....

Chandra de Avenell might look like a golden princess, but she fights like a warrior, dreams a warrior’s dreams, and wears a warrior’s pride like a suit of armor. She wants to be strong, independent, and free. She has no use at all for a husband. Enter the man her father has selected for her. Jerval de Vernon takes one look at Chandra, and he wants her. After he saves her from a very bad situation, he sets himself to wooing her—not an easy task.

When the violent Cape wind blows from the southeast, they say the voices of the unquiet dead can be heard whispering through the deserted valley. Suzanne Joubert, a Huguenot refugee from war-torn France, is here to walk in her cousin’s footsteps. Louise Reydon-Joubert, the notorious she-captain and pirate commander, landed at the Cape of Good Hope more than sixty years ago, then disappeared from the record as if she had never existed. Suzanne has come to find her — to lay the stories to rest. But all is not as it seems . . .

On Gotland Sidroc wakes from a disturbing dream; one of his sons, Hrald or Yrling–perhaps both–are in trouble. Both are in far-off Angle-land, and beyond his reach. Eskil the Svear sails to the island, offering Sidroc a rare opportunity to gain untold riches, with equal risk to life for those joining the venture. Edwin, Lord of Kilton, returns empty-handed from his search for a bride, while his brother Ceric knows true delight with his young wife Dwynwen, the Princess of Ceredigion.

Bran Davidson's sister is going to be hanged unless he agrees to take Werrick Castle. Ever a pawn in a rich man's game, Bran has no choice but to force his way into Werrick on behalf of the Scottish Middle March Warden. He quickly discovers getting into the castle is the easy part. Dealing with its mistress, however, will take every ounce of cunning and determination he can muster, especially when she turns his blood to fire.

After eight years, Evadne will finally be reunited with her older sister, Halcyon, who has been serving in the queen’s army. But when Halcyon unexpectedly appears a day early, Eva knows something is wrong. Halcyon has charged with a heinous crime, and though her life is spared, she is sentenced to 15 years. Suspicious of the charges, brought forth by Halcyon’s army commander, as well as the details of the crime, Eva volunteers to take part of her sister’s sentence. If there’s a way to absolve Halcyon, she’ll find it.

A hero of the crusades, Dominic le Sabre has returned in glory and in triumph to claim his reward: the beautiful Saxon bride awarded to him by the conqueror king. But Lady Margaret of the Blackthorne cannot yield to the bold Norman invader.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

Brunhild was a foreign princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet - in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport - these two iron-willed strategists reigned over vast realms, changing the face of Europe.

Garrick Sinclair, an expert archer and Robert the Bruce's best mercenary, is sent on a covert operation to the Borderlands by his older brother, Laird Robert Sinclair. He never expects to meet the most beautiful woman he's ever seen - who turns out to be the sister of Raef Warren, his family's mortal enemy. Though he knows he shouldn't want her - and doesn't deserve her - can he resist the passion that ignites between them?

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil. Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft.

When a red-haired woman tries to steal Sir Gybbon Murray's horse on his journey back to the Murray stronghold, he thanks his lucky stars his horse is a rude lout - and that the pretty thief is not so injured that she can't tell her tale. He's no nursemaid to delicate lasses, but Mora Ogilvy is fleeing her ruthless cousins, fearing for her life. And when she tells him of the home they've taken from her and the man they say she murdered, Gybbon cannot let such injustice stand....