Medieval English

From the Norman Conquest to the Battle of Bosworth Field - how Britain was invaded and became a nation. The first volume in the stunning four-volume Brief History of Britain series. From the Battle of Hastings to the Battle of Bosworth Field, Nicholas Vincent tells the story of how Britain was born. When William, Duke of Normandy, killed King Harold and seized the throne of England, England’s language, culture, politics, and law were transformed.

Master Hugh is asked to provide a sleeping potion for Sir Henry Burley, a friend and guest of Lord Gilbert who has outstayed his welcome at Bampton Castle. The next morning after Master Hugh provides the potion, Sir Henry is found dead, eyes open, in his bed. Master Hugh, the target of the wife’s wrath, is asked by Lord Gilbert to determine the cause of death....

In God's Battalions, award-winning author Rodney Stark takes on the long-held view that the Crusades were the first round of European colonialism, conducted for land, loot, and converts by barbarian Christians who victimized the cultivated Muslims. To the contrary, Stark argues that the Crusades were the first military response to unwarranted Muslim terrorist aggression.

In the final installment of the Tales of the Otori, the young Takeo meets his destiny, fulfilling the prophesy: "You were born into the Hidden, but your life...is no longer your own."

Epictetus (c. AD 50-135) was a former Roman slave (he was also lame in one leg, and walked with a crutch) who went on to become a great teacher. His philosophy, Stoicism, was practical, not theoretical - aimed at relieving human suffering here and now. The Manual is a collection of Epictetus' essential teachings and pithy sayings, compiled by one of his students.

Dombey and Son is vintage Dickens and explores the classic themes of betrayal, cruelty and deceit. Dombey's dysfunctional relationships are painted against a backdrop of social unrest in industrialized London, which is populated by a host of fascinating and memorable secondary characters. The complete and unabridged novel is brought spectacularly to life by veteran reader David Timson.

Some men strive for greatness. And some men find themselves thrust into the role of their nation's saviors. Such are the two heroes who reshaped and reconfigured the entire destiny of the kingdom of Scotland. Wallace the Braveheart would become the only legendary, heroic, commoner in medieval British history. The other, Robert Bruce, earl of Carrick, would perfect the techniques of guerrilla warfare developed by Wallace and use them to create his own place in history as the greatest king of Scots.

"Abandon all hope you who enter here." Dante's Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism.

The kingdom of Goredd: a world where humans and dragons share life with an uneasy balance, and those few who are both human and dragon must hide the truth. Seraphina is one of these, part girl, part dragon, who is reluctantly drawn into the politics of her world. When war breaks out between the dragons and humans, she must travel the lands to find those like herself - for she has an inexplicable connection to all of them, and together they will be able to fight the dragons in powerful, magical ways.

Alan, the beadle of the manor of Bampton, had gone out at dusk to seek those who might violate curfew. When, the following morning, he had not returned home, his young wife Matilda had sought out Master Hugh de Singleton, surgeon and bailiff of the manor. Two days later Alan’s corpse was discovered in the hedge, at the side of the track to St. Andrew’s Chapel. His throat had been torn out - his head was half severed from his body - and his face, hands, and forearms were lacerated with deep scratches.

In a saga reminiscent of Game of Thrones and The Last Kingdom, Battle for the Island Kingdom reveals the life-and-death struggle for power which changed the course of history. The six decades leading up to 1066 were defined by bloody wars and intrigues, in which three peoples vied for supremacy over the island kingdom. In this epic retelling, Don Hollway (The Last Viking) recounts the clashes of Vikings, Anglo-Saxons and Normans, their warlords and their conniving queens.

Known as the king maker, Ada MacQuerrie yearns to wed for love and not the magical gift she possesses. But her ruthless stepbrother doesn’t care what she wants. He just needs her to marry one of his treacherous allies. When an attempt to escape his control and save those she loves goes awry, Ada is forced to choose a husband from the miscreants who’ve come to align themselves with him.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair.

In this indispensable volume, one of America's ranking scholars combines a life's work of research and teaching with the art of lively narration. Both authoritative and beautifully told, The Middle Ages is the full story of the thousand years between the fall of Rome and the Renaissance - a time that saw the rise of kings and emperors, the flowering of knighthood, the development of Europe, the increasing power of the Catholic Church, and the advent of the middle class.

Sir Dalton, a knight in training, seems to have everything going for him. Young, well-liked, and a natural leader, he has earned the respect and admiration of his fellow knights, as well as the beautiful Lady Brynn. But something is amiss at the training camp. Their new trainer is popular but lacks the passion to inspire them to true service to the King and the Prince.

Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting.

Desperate times call for desperate measures, and no one is more desperate than Highlander Alasdair MacRae. His clan is on the verge of disaster thanks to continuous raids from the lying, thieving, murdering MacKenzies. Their latest strike has left Alasdair’s family on the precipice of starvation, and his brother badly wounded. The time has come to hit back, and what better blow to deliver than to kidnap his enemy’s daughter and use her to negotiate much-needed peace.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

King. Warrior. Lover. Brian Boru was stronger, braver, and wiser than all other men-the greatest king Ireland has ever known. Out of the mists of the country's most violent age, he merged to lead his people to the peak of their golden era. His women were as remarkable as his adventures: Fiona, the druidess with mystical powers; Deirdre, beautiful victim of a Norse invader's brutal lust; Gormlaith, six-foot, red-haired goddess of sensuality.