Medieval English

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity.

Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

In the Robin Hood reimagining, a beautiful maiden poaches to feed the poor, while a handsome forester is on a mission to catch her.

Scottish Highlands, 1727. In the aftermath of a tragic fire that kills her father, Aila and her mother, Janet, move to the remote parish of Loth, north-west of Inverness. Blending in does not come easily to the women: Aila was badly burned in the fire and left with visible injuries, while her mother struggles to maintain her grip on reality. When a temporary minister is appointed in the area, rather than welcome the two women, he develops a strange curiosity for them that sets them even further apart from the community.

England, 1364: When married off at aged twelve to an elderly farmer, brazen redheaded Eleanor quickly realizes it won’t matter what she says or does, God is not on her side—or any poor woman’s for that matter. But then again, Eleanor was born under the joint signs of Venus and Mars, making her both a lover and a fighter.

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

This is what happened. I saw it, and it is a true tale. So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth-century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.

Dating to the ninth century BC, Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb Introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

In a 2010 terrorist plot, Al-Qaeda hid a bomb in a FedEx shipment addressed to Reynald de Chatillon, a knight who had died centuries ago in the Crusades. A reviled figure in Islamic history, often portrayed as the very epitome of brutality, Reynald remains as controversial - and as vividly present in the minds of many in the Middle East - as the story of the Crusades themselves.

The Illiad dates back to the 8th century BC and is Homer's epic precursor to The Odyssey. Set during the Trojan War, it tells of battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.

Pursued by her enemies, flattered and courted for her lands, a powerful, devious princess is desperate to reach refuge. Haunted by the shadow of the young assassin set upon her, Princess Melanthe knows that an ice cold countenance is her only protection. To succumb to love is the greatest danger of all. She can trust only one man amid the lies, the mysterious Green Knight - a true knight who never wavers once he gives his heart; a man who cannot comprehend deceit.

Author Stewart Gordon has fashioned a fascinating and unique look at Asia from AD 700 to 1500, a time when Asia was the world, by describing the personal journeys of Asia's many travelers - the merchants who traded spices along the Silk Road, the apothecaries who exchanged medicine and knowledge from China to the Middle East, and the philosophers and holy men who crossed continents to explore and exchange ideas, books, science, and culture.

Here, from New York Times best-selling historian Francis Russell, is the dramatic story of Germany - from the rise of Charlemagne to the age of Martin Luther, from the 30 Years' War to the iron rule of Otto von Bismarck, and from the formation of the Weimar Republic to the fighting of two world wars.

Epictetus (c. AD 50-135) was a former Roman slave (he was also lame in one leg, and walked with a crutch) who went on to become a great teacher. His philosophy, Stoicism, was practical, not theoretical - aimed at relieving human suffering here and now. The Manual is a collection of Epictetus' essential teachings and pithy sayings, compiled by one of his students.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world.

Brienna desires only two things: to master her passion and to be chosen by a patron. Growing up in Valenia at the renowned Magnalia House should have prepared her. While some are born with a talent for one of the five passions - art, music, dramatics, wit, and knowledge - Brienna struggled to find hers until she chose knowledge. However, Brienna's greatest fear comes true - she is left without a patron. But months later, her life takes an unexpected turn when a disgraced lord offers her patronage.

In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities—Cahors, Moissac, Montauban—all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. “The onward march of history, my House keeps demonstrating, never takes a rest,” he observes, pulling us vividly into his world.

The word medieval conjures images of the “Dark Ages”. But the myth of darkness obscures the truth; this was a remarkable period in human history. The Bright Ages recasts the European Middle Ages for what it was, capturing this 1,000-year era in all its complexity and fundamental humanity, bringing to light both its beauty and its horrors. The Bright Ages takes us through 10 centuries and crisscrosses Europe and the Mediterranean, Asia, and Africa, revisiting familiar people and events with new light cast upon them.