Medieval English

When Bampton’s coroner, Hubert Shillside, does not return from a trip to Oxford, Master Hugh de Singleton is called. Concerned for his old friend, Hugh takes to the road to investigate. Travel is safer than in times hence but, out of sight of prying eyes, it is still unwise to travel alone. Hugh finds a body, stabbed and left to rot, but it is not the body he was expecting to find. Indeed, reports of pillage, attacks, and chaos on the roads out of Oxford suddenly seem rampant. Hugh must ascertain whether the incidents are random, or whether something darker is afoot.

Mr. Henty weaves a story of the life and times of King Richard the Lion-hearted that is yet to be equaled. Cuthbert de Lance, the hero of the story, is of Norman blood on his father's side and Saxon by his mother. By providing timely aid to the Earl of Evesham, Cuthbert is rewarded by being allowed to go to the Crusade as his page. He gains a reputation for valor and prowess due to gallant deeds, and his resourcefulness not only helps King Richard but aids Cuthbert in many a 'hairbreadth escape'.

In the city of Kortufan, spies, assassins, mercenaries, arms dealers, rebels, smugglers, and informants do dirty deals dirt cheap. The Poxy Dragon is a rough bar outside the worst part of the medieval Silk Road. It takes serious courage just to walk into the place, not only from its reputation, but because of the rough clientele, questionable food, awful beer, and abysmal hygiene. Lots of taverns in Kortufan are home to ruffians and illegal dealings, but the Poxy Dragon is the proving ground for heroes - with a cemetery out back for the ones who don't make the cut.

It is early in the twelfth century, and the civil war between King Stephen and the Empress Maud rages with renewed vigor. In the battle of Lincoln, the sheriff of Shropshire is captured, and the king himself is detained by his enemies. An exchange of prisoners is arranged: the sheriff will be bartered for a young Welsh lordling who has been captured during a misguided assault on a convent.

There is an ancient evil in the Back Country, dormant for centuries but now hungry and lurking. When it sets its sights on an unsuspecting mother one routine morning, a quiet farming family is suddenly thrust into a world of unspeakable terror, and a young Gretel must learn to be a hero. Collection includes Gretel, Marlene's Revenge, Hansel, and Anika Rising.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

Plato's dialogue in the Symposium, which has as its topic the subject of love, explores the idea of love as a means of ascent to contemplation of the Divine. For Plato, generally, to love other human beings is to direct one's mind to love of Divinity. One proceeds from recognition of another's beauty to appreciation of Beauty as it exists apart from any individual, to consideration of Divinity, the source of Beauty, to love of Divinity.

A reckless princess. An enemy kingdom. And a mistake that could cost her everything.

A maiden’s self-imposed isolation makes her the seductive prize in a royal battle for power. When Sir Rylan Kempe, Lord of Blaecston, a fierce yet noble warrior-knight locked in a vengeful battle with a royal enemy, comes to claim her and her castle in the name of ultimate revenge, Joanna is intent on defying the commanding knight at every turn.

Fionna's only hope to save her family lies across the Irish Sea. As a warrior princess of Ulster, the rival clan holding her father and sister for ransom knows she'll pay any price to get them back. But even she couldn't predict the task set before her - to steal a faerie sword from a king. The Kingdom of Caerleon is dying under Morgan le Fay's dark magic. Her vengeful curse has locked Excalibur in its scabbard, placing Arthur Pendragon's kingship in jeopardy. Now Arthur and his sword brothers have one hope. The fifth knight. The one foretold by Merlin who will break the curse.

Richard de Claiborne, the dark earl of Dunsmore, serves King Edward Plantagenet well. Sworn to obey his king's every order, he nevertheless chafes at the command he wed the daughter of his enemy - a man who slew his father in cold blood. But King Edward wants peace in his lands, and he will stop at nothing to get it. If he has to order his most powerful Marcher lord to marry a Welsh princess, he considers it a small price to pay. Princess Gwenllian is a political pawn. When she's forced to marry the evil Black Hawk de Claiborne, she quakes at his fierceness and brutality.

Kel has finally achieved her lifelong dream of being a knight. But it's not turning out as she imagined at all. She is torn between a duty she has sworn to uphold and a quest that she feels could turn the tide of war. Unrelentingly realistic in its depiction of the horrors of war, Pierce provides exquisite details of the weaponry, topography, and culture of her world, and her control of a voluminous cast of characters is masterful.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

September, 1356. Poitiers. The greatest knights of the age were ready to give battle. On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the king and his son, the dauphin. With 12,000 knights. And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this savage new world of intrigue, betrayal and greed, first he must learn to survive.

The Mosquito was probably World War II's most versatile combat aircraft. This book contains hundreds of firsthand accounts from many of the two-man crews who flew in them; pilots and navigators. It portrays the dramatic experiences of flying in its many roles as pathfinder, night fighter, reconnaissance aircraft, precision bombing, and low-level ground attack aircraft. It describes many of the RAF's most audacious raids on prime, but difficult, targets where carpet bombing by heavy bombers was likely to be ineffective and cause unnecessary casualties to civilians.

Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief.

Edmund Harkins has gone missing. Few in Bampton liked him, knowing him to be a wife-beater and distinctly unsavory character, so when some hungry pigs unearth his corpse from a shallow grave, there is hardly an outpouring of grief. As bailiff, it is Hugh de Singleton’s duty to bring Edmund’s killer to justice. But where is he to start investigating when almost everyone in the village has a motive? And when everyone is pleased to see the scoundrel dead, who knows how far they might go to help someone get away with murder?

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.